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ALTO
AUTOHARPE
BANJO
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BASSON
BATTERIE
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122
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194
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26
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15
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14
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2
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2
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1
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1
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1
+ 4 instrumentations
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10
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7
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2
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1
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1
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1
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30
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11
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11
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7
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5
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4
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3
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2
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1
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10
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9
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8
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7
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6
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6
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6
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4
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4
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4
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3
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
3 Clarinettes (trio)
1
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6
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4
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4
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4
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3
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2
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2
Trombone basse
1
Euphonium, Piano (duo)
1
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1
Quatuor de cuivres: 4 cors
1
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1
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1
Quatuor de Cuivres
1
Trombone
1
Trompette
1
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46
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10
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6
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3
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2
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2
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2
Contre Basse
2
2 Altos (duo)
1
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1
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1
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1
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1
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61
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7
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6
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1
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Vous avez sélectionné:
Mimi
2 Guitares (duo)
Partitions à imprimer
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You Are The Reason
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2 Guitares (duo)
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Pop musique
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Calum Scott
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Derek Hasted
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You Are The Reason
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - SKU: A0.946865 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Po...
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Instrumental Duet Guitar,Instrumental Duet - SKU: A0.946865 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Pop. Score and parts. 31 pages. Derek Hasted #552624. Published by Derek Hasted (A0.946865). YOU ARE THE REASON (Calum Scott) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This haunting piece, with the most amazing “build and fade awayâ€, moves nicely from “voice and piano†to “guitar duetâ€. It will suit an intermediate duo. There are two versions in this one edition - they contain the same material. One version is tune and accompaniment, and is ideal for a Student/Teacher pairing, or a duo with an early intermediate and an intermediate player. The other version swaps roles halfway through, so the parts are both intermediate. I’ve made a significant change to the key here, but that allows the guitar to produce a haunting first verse where a stopped B and an open B ring through each other to generate a smoothness of accompaniment that is sublime and mimics the reverberant piano of the original.The arpeggio patterns here match closely those of the original piano too, giving verses 1 and 2 quite different texture. Sadly there is no orchestra and massed choir to build this version in the way that the original does, but the dynamics on the score tie in with the original song.The guitar parts here are in “score and tab†and in “score alone†- there is no difference in the music, but the tab may help notation readers see how the opening section sits on the neck of the guitar.I hope you enjoy playing this piece!
$4.99
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
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2 Guitares (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Pedro Nunes
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Concerto in D minor, BWV 974
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Pedro Nunes
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and par...
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Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
$4.19
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