The Ukrainian folk music is an immense source of inspiration, particularly the ritual songs, which represent the deepest, and therefore the most valuable layer of a nation?s creativity. The arrangement belongs to the early works of the composer. Therefore, someone may be surprised with the quite freely form interpretation of the work. This, however, by no way makes the composition less interesting. Rather on the contrary, weird music images and sudden changes of the tempo may draw attention of both, those who prefer ?light? pop or jazz music, and those who is fond of contemporary academic style. The Ukrainian title of the song is just an allegorical expression that has no particular meaning. This expression can be only quite approximately translated into English as ?Cuckoo?, that?s why I didn?t display this translation in the English version of the work?s title. The PDF-file contains 11 pages (main score 4, parts ? 4 pages, cover and the title page). Fingering is indicated where appropriate. Duration: approx. 3.44 min.

ISBN 9781619117389.

The duets in Ten Concert Pieces for Classic Guitar Duo are written in different musical styles and varying degrees of difficulty. In addition to several pieces emulating the Baroque and Classical periods, the collection includes compositions inspired by the bossa nova, jazz, blues, and even the musical cross-pollination of the stride piano style. Ideal for recital, concert or festival settings, audiences as well as intermediate to moderately advanced guitarists will enjoy the timeless, international flavor of these engaging original compositions. Written in standard notation only.

ISBN 9781619119802.

This continuation of Jimmy Wyble's book The Art of Two-Line Improvisation includes five duets in which each part is a two-line contrapuntal piece! Also includes three new solo compositions, all in standard notation and tab. Includes access to online audio.

The beautiful acoustic guitar track featuring a guitar ensemble, flamenco motifs, and a lyrical mood. For two acoustic guitars.