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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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Don Goodman
Non classifié
13
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11
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9
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7
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1
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1
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8
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2
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1
Ukulele
1
Guitare
1
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3
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1
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1
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1
Chorale SATB
1
Vents
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5
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2
Clarinette et Piano
2
Quatuor de Saxophones: 4 saxophones
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 1 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
4
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4
Ensemble de Tubas
1
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Crtitères actifs :
Don Goodman
Ensemble Jazz
Partitions à imprimer
4 partitions trouvées
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Avalon (an old Benny Goodman Hit)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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& Vincent Rose, Al Jolson, and
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Dean Mounts
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Avalon
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Mounts Mounts
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.868582 Composed by & Vincent Rose, Al Jolson, and Buddy DeSylva. Arranged by Dean Mounts. Jazz. Score an...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.868582 Composed by & Vincent Rose, Al Jolson, and Buddy DeSylva. Arranged by Dean Mounts. Jazz. Score and parts. 22 pages. Mounts Mounts #4623519. Published by Mounts Mounts (A0.868582). Scored for standard dixieland instrumentation, this Benny Goodman hit is done in a dixie/swing style with Goodman's catchy ending. Playing time - 2:40.
$25.00
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
Symphony In Riffs
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Ensemble Jazz
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AVANCÉ
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Benny Carter
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Peter Stöve
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Symphony In Riffs
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pag...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!
$49.99
Sing, Sing, Sing: Score
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Ensemble Jazz
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Louis Prima
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Gordon Goodwin
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Swing
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Sing, Sing, Sing: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PR-0005519 Score. Composed by Louis Prima. Arranged by Gordon Goodwin. Jazz; Swing. Score. 26 pages. Alfred Music - Di...
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Jazz Ensemble - SKU: AX.00-PR-0005519 Score. Composed by Louis Prima. Arranged by Gordon Goodwin. Jazz; Swing. Score. 26 pages. Alfred Music - Digital Sheet Music #00-PR-0005519. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005519). UPC: 038081433547.A few twists and turns added to the original Goodman swing version make this chart a definite crowd (and band) pleaser. The chart features a clarinet part and an alternate alto 1 part in lieu of clarinet. Solo changes provided for all sax parts (clarinet) and lead trumpet range is to high F-sharp. This title is available in SmartMusic.
$11.00
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Don Goodman