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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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Non classifié
1800
PIANO & CLAVIERS
Piano seul
1152
Piano, Voix
447
Piano Facile
374
Instruments en Do
257
Piano, Voix et Guitare
245
Orgue
208
Accompagnement Piano
63
Piano grosses notes
48
2 Pianos, 4 mains
43
Accordéon
40
1 Piano, 4 mains
33
Piano Trio: piano, violon, violoncelle
19
Orgue, Piano (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
5
2 Pianos, 8 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon, Piano
1
Clavecin
1
1 Piano, 6 mains
1
Clavier
1
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GUITARES
Guitare
135
Piano, Guitare (duo)
110
Guitare notes et tablatures
97
Ligne De Mélodie, (Paroles) et Accords
88
Ukulele
44
Basse electrique
21
Guitare (partie séparée)
7
Dulcimer
7
Mandoline
5
2 Guitares (duo)
5
Paroles et Accords
4
Banjo
4
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
Instrumentations suivantes
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VOIX
Chorale SATB
548
Chorale 3 parties
154
Chorale 2 parties
138
Voix Soprano, Piano
71
Chorale TTBB
63
Chorale Unison
61
Voix duo, Piano
51
Chorale SSAA
37
Voix duo
18
Voix Alto, Piano
17
Voix seule
10
Voix Tenor, Piano
9
Voix moyenne, Piano
5
Voix Tenor
3
Voix haute
3
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Chorale SSAATTBB
2
Voix basse, Piano
2
Voix basse
1
Voix Baryton
1
Voix Soprano
1
Chorale
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
232
Hautbois, Piano (duo)
223
Clarinette
184
Saxophone Alto et Piano
162
2 Saxophones (duo)
146
Saxophone Tenor et Piano
145
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
117
Quatuor de Saxophones: 4 saxophones
99
Clarinette et Piano
93
2 Flûtes traversières (duo)
89
Saxophone (partie séparée)
80
2 Clarinettes (duo)
67
Quatuor de Clarinettes: 4 clarinettes
64
Quintette de Saxophone: 5 saxophones
62
Flûte traversière
60
Flûte, Hautbois, Clarinette, Basson
60
Saxophone, Clarinette (duo)
54
Hautbois (partie séparée)
52
Saxophone Alto
38
Clarinette, Violon (duo)
38
Quatuor de Flûtes : 4 flûtes
33
Clarinette, Trompette (duo)
31
Flûte, Clarinette (duo)
30
2 Hautbois (duo)
23
Saxophone Soprano et Piano
21
Ensemble de Clarinettes
20
Hautbois, Flûte
19
Flûte, Violon
19
Hautbois, Clarinette (duo)
18
Clarinette et Alto
17
Flûte, Saxophone (duo)
17
3 Clarinettes (trio)
17
Ensemble de Flûtes
17
Hautbois, Basson (duo)
17
Flûte, Alto (duo)
16
Saxophone Baryton, Piano
15
Quintette de Clarinettes: 5 clarinettes
14
3 Saxophones (trio)
14
Flûte, Trompette (duo)
13
Flûte et Guitare
13
Cor anglais, Piano
13
Flûte à bec Soprano
12
Trio de Flûtes: 3 flûtes
12
Quintette de Flûte : 5 flûtes
10
Ensemble de saxophones
8
Harmonica
7
Clarinette (partie séparée)
7
2 Flûte à bec (duo)
6
Cor Anglais
6
Clarinette Basse, Piano
6
Clarinette, Guitare (duo)
6
Hautbois, Guitare (duo)
5
Flûte, Violon, Piano
5
Flûte à bec Soprano, Piano
4
Flute (partie séparée)
4
Flûte à Bec
4
Quatuor de Flûtes à bec
4
Flûte à bec Tenor
3
Clarinette, Trombone (duo)
3
Saxophone Soprano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Harpe (duo)
3
Flûte à bec Alto, Piano
3
Saxophone et Harpe
3
Clarinette, Basson (duo)
3
Saxophone et Guitare
2
Saxophone Tenor
2
Saxophone et Orgue
2
Flûte irlandaise
2
Hautbois, Harpe
2
Saxophone
1
Flûte à bec Alto
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
3 Flûtes à bec (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
2 Clarinettes, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Basson et Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
2 Flûtes traversières, Piano
1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
164
Trompette
130
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Trompette, Piano
84
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trombone
41
Trompette, Saxophone (duo)
41
Trompette (partie séparée)
31
Trombone (partie séparée)
27
2 Trombones (duo)
27
2 Trompettes (duo)
27
Quatuor de cuivres: 4 trombones
24
Cor et Piano
22
Trompette, Trombone (duo)
22
Quatuor de Cuivres
18
Cor
16
Ensemble de Trombones
15
Cor anglais, Piano
13
Euphonium, Piano (duo)
10
Tuba et Piano
10
Tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor (partie séparée)
8
Cor Anglais
6
2 Euphoniums et 2 Tubas
6
Ensemble de Trompettes
6
2 Cors (duo)
5
Euphonium
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Cors
2
Cor et Harpe
2
4 Tubas
2
Trombone basse et Piano
1
Trompette, Harpe
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
Trombone basse
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
228
Violon et Piano
228
Alto, Piano
206
Violoncelle, Piano
165
Harpe
111
Violon
101
2 Violons (duo)
61
Violon, Violoncelle (duo)
52
Violoncelle (partie séparée)
42
Alto seul
31
2 Violoncelles (duo)
30
Violon, Alto (duo)
27
2 Altos (duo)
27
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle
16
Alto (partie séparée)
16
Harpe, Voix
14
