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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Corelli
Non classifié
116
Piano & claviers
Piano seul
27
Orgue
4
Piano Facile
4
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 2 instrumentations
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Guitares
Guitare notes et tablatures
10
2 Guitares (duo)
3
3 Guitares (trio)
3
Guitare
3
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
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Voix
Chorale SATB
5
Chorale 3 parties
2
Vents
Trio de Flûtes: 3 flûtes
14
Flûte, Hautbois, Clarinette (trio)
14
Flûte, Hautbois, Basson
14
3 Clarinettes (trio)
13
Flûte, Clarinette et Basson
12
Flûte et Guitare
8
2 Clarinettes, Basson
8
Hautbois, Clarinette, Basson (trio d'anches)
6
2 Flûtes traversières (duo)
5
3 Saxophones (trio)
5
2 Saxophones (duo)
5
Flûte, Hautbois, Clarinette, Basson
4
2 Clarinettes (duo)
4
Clarinette (partie séparée)
3
Flûte traversière et Piano
3
2 Hautbois (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette
2
Flûte, Violon et Violoncelle
2
Hautbois (partie séparée)
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette (duo)
1
Flûte à bec Alto
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Harpe
1
Ensemble de Flûtes
1
Ensemble de saxophones
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone (partie séparée)
1
Flûte traversière
1
Ensemble de Clarinettes
1
Saxophone Alto et Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
Clarinette, Violon (duo)
1
Clarinette, Basson (duo)
1
+ 31 instrumentations
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5
2 Trompettes (duo)
3
Trompette (partie séparée)
2
Quatuor de Cuivres
2
Trompette
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor et Harpe
1
Trompette, Harpe
1
2 Cors (duo)
1
Cor (partie séparée)
1
Cor et Piano
1
Tuba (partie séparée)
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Trombones (duo)
1
2 Cors Anglais Et Pianoforte
1
4 Tubas
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Trombone (partie séparée)
1
+ 16 instrumentations
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Cordes
Violon et Piano
20
Quatuor à cordes: 2 violons, alto, violoncelle
12
Trio à cordes: 3 violins
11
Trio à Cordes: 2 violons, violoncelle
7
Violon, Violoncelle (duo)
6
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon
6
Violon, Basse continue
5
2 Violons (duo)
4
Violoncelle, Piano
3
Violoncelle (partie séparée)
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
2
Alto (partie séparée)
2
2 Harpes (duo)
2
2 Altos (duo)
2
Alto, Piano
2
Contrebasse (partie séparée)
2
Harpe, Violon (duo)
2
2 Contrebasses (duo)
1
Alto et Harpe
1
2 Violons et Basse continue
1
Harpe
1
Alto seul
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Violon, Guitare (duo)
1
+ 26 instrumentations
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Orchestre à Cordes
20
Orchestre
6
Cloches
3
Orchestre de chambre
3
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1
Orchestre d'harmonie
1
Ensemble de cuivres
1
Percussion (partie séparée)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLOCHES
COR
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CORNET
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
A Corelli
2 Guitares (duo)
Partitions à imprimer
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Prelude (from Violin Sonata in F Major, Op. 5, No. 10)
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2 Guitares (duo)
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INTERMÉDIAIRE
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Classique
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Arcangelo Corelli
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Mark Phillips
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Prelude
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.691607 Composed by Arcangelo Corelli. Arranged by Mark Phillips. Baroque. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.691607 Composed by Arcangelo Corelli. Arranged by Mark Phillips. Baroque. Score and parts. 3 pages. A. J. Cornell Publications #3905479. Published by A. J. Cornell Publications (A0.691607). Corelli's Prelude (from Violin Sonata in F Major, Op. 5, No. 10) for classical guitar duet.
$3.99
Adagio (from Violin Sonata in F Major, Op. 5, No. 4)
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2 Guitares (duo)
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INTERMÉDIAIRE
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Classique
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Arcangelo Corelli
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Mark Phillips
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Adagio
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A. J. Cornell Publications
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.691591 Composed by Arcangelo Corelli. Arranged by Mark Phillips. Baroque. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.691591 Composed by Arcangelo Corelli. Arranged by Mark Phillips. Baroque. Score and parts. 3 pages. A. J. Cornell Publications #3886373. Published by A. J. Cornell Publications (A0.691591). Corelli's Adagio (from Violin Sonata in F Major, Op. 5, No. 4) for classical guitar duet.
$3.99
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
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2 Guitares (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Pedro Nunes
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Concerto in D minor, BWV 974
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Pedro Nunes
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and par...
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Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
$4.19
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