ISBN 9781609742409. In this book Mike Perlowin combines the practical experience of being a working musician in the fields of rock, blues, country, RandB, reggae, and bluegrass with the theoretical knowledge of an academic background to explain music theory in terms that any moderately accomplished musician can understand. Starting with the most basic of lessons, Perlowin clearly and concisely explains the tonal relationships between notes and how they form different types of scales and chords. Instead of using examples from unfamiliar classical music, this book uses well known tunes like Mary had a Little Lamb or Silent Night to illustrate theoretical principles. Rather than offering information on how to play a specific instrument, this book is designed for people who already play proficiently but don't understand music's underlying theoretical principles. Although the book is relatively short, it contains the equivalent of a year's worth of college level material, all made accessible to the average musician desiring a better understanding of music theory.

This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.