Harpe, Flûte (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Contre Basse
9
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à cordes
6
Contrebasse (partie séparée)
6
Quatuor à cordes: 4 violons
5
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
5
Contrebasse, Piano (duo)
5
Alto et Harpe
5
Violoncelle , Guitare (duo)
5
Alto, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
Harpe, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Harpe et Piano
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Autoharp
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Trombone (duo)
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Violon (partie séparée)
1
2 Contrebasses (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
427
Orchestre
143
Orchestre à Cordes
84
Ensemble Jazz
71
Ensemble de cuivres
58
Cloches
58
Orchestre de chambre
45
Ensemble de Percussions
23
Jazz combo
16
Fanfare
8
Percussion (partie séparée)
7
Batterie
6
Ensemble d'École
6
Batterie (partie séparée)
4
Vibraphone
4
Marimba
4
Xylophone, Piano
2
Xylophone
1
Caisse Claire
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
When On
Guitare notes et tablatures
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When The Saints Go Marching In
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.962497 Arranged by Kevin J Gardner. Chr…
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Guitar - Level 1 - Digital Download SKU: A0.962497 Arranged by Kevin J Gardner. Christian,Folk,Instructional,Standards. Guitar Tab. 2 pages. Kevin J Gardner #4985063. Published by Kevin J Gardner (A0.962497). This version of When The Saints Go Marching In is structured for an advanced beginner or intermediate student of flat-picked acoustic guitar. It blends the melody with the chords for a full sounding version when played by a guitarist. It uses the C Major, C7, G7, F Major, and F minor chords. Great song for lessons or to learn on your own.
$1.99
1.83 €
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Guitare notes et tablatures
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Kevin J Gardner
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When The Saints Go Marching In
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Kevin J Gardner
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SheetMusicPlus
Коли заÑнули Ñині гори / When blue mountains fell asleep, Ukrainian music for gui
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.842872 Composed by Anatoliy Kos-Anatols…
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Guitar - Level 3 - Digital Download SKU: A0.842872 Composed by Anatoliy Kos-Anatolsky. Arranged by Eugen Sedko. Concert,Patriotic,Standards,World. Guitar Tab. 4 pages. Eugen Sedko #6856807. Published by Eugen Sedko (A0.842872). A beautiful Ukrainian song composed during Soviet times, When blue mountains fell asleep. Written by Anatoliy Kos-Anatolsky, guitar arrangement by Ukrainian guitarist Eugen Sedko. Notes and tabs. Watch on youtube: https://youtu.be/E7FzD8PzPAI
$5.99
5.5 €
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Guitare notes et tablatures
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Anatoliy Kos-Anatolsky
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Eugen Sedko
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Коли заÑнули Ñині гори / When blue mountains fell asleep, Ukrainian music for gui
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Eugen Sedko
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SheetMusicPlus
When We Stand Together
Guitare notes et tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013498 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013498 By Nickelback. By Chad Kroeger, Joey Moi, Mike Kroeger, and Ryan Peake. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0013498. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013498). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.75 €
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Guitare notes et tablatures
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Nickelback
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When We Stand Together
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
When She Loved Me
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.942193 By Sarah McLachlan. By Randy Newman. Arran…
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Guitar - Digital Download SKU: A0.942193 By Sarah McLachlan. By Randy Newman. Arranged by Leigh Collins. Contemporary. Guitar Tab. 3 pages. Leigh Collins #6588973. Published by Leigh Collins (A0.942193). 'When She Loved Me' from Toy Story 2 by Randy Newman. Arranged for solo guitar, as performed in the YouTube video. The arrangement includes guitar tablature and standard notation.About the ArrangerLeigh Collins is a guitarist and composer based on the Mornington Peninsula outside of Melbourne, Australia. Leigh currently works as a music transcriptionist and study material designer at music education website, Pickup Music.Leigh’s dedication to the instrument has seen him achieve a Masters of Music from The University of Melbourne. In 2018, Leigh had the opportunity to perform at the Melbourne International Jazz Festival as a member of contemporary jazz ensemble Prickly Pear.In September 2019, Leigh released his debut album, Here’s Why, recorded live at Sing Sing East alongside Lawson Kennard (bass) and Daniel McKoy (drums). The album consists of original instrumental compositions drawing inspiration from jazz harmony and folk melodies, underpinned by blues articulations and phrasing.https://www.leighcollinsmusic.com
