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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Major-minor March
Non classifié
19
Piano & claviers
Piano seul
16
Piano Facile
8
Orgue
3
Instruments en Do
1
Piano, Voix et Guitare
1
Guitares
Guitare notes et tablatures
2
Guitare
2
Voix
Chorale SATB
2
Chorale 3 parties
1
Vents
Flûte, Hautbois, Clarinette, Basson
3
Flûte traversière et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Tenor et Piano
2
2 Flûtes traversières (duo)
2
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
Saxophone Baryton, Piano
1
Clarinette Basse, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette et Piano
1
2 Hautbois (duo)
1
Flûte, Clarinette (duo)
1
2 Saxophones (duo)
1
Saxophone Alto et Piano
1
+ 10 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone et Piano
3
Trompette, Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba et Piano
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon et Piano
3
Alto, Piano
2
2 Violons (duo)
2
Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle, Piano
1
Contrebasse, Piano (duo)
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Ensemble de cuivres
5
Orchestre à Cordes
4
Orchestre
4
Fanfare
3
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COR ANGLAIS
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
TROMBONE
TROMPETTE
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VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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Vous avez sélectionné:
The Major-minor March
Guitare notes et tablatures
Partitions à imprimer
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When The Saints Go Marching In
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.962497 Arranged by Kevin J Gardner. Chr…
(+)
Guitar - Level 1 - Digital Download SKU: A0.962497 Arranged by Kevin J Gardner. Christian,Folk,Instructional,Standards. Guitar Tab. 2 pages. Kevin J Gardner #4985063. Published by Kevin J Gardner (A0.962497). This version of When The Saints Go Marching In is structured for an advanced beginner or intermediate student of flat-picked acoustic guitar. It blends the melody with the chords for a full sounding version when played by a guitarist. It uses the C Major, C7, G7, F Major, and F minor chords. Great song for lessons or to learn on your own.
$1.99
1.83 €
#
Guitare notes et tablatures
#
Kevin J Gardner
#
When The Saints Go Marching In
#
Kevin J Gardner
#
SheetMusicPlus
The Moon Of Wintertime (The Huron Carol)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by P…
(+)
Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by Perry Brooks Nichols. Romantic Period, Classical Period, Folk, Recital, Americana. Score, Tablature. 18 pages. Published by Perry Brooks Nichols
“Sebastopol, A Descriptive Fantaisie For The Guitar” or “The Siege of Sebastopol” by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e “Vestapol” or “tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. “Sebastopol” was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; “The Siege Of Sevastopol” of the Crimean War was this breakthrough. The “descriptive fantaisie” aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the “Drumming” technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the “percussive guitar” genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.“Sebastopol, A Descriptive Fantaisie For The Guitar” or “The Siege of Sebastopol” by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e “Vestapol” or “tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. “Sebastopol” was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; “The Siege Of Sevastopol” of the Crimean War was this breakthrough. The “descriptive fantaisie” aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the “Drumming” technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the “percussive guitar” genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.
$5.00
4.6 €
#
Guitare notes et tablatures
#
Henry Worrall
#
Perry Brooks Nichols
#
The Moon Of Wintertime
#
SheetMusicPlus
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