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First Love
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ACCORDEON
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Vous avez sélectionné:
First Love
expert
Ensemble Jazz
Partitions à imprimer
4 partitions trouvées
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Your Love
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Ensemble Jazz
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AVANCÉ
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Jazz
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Louis Burke
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David Leech
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Your Love
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David Leech
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.973281 Composed by Louis Burke. Arranged by David Leech. Jazz. Score and Parts. 60 pages. David Leech #4...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.973281 Composed by Louis Burke. Arranged by David Leech. Jazz. Score and Parts. 60 pages. David Leech #4967803. Published by David Leech (A0.973281). Running time: approximately 4:30Your Love is a beautiful ballad composed by the late Louis Burke, a Los Angeles based trumpeter and band leader. Louis came to me and said that he had this love song melody he had composed, and could I write an arrangement of it for his big band. I reharmonized it and made it into an alto sax solo.The first chorus is mostly sax solo, backed by some subtle brass and flute accompaniment. The second chorus starts with 16 bars of sax improvisation, followed by some ensemble work by the trumpets and trombones playing contrapuntally. The chorus ends by passing the contrapuntal baton to the sax section. The whole arrangement comes to a climax in the next eight bars and ends on a romantic note with a restatement of the melody by the alto sax.Medium slow ballad (quarter=76).Brass parts are moderately high. The lead trumpet has several high Ds, and one high E. The contrapuntal writing requires a high degree of independence from the musicians.
$47.50
Can't Buy Me Love
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Ensemble Jazz
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AVANCÉ
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Jazz
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The Beatles
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Daryl McKenzie
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Can't Buy Me Love
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.717665 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daryl McKenzie. Jazz. Score and pa...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.717665 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daryl McKenzie. Jazz. Score and parts. 68 pages. Daryl McKenzie #3064425. Published by Daryl McKenzie (A0.717665). Arranged for Male Vocal (no voice part included) and Big Band. 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion. Based on the Michael Buble version. Key of G (first chord on the verse is G7) with the same relative key changes as Buble version. Vocal part not included. NO VOICE PART INCLUDEDArrangement in Female Key also available on SMP plus other versions: Search here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF
$69.99
Can't Buy Me Love
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Ensemble Jazz
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AVANCÉ
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Jazz
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The Beatles
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Daryl McKenzie
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Can't Buy Me Love
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.717664 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daryl McKenzie. Jazz. Score and pa...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.717664 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daryl McKenzie. Jazz. Score and parts. 68 pages. Daryl McKenzie #3064399. Published by Daryl McKenzie (A0.717664). Arranged for Female Vocal (no voice part included) and Big Band. 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion. Based on the Michael Buble version. Key of D (first chord on the verse is D7) with the same relative key changes as Buble version. Vocal part not included. NO VOICE PART INCLUDEDFull audio demo: Click hereArrangement in Male Key also available on SMP plus other versions: Search here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF
$69.99
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
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