$4.99
4.58 €
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Guitare notes et tablatures
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Sarah McLachlan
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Leigh Collins
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When She Loved Me
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Leigh Collins
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SheetMusicPlus
"Girl on a Swing" for solo classical fingerstyle guitar (+TAB)
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1368028 By Keith Gehle. By Keith W. Geh…
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Guitar - Level 2 - Digital Download SKU: A0.1368028 By Keith Gehle. By Keith W. Gehle. New Age. Guitar Tab. 3 pages. Keith Gehle #952381. Published by Keith Gehle (A0.1368028). “Girl on a Swing†was recorded as part of Keith’s 2016 album Space and Time. The title of this piece was inspired by the lyrics of the 2005 song “Simple†by Glen Phillips when he compared his wife’s love to the gentle beauty of a little girl on a playground swing. The lyrics are as follows:I'm complicationLive wire downI'm agitationDistorted soundYou're celebrationGirl on a swingPassion and patienceUnbroken ringYou're simple, simpleYou're simpleSimply all I needWhile the recorded version of “Girl on a Swing†features additional instruments, the piece works well as a guitar solo. This PDF includes standard notation with tablature for ease of learning.
$2.99
2.75 €
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Guitare notes et tablatures
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Keith Gehle
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"Girl on a Swing" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Always Look On The Bright Side Of Life
Guitare notes et tablatures
Solo Guitar - Level 3 - Digital Download SKU: A0.781814 By Monty Python. By Eric Id…
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Solo Guitar - Level 3 - Digital Download SKU: A0.781814 By Monty Python. By Eric Idle. Arranged by Peter Miklitz. Broadway. Individual part. 2 pages. Peter Miklitz #5287439. Published by Peter Miklitz (A0.781814). Eric Idle's Always Look On The Bright Side Of Life from Monthy Python's Life of Brian arranged for finger-style Guitar solo in standard notation and TAB. I hope this will cheer you up when the world just seems to be in a mess again, which is always, really!
$8.00
7.35 €
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Guitare notes et tablatures
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Monty Python
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Peter Miklitz
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Always Look On The Bright Side Of Life
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Peter Miklitz
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SheetMusicPlus
Holding On to Heaven
Guitare notes et tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013507 By Nickelback. By Cha…
(+)
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013507 By Nickelback. By Chad Kroeger and Mike Kroeger. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0013507. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013507). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.75 €
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Guitare notes et tablatures
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Nickelback
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Holding On to Heaven
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Roos on the Roof!
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1020601 Composed by Jonathan Monk. Chil…
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Guitar - Level 4 - Digital Download SKU: A0.1020601 Composed by Jonathan Monk. Children,Contemporary,Jazz,Pop. Guitar Tab. 12 pages. Jonathan Monk #4894911. Published by Jonathan Monk (A0.1020601). Just when you wanted a good night's sleep. Alas! What's one do with a roof overrun by kangaroos?!
$2.99
2.75 €
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Guitare notes et tablatures
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Jonathan Monk
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Alas!
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Roos on the Roof!
