This is a beautiful, tender and heartfelt, finger-style guitar solo (ballad), exactly as performed by The Candlelight Guitarist on the album "Sunflower Serenity." As with other Candlelight Guitarist pieces, it seamlessly blends romantic popular, folk, classical and jazz styles. Written in both standard notation and TAB, it's for a strong intermediate level finger-style player (budding-into-more advanced), comfortable playing up to 12th position, with capable finger-style abilities (either classical or strong folk technique). Hear Brad's original recording at https://youtu.be/5wIn_Z5iuQA

COMMENTS FROM LONG-ESTABLISHED REVIEWERS...
Dr. Beth - Amazon.com #1 Hall of Fame reviewer
"Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack."

Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer
"The Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals."

Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER
"Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart." ... "Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences."

Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: "Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell."

Jana L. Perskie "Ceruleana" (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.
"The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.

Bob McKillop, founder and publisher, MaineFolkMusic.com
Brad Powell is a talented and highly trained California guitarist and composer who calls himself "The Candlelight Guitarist", and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation ? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender."

Grady Harp - HALL OF FAME TOP 100 REVIEWER
"music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!"

ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for "Little House on the Prairie"). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mi

The Water is Wide is a beautiful song of longing and separation. There appears to be confusion as to its origins; some writers saying it is Scottish and others claiming its roots to be English. It is also known as ?O Waly Waly? or just ?Waly Waly?.

While living and working in France I discovered a hugely-popular version by the singer-songwriter Renaud. His version is entitled La Ballade Nord-Irlandaise and is a pacifist song referring to the troubles in Northern Ireland.



This arrangement is designed for more-experienced players. It is an excellent item for concert programmes, encores, weddings or background music.

The single download provides the music in both notes and TAB.

This arrangement can be heard on Dan's solo CD 'Les Cerisiers'. This can be heard on all major streaming sites or a disc purchased through Dan's website mentioned below.

To see and hear Dan?s wide range of arrangements for solo guitar, guitar duet and ensembles please visit: www.danjonesguitarist.com

To read of Dan?s life as a musician and family man in rural France, please visit: www.danjonesauthor.com

ISBN 9781610658478. The blues present an opportunity to be deeply expressive. Every note can be colored with pitch bends, slides, vibrato, and all manner of attacks. The style makes it easy to own the music, to close your eyes and play as if you wrote it. These pieces are designed to be fun and entertaining as they work through the sharp keys, which are most friendly to the guitar. By working through these keys however, they develop a player's awareness of the different tonalities and the way patterns may be altered to facilitate key changes. Written in notation and tablature.

ISBN 9781619119567.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authoras companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little adirta thrown into the mix. Skillful bodhran and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donat read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.

TheSound of Silence isPaul Simon?s masterpiece. Released in 1965, Simon had written the track duringthe two previous years. It was well worth the wait.

Itis an obvious choice as a piece of repertoire to arrange for the intermediateguitarist, yet I have found that many arrangements include real technicaldifficulties for the learner. This is often because of the choice of key. Ifset in A minor, an F barre chord is encountered. Similarly, in D minor, a Bflat barre chord crops up. After much trial and error, I have created a versionin F sharp minor which is playable for younger and less experienced hands,without, I believe, losing any musical effect.



Ihave tried to make this arrangement flexible. Therefore, it is set in 2sections. A grade 1-2 guitarist can play just the first half, twice for acomplete performance. The second half has a thicker texture, with a ?flatpicking? technique applied to the thumb. Here, the thumb plays the lower notes onall four beats of the bar.



This downloadprovides one version with only notes, and a second in notes and TAB (in this singledownload). I am aware that many teachers dislike TAB, so you are given the choice.

Professionalplayers looking for light repertoire ? perhaps for restaurant or wedding work ?can fill out the parts spontaneously. The chord sequence is obvious to those withmore experience.

Personally speaking, I sometimes play the arrangement with a capo at fret 3 or 4 to vary the timbres heard in a concert programme.

I hope very muchthat you enjoy playing this version of The Sound of Silence. To see andhear my arrangements for learners, professionals, and ensembles, please visit www.danjonesguitarist.com.I have also written a memoir of working as a guitarist in rural France. Pleasesee www.danjonesauthor.com.

I will upload a YouTube video and lesson before the end of February 2021.

THANK YOU! DanJones, Perthshire, Scotland, February 2021

ISBN 9781610658416. Whether guitarists are new to open-tunings or already working with them, fingerstyle specialist Jim Goodin offers a progressive look at the popular D-based harp-like tuning. Classical, Celtic, blues, folk, gospel and several original compositions are represented in the 15 notation/tablature arrangements each arranged proportionately to offer beginning, intermediate and advanced fingerstyle players opportunities to grow their technique. Interspersed with the song arrangements are sections featuring major and minor scale studies and popular folk and jazz style chords. Includes a 15-track audio produced at Will Ackerman's Imaginary Road Studio where the book's arrangements were recorded. To round out this robust offering Jim includes thoughts about the origin of DADGAD, the songs, his technique with special how-to features such as one on playing natural and harp style harmonics and recommended listening audio to expand listening knowledge on this tuning. Includes access to online audio.

Three Preludes on Occitan Songs

The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.

In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).

Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.
I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.

The Cancion de Hialara translates as ?The Spinner?sSong?. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.

Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.

Lò NostreAse translatesas ?Our Donkey?. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.

For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.

This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.

Thankyou and I hope you enjoy Three Preludes on Occitan Songs.