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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music By Pedro
Sheetmusicplus
Non classifié
40
Piano & claviers
Piano Facile
184
Piano seul
147
Piano, Voix
34
Instruments en Do
29
Piano, Voix et Guitare
7
1 Piano, 4 mains
3
Accompagnement Piano
2
+ 2 instrumentations
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Guitares
Guitare notes et tablatures
20
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
3
Basse électrique (partie séparée)
2
2 Guitares (duo)
2
Basse electrique
1
+ 1 instrumentations
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Voix
Chorale SATB
8
Chorale 3 parties
7
Chorale SSAA
6
Chorale TTBB
4
Voix duo, Piano
1
Voix Soprano, Piano
1
Chorale 2 parties
1
Chorale
1
Chorale SSATB
1
Voix seule
1
+ 5 instrumentations
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Vents
Hautbois, Piano (duo)
26
Clarinette
24
Hautbois (partie séparée)
21
Flûte traversière
21
Flûte traversière et Piano
20
Quatuor de Saxophones: 4 saxophones
17
Flûte, Hautbois, Clarinette, Basson
16
Clarinette et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quintette de Saxophone: 5 saxophones
10
Saxophone Alto et Piano
7
Saxophone Alto
7
Saxophone (partie séparée)
6
Saxophone Tenor et Piano
6
Saxophone Tenor
6
2 Flûtes traversières (duo)
5
2 Clarinettes (duo)
3
2 Hautbois (duo)
3
Hautbois
2
Flûte et Guitare
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Guitare (duo)
1
+ 19 instrumentations
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Cuivres
Cor
25
Trompette
19
Trombone
18
Tuba
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor et Piano
10
Tuba et Piano
7
Trombone et Piano
6
Trio de Cuivres
4
2 Trompettes (duo)
4
Bass Clef Instruments
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 9 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon et Piano
29
Violon
28
Violoncelle
25
Contre Basse
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Alto, Piano
19
Alto seul
17
Violoncelle, Piano
16
Contrebasse, Piano (duo)
8
Alto (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
4
2 Violons (duo)
4
2 Violoncelles (duo)
4
4 Violoncelles
3
2 Altos (duo)
3
Harpe
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
14
Orchestre d'harmonie
4
Fanfare
4
Orchestre de chambre
4
Batterie
3
Orchestre
2
Ensemble de cuivres
2
Vibraphone
1
Marimba
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
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Music By Pedro
SheetMusicPlus
Partitions à imprimer
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Prelude and Fugue No. 2 - "The Well Tempered Klavier - Book 1" (Arr. for 2 Guitars)
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2 Guitares (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Pedro Nunes
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Prelude and Fugue No. 2 - &quo
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Pedro Nunes
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 5 - SKU: A0.519154 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and par...
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Instrumental Duet Guitar,Instrumental Duet - Level 5 - SKU: A0.519154 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 5 pages. Pedro Nunes #129775. Published by Pedro Nunes (A0.519154). This is an arrangement of a wonderful piece by bach, the prelude and fugue number 2 from well tempered klavier's first book, for 2 guitars. Mainly the fugue is set up so that the musicians have fun playing this piece and there can be a connection between the voices of the music. I hope you enjoy it.
$4.19
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
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2 Guitares (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Pedro Nunes
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Concerto in D minor, BWV 974
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Pedro Nunes
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and par...
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Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
$4.19
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