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Jonathan Monk
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SheetMusicPlus
Three Preludes on Occitan Songs for Solo Guitar
Guitare notes et tablatures
Guitar Tab - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemp…
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Guitar Tab - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemporary Classical, World, European. Solo Part, Tablature. 19 pages. Published by danjonesguitarist.com
Three Preludes on Occitan Songs<br> <br> The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.<br> <br> In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).<br> <br> Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.<br> I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.<br> <br> The Cancion de Hialara translates as ‘The Spinner’sSong’. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.<br> <br> Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.<br> <br> Lò NostreAse translatesas ‘Our Donkey’. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.<br> <br> For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.<br> <br> This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.<br> <br> Thankyou and I hope you enjoy Three Preludes on Occitan Songs.
$6.95
6.38 €
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Guitare notes et tablatures
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Dan Jones
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Three Preludes on Occitan Songs for Solo Guitar
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danjonesguitarist.com
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SheetMusicPlus
Have Yourself A Merry Little Christmas
Guitare notes et tablatures
Guitar, Guitar Tab - Early Intermediate - Digital Download By Frank Sinatra. Arranged by…
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Guitar, Guitar Tab - Early Intermediate - Digital Download By Frank Sinatra. Arranged by Jon Burchfield lives in Nashville, TN and performs concerts on the classical guitar. Individual Part, Sheet Music Single, Solo Part, Tablature. 6 pages. Published by Burchfield Brothers Publishing
This well known piece from the movie "Meet Me In St Louis" is beautiful when played on a solo guitar. Its not a demanding arrangement and can be learned quite easily. The entire CD (I'll Be Home For Christmas) eventually will be available on my website: and#65279;www.burchfieldbrothers.com Look for many more of these arrangements to come in the near future.
$4.99
4.58 €
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Guitare notes et tablatures
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Frank Sinatra
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Have Yourself A Merry Little Christmas
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Burchfield Brothers Publishing
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor…
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Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99
5.5 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged…
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Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99
6.42 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor…
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Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99
5.5 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Auld Lang Syne
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottis…
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Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
2.75 €
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Guitare notes et tablatures
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Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Despacito
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.985305 By Luis Fonsi and Daddy Yankee. …
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Guitar - Level 3 - Digital Download SKU: A0.985305 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab. 22 pages. Jaan Varts #5719575. Published by Jaan Varts (A0.985305). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$6.00
5.51 €
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Guitare notes et tablatures
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
Despacito
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.985303 By Luis Fonsi and Daddy Yankee. …
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Guitar - Level 3 - Digital Download SKU: A0.985303 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab. 71 pages. Jaan Varts #5719569. Published by Jaan Varts (A0.985303). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass). This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov. If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. Bass (the easiest part) The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one. If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfE Rhythm (intermediate) The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time. If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzI Melody (advanced) The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments. If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$9.00
8.26 €
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Guitare notes et tablatures
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.83 €
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Tango (Traditional Paraguayen)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1276814 Composed by Tra…
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1276814 Composed by Traditional Anon. Arranged by Brian Streckfus. Classical,Instructional,Romantic Period. Tablature. 2 pages. Brian Streckfus #868501. Published by Brian Streckfus (A0.1276814). Key: A minor (harmonic)Pages: 2This is a medium difficulty finger style piece. It reminds me of the difficulty of Fernando Sor or Matteo Carcassi etudes, so it's great to use this to fine tune technical aspects of your playing. 1. Arranged for guitar. 2. Guitar tablature added. 3. Slurs/slides/stacatto added. 4. Fingerings added. 5. Chord nomenclature added. (classical music doesn't normal have these. They tend to never summarize the notes perfectly, but it's clear to me that they aid in playing the music better in many aspects.)6. Position markers added7. Letter names on white note heads addedTips:1. I imagine E would be played louder.2. Generally, minor chords are played quieter.3. The form is ABA.4. The key change is to the parallel major, A Major. This is a romantic key change (basically Beethoven and after).  5. This piece is beautiful and easy to engrave since it symmetrical. 4 measure phrases. 32 measures fits perfectly on two pages. I say this somewhat jokingly, but the time signature is 32/16/8/4/2 (look into hypermeter). I enjoy when pieces of music are 4 measure phrases, because then the staff lines themselves actually represent true musical phrases. The opposite of this is called upbeat phrasing, which is when a phrase starts in the middle of a measure.
