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--INSTRUMENTS--
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When I Rise
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41
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10
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6
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4
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7
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6
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6
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4
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Saxophone Baryton, Piano
1
2 Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Saxophones, Piano
1
Clarinette et Alto
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
5
Trompette, Piano
4
2 Trombones (duo)
3
Trombone et Piano
3
Tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
2
Trompette, Trombone, Piano
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon
7
Violon et Piano
6
2 Violons (duo)
5
Violoncelle, Piano
4
Alto, Piano
4
Harpe, Voix
4
Alto seul
3
2 Altos (duo)
3
Violoncelle
3
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
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13
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9
Cloches
4
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3
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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MANDOLINE
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Crtitères actifs :
When I Rise
Guitare notes et tablatures
Partitions à imprimer
3 partitions trouvées
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1
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Bourrée in E minor (Bach Bops Bourrée Busking by Birdland, Baroque)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Brad Powell
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Bourrée in E minor
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1396458 By The Candlelight Guitarist. By Johann Sebastian Bach. Arranged by Brad Powell. Baroque,Blues,Classical,Instructiona...
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Guitar - Level 3 - SKU: A0.1396458 By The Candlelight Guitarist. By Johann Sebastian Bach. Arranged by Brad Powell. Baroque,Blues,Classical,Instructional,Jazz. Guitar Tab. 4 pages. Geofonica Artistworks #979795. Published by Geofonica Artistworks (A0.1396458). Bach's classic Bourrée in E minor arranged for guitar in a jazz-swing-blues style, with walking bass lines on guitar, melody figures swung, and harmonic passages adapted towards a cool jazz and bluey idiom. It's actually a bit more difficult than the original--because the swung melody and bass lines are syncopated rather than matched... but it is very cool and fun to play, and a great showpiece for an intermediate level guitarist! A fun surprise addition to a recital! Listen to the performance by Brad in the link provided! Incidentally... Brad studied from and was mentored by jazz guitar giant Joe Pass, and took a master class from Andrés Segovia, so this arrangement bridges both musical worlds--jazz and classical--that he came up in.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
Three Preludes on Occitan Songs for Solo Guitar
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Guitare notes et tablatures
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AVANCÉ
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Contemporain
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Dan Jones
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Three Preludes on Occitan Song
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danjonesguitarist.com
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SheetMusicPlus
Guitar Tab - Advanced - Composed by Dan Jones. 21st Century, Contemporary Classical, World, European. Solo Part, Tablature. 19 pages. Published by ...
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Guitar Tab - Advanced - Composed by Dan Jones. 21st Century, Contemporary Classical, World, European. Solo Part, Tablature. 19 pages. Published by danjonesguitarist.com
Three Preludes on Occitan Songs
The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.
In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).
Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.
I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.
The Cancion de Hialara translates as ?The Spinner?sSong?. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.
Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.
L NostreAse translatesas ?Our Donkey?. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.
For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.
This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.
Thankyou and I hope you enjoy Three Preludes on Occitan Songs.
$6.95
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When I Rise