This is my solo classicalguitar tremolo arrangement of Schubert's ?Ave Maria.? It is still considered in the top three ofmost requested wedding songs. I?ve found that having it arranged as a guitartremolo piece really adds to its impact.

Muse
Sing for Absolution

Arranged for solo guitar by Dan Jones
www.danjonesguitarist.com
www.danjonesauthor.com

This arrangement of the Sing for Absolution by the English rock band Muse is for advanced guitarists. It is arranged to respect the original melody and harmony, while creating a work which is in a classical/fingerstyle guitar style.

This single purchase will give the score in a 'notes and TAB' version and also a 'notes only' version.

The arrangement features a tremolo section which can serve as a right-hand study. Players finding the four-note tremolo pattern too rapid can change it for a triplet tremolo (pmi or pim), quavers or even simple crotchets.

A video of the arranger performing the piece will be available at www.danjonesguitarist.com before the end of April 2021.

For a wealth of arrangements for guitarists of all abilities, both solo and in ensemble, please visit www.danjonesguitarist.com.

This is a solo, classical guitar tremolo arrangement of The Godfather Love Theme. This version includes guitar tablature along with fingerings, barre markings and string designations in the notation staff. The particular version of the Godfather theme that this arrangement was taken from was actually entitled "Appollonia" in the original Godfather soundtrack. It is the version of the theme that occurs while Michael is consummating his marriage in Sicily and is presented with classical guitar accompaniment and a mandolin playing the melody. It is the only version the The Godfather Theme that is in 6/8 time, making it perfect for a solo, classical guitar tremolo arrangement.

ISBN 9781513455709. 8.75 x 11.75 inches.

These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas estos 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.

ISBN 9781513455693. 8.75 x 11.75 inches.

These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas etros 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.

Tremolo Guitar Piece inspired by Bondi Beach, AUSTRALIA. It is appropriate for schools and students. I encourage you to start slowly to achieve fluent tremolo sound with your right hand and later gradually increase speed.

ISBN 9781513470375. 8.75x11.75 inches.

Intended as a sequel to 20 Flamenco Guitar Etudes, the longer, more developed exercises in 16 Studies for Flamenco Guitar further explore characteristic flamenco guitar techniques including: picado, arpeggio, tremolo, horquilla, the chop, ligado, and the thumb/index alzapua among others. These intermediate-level studies are written in standard notation and guitar tablature with online audio and video included for ease of learning.The pieces are designed and fingered pragmatically to enhance the students overall understanding of flamenco technique and encourage the use of a broader range of studies in daily practice. Left and right-hand digitation is provided throughout, along with occasional circled string numbers which clarify passages intended to be played higher on the fretboard, or on certain strings for a specific musical effect.This book is unique not only for its inclusion of the authors stellar online audio and video recordings, but also for insightful practice tips that vary according to the players years of experience and level of development. If youre thinking WOW! that is the appropriate response; this is flamenco instruction at its best.Includes access to online audio and video.

ISBN 9781513459240. 8.75x11.75 inches.

Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist.The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuningall with a flamenco flavor.In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or flamenco-ized. Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous Recommended Listening list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection.Includes access to online audio.

ISBN 9781619119574.

This book includes a multitude of beginning to intermediate studies, designed to build right-hand picking technique and coordination between both hands. The material includes vertical picking exercises across various string combinations, linear picking studies, tremolo studies, warm-ups, picking etudes, triplet exercises and picking solosaessential material that will supplement any guitar method. Written in standard notation and tablature.

Classical and Flamenco Guitar Solos and Etudes provides an introduction to classical and flamenco guitar techniques through 22 pieces. These short, melodic studies will increase your understanding of chord/harmonic shapes, and encompass a variety of styles: vals, classical etudes, malaguena, solea, rumba, farruca, and bulerias. The five main techniques in classical and flamenco guitar are: pulgar (thumb rest stroke), arpeggio, picado (index and middle alternating strokes), rasgueo (strumming), and tremolo (flamenco) a which are applied throughout this book. Includes access to online audio and video.

Three Preludes on Occitan Songs

The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.

In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).

Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.
I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.

The Cancion de Hialara translates as ?The Spinner?sSong?. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.

Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.

Lò NostreAse translatesas ?Our Donkey?. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.

For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.

This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.

Thankyou and I hope you enjoy Three Preludes on Occitan Songs.

Subiendo la Montaña (Climbing the Mountain) This is a tremolo piece that i dedicate to Mexican mountaineers (Laura Gonzalez del Castillo and Yuri Contreras)

ISBN 9781619119666.

Sardinian flamenco guitar virtuoso, Dario Piga, delivers 18 intermediate to advanced exercises in this progressively arranged book addressing: arpegio, pulgar, picado, rasgueo, alzapua, and tremolo techniques. Dario himself studied in Spain with several prominent guitarists and singers, so is fluent with the authentic rhythms and techniques essential to effective flamenco guitar soloing and song and dance accompaniment. The pulgar (thumb) exercises in this volume will be of particular interest to flamenco aficionados as they explore various rhythms and chord inversions throughout the fretboard. Following his studies in Spain, Dario added jazz harmony to his lexicon of musical resources and frequently participates in the Time in Jazz festival in Sardinia. His affinity for jazz is also reflected in the appealing modern harmonies that occur in these studies. Two stunning Piga flamenco guitar solos provide a magnificent ending to this collection, written in standard notation and tablature. Includes access to online audio.