$1.99
1.83 €
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Guitare notes et tablatures
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Traditional Anon
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Brian Streckfus
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Tango
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Brian Streckfus
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SheetMusicPlus
Triad Chord Worksheet
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
1.83 €
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Guitare notes et tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Chromatic Picking Exercise (Ascending the Circle of Fifths)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 5 pages. Danny Crocome Music #885427. Published by Danny Crocome Music (A0.1295107). This 5-page composition has been written specifically for guitarists to work on the following key components of music and guitar playing:1. Finger strengthening across all fretting hand fingers2. Finger-per-fret/position-based playing3. Alternate picking4. Palm-muting5. Synchronizing picking and fretting hands6. Smoothly navigating position shifts across the fretboard7. Building knowledge of the Circle of FifthsThe composition takes a chromatic-based guitar line and runs the passage up and down in one position on the neck (starting from the note C), before shifting the whole thing to begin on G (the next note in the circle of fifths). When played in its entirety, the player will have navigated the melody starting on all 12 notes used in Western music. An excellent warm-up exercise, or something to work on daily to develop key areas of ones musicianship and technical ability on the guitar.
$6.99
6.42 €
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Guitare notes et tablatures
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Danny Crocome
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Danny Crocome
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Chromatic Picking Exercise
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Danny Crocome Music
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SheetMusicPlus
Etude No. 1
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1150935 Composed by Matteo Carcassi. Ar…
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Guitar - Level 2 - Digital Download SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Published by Brian Streckfus (A0.1150935). Important: This include two versions, a heavily notated version, and a blank version.1. Added tablature. 2. Fingerings added (Counterintuitive fingerings are left blank for the performer to realize first hand that it will be an awkard passage).3. Chord nomenclature added4. Fonts made larger and more appealing5. Position and Bar markings addedTips:1. Measure 13 is a good example of melodic minor as scale degrees 6 and 7 are rasied by a half step on an upward scale run, and then lowered on the way back down.2. Measures 23-27 is an example of a sequence. I recommend making the catchiness and repetition as obvious as possible as the audience is expecting the sequence to complete. For example, if there is a slur happening on a certain beat, I'll make sure it is mantained for every repetition, which is why measure 20 is more difficult with a fretted B instead of an open string. It's more work, but it sounds better to my ears.3. There is a certain order that the right hand fingers should be following depending on if you are going to thicker or thinner strings. Since this is an etude designed to get a player used to classical guitar technique, it made sense to show the a novice finger-style player which right hand fingers to use and when. Example: 2nd thinnest to thinnest string...Should be i m...not m iTo Do:1. Theoretical explanations in the score? Especially on the heavily notated version?
$1.99
1.83 €
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Guitare notes et tablatures
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Matteo Carcassi
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Brian Streckfus
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Etude No. 1
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Brian Streckfus
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SheetMusicPlus
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English …
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Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
2.29 €
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Guitare notes et tablatures
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.55 €
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
Caledonia
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1077729 By Dougie Maclean. By Douglas M…
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Guitar - Level 1 - Digital Download SKU: A0.1077729 By Dougie Maclean. By Douglas Menzies MacLean. Arranged by Calum Wood. Celtic,Folk,Irish,Traditional. Guitar Tab. 2 pages. Calum Wood #681927. Published by Calum Wood (A0.1077729). Calling all fans of Scottish folk music! We are thrilled to offer our guitar score of the classic tune Caledonia by Dougie MacLean - a song that captures the spirit of Scotland and its rich cultural heritage.Our Caledonia guitar score is written in both TAB and music notation, making it accessible to players of all levels. This tune is perfect for intermediate to advanced players looking to challenge themselves with a complex and nuanced piece of music.Caledonia is a unique and powerful song that speaks to the heart and soul of Scotland. The song's lyrics paint a vivid picture of the Scottish landscape and its people, and the melody captures the spirit of the country's rich musical heritage. The song has become a beloved classic in the folk music canon, and its timeless appeal has made it a favorite of audiences around the world.The history of Caledonia dates back to the 1970s, when Dougie MacLean wrote the song while homesick for his native Scotland while living in France. The song became an instant hit when it was first released in 1979, and has since been covered by countless artists across a wide range of genres.Our guitar score of Caledonia is the perfect way to pay tribute to this classic song and showcase your guitar skills. From the intricate fingerpicking patterns to the soaring melody, our score captures the essence of this iconic tune and allows you to recreate it in your own unique style.Don't miss out on this opportunity to add Caledonia to your repertoire and showcase your love of Scottish folk music. Order your guitar score today and take your first step toward becoming a folk music legend!
$4.99
4.58 €
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Guitare notes et tablatures
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Dougie Maclean
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Calum Wood
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Caledonia
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Calum Wood
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SheetMusicPlus
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