This colouring booklet covers Basic compositions in both treble and bass clef.
Ideal for those needing a little extra help learning music theory.
Perfect for new music students, or those that have tried to read music and given up.
Designed for students with learning challenges by an independent music instructor with 20 years experience teaching.
Use as a supportive exercise book with any standard Piano method book.
www.musicandyoga.online

This colouring booklet covers the C major scale in both treble and bass clef.

Ideal for those needing a little extra helplearning music theory.
Perfect for new music students, or thosethat have tried to read music and given up.
Designed for students with learningchallenges by an independent music instructor with 20 years experienceteaching.
Use as a supportive exercise book with anystanding Piano method book.
www.musicandyoga.online

is colouring booklet covers the 5 note scale in C major in both treble and bass clef with all notes on the staff covered..
Ideal for those needing a little extra help learning music theory.
Perfect for new music students, or those that have tried to read music and given up.
Designed for students with learning challenges by an independent music instructor with 20 years experience teaching.
Use as a supportive exercise book with any standing Piano method book.
www.musicandyoga.online.

This colouring booklet covers the Introduction to the Grand Staff with all notes in C maj covered..
Ideal for those needing a little extra help learning music theory.
Perfect for new music students, or those that have tried to read music and given up.
Designed for students with learning challenges by an independent music instructor with 20 years experience teaching.
Use as a supportive exercise book with any standing Piano method book.
www.musicandyoga.online.

Many polyrhythms and polymeters (simultaneous combinations of more than one rhythmic pattern) exist in today's music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.

This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.

ISBN 9781609742409. In this book Mike Perlowin combines the practical experience of being a working musician in the fields of rock, blues, country, RandB, reggae, and bluegrass with the theoretical knowledge of an academic background to explain music theory in terms that any moderately accomplished musician can understand. Starting with the most basic of lessons, Perlowin clearly and concisely explains the tonal relationships between notes and how they form different types of scales and chords. Instead of using examples from unfamiliar classical music, this book uses well known tunes like Mary had a Little Lamb or Silent Night to illustrate theoretical principles. Rather than offering information on how to play a specific instrument, this book is designed for people who already play proficiently but don't understand music's underlying theoretical principles. Although the book is relatively short, it contains the equivalent of a year's worth of college level material, all made accessible to the average musician desiring a better understanding of music theory.