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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Always Through Always
Non classifié
150
Piano & claviers
Piano, Voix
81
Piano seul
77
Piano Facile
9
Piano, Voix et Guitare
7
Orgue
4
Instruments en Do
3
Accompagnement Piano
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
11
Basse electrique
2
Guitare notes et tablatures
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
45
Chorale 3 parties
9
Chorale TTBB
6
Chorale 2 parties
4
Voix duo
3
Chorale Unison
3
Voix Tenor
1
Voix Tenor, Piano
1
Voix seule
1
Voix haute
1
Voix Soprano, Piano
1
Voix basse
1
Voix Baryton, Piano
1
Chorale SSAA
1
+ 9 instrumentations
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Vents
2 Flûtes traversières, Piano
25
2 Flûtes traversières (duo)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
2 Saxophones (duo)
6
Flûte traversière
6
Flûte, Hautbois, Clarinette, Basson
5
2 Clarinettes (duo)
4
Saxophone Alto
4
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano
3
Saxophone Tenor
2
Saxophone Alto et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Clarinette et Basson
2
Flûte traversière et Piano
2
Flûte à bec Alto, Piano
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette
2
Cor Anglais
2
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Flûte à Bec
1
Saxophone (partie séparée)
1
Flûte, Hautbois (duo)
1
Hautbois (partie séparée)
1
Saxophone Baryton
1
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Flûte, Violon
1
Hautbois, Flûte
1
Saxophone Tenor et Piano
1
Flûte, Hautbois, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois
1
Flûte à bec Alto
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Trombone (duo)
6
Trombone
4
Tuba
3
Trompette
3
Trombone et Piano
2
Cor
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
2 Trombones (duo)
2
2 Trompettes (duo)
2
Cor Anglais
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Euphonium
1
Trombone basse et Piano
1
2 Cors, Piano
1
Tuba et Piano
1
Trompette, Piano
1
2 Tubas (duo)
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
161
Violon, Violoncelle (duo)
143
Trio à Cordes: violon, alto, violoncelle
115
Violon
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violon, Alto (duo)
8
Alto seul
5
Harpe
5
Violoncelle
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violoncelles (duo)
3
2 Violons (duo)
3
Violon et Piano
2
2 Altos (duo)
2
4 Violoncelles
2
Violoncelle, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Contre Basse
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
93
Orchestre d'harmonie
81
Orchestre
8
Ensemble Jazz
6
Orchestre de chambre
3
Ensemble de cuivres
3
Fanfare
3
Ensemble de Percussions
2
Piano et Orchestre
1
Marimba
1
Vibraphone
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Always Through Always
Ensemble Jazz
Partitions à imprimer
6 partitions trouvées
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Please Don't Love Me From A Distance
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Ensemble Jazz
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INTERMÉDIAIRE
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Michael Drake
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Kevin Carberry
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Please Don't Love Me From A Di
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1506961 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Multicultu...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1506961 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Reggae,World. 104 pages. Michael Gene Drake #1082343. Published by Michael Gene Drake (A0.1506961). “Please Don’t Love Me From A Distance” Is a Big Band arrangement of a song from my CD “No Tan Lines” 1997. It is a vocal with a horn solo.michaeldrakemusic@outlook.com www.drakemusic.com https://www.youtube.com/watch?v=LC-6AT5diPw Please Don’t Love Me Oh oh oh oh oh From A Distance.Please Don’t Love Me From A Distance, I got to have you next to me,Through the good times and the sorrow, My love for you will always be,Please Don’t Love Me From A Distance, Let our lives reflect ourselves,May we always keep in our hearts,A love that shares and understands.Please Don’t Love Me From A Distance, Believe in us and we become,Like the oak tree in our front yard,Growing tall and very strong.Please Don’t Love Me From A Distance, Please don’t love me from afar,Please don’t love me from arms length,‘Cause this is all that I ask of you.
$35.00
One Note Samba (Samba De Uma Nota So)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Pat Thomas
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Philip Coe
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One Note Samba
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Phil Coe
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1494312 By Pat Thomas. By Antonio Carlos Jobim and Newton Mendonca. Arranged by Philip Coe. 20th Century...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1494312 By Pat Thomas. By Antonio Carlos Jobim and Newton Mendonca. Arranged by Philip Coe. 20th Century,Jazz,Latin. 33 pages. Phil Coe #1070908. Published by Phil Coe (A0.1494312). This arrangement for Jazz Orchestra is a Guitar feature that opens with a very simple guitar and drums samba setup. The ensemble enters with a stronger statement that builds to the head.The guitar plays the A section of the head in octave or single notes. The bridges section swings as a single eighth note guitar line. The background starts with the sax section followed with counterpoint between the trumpet and trombone sections.The second time through the form, Tenor Sax 1 solos over the first half changes and background. The guitar takes over solo on the last half of the form which leads into an echo of the intro and builds up to the shout chorus.The shout builds to a melodic trumpet high D followed by an obvious quotation by the ensemble. Repetition of the ensemble intro with a main theme fragment is followed by brass pyramids and a final theme stinger to close out the piece. 160 bpm per quarter note is a suggested tempo but the piece can be taken faster for more excitement and energy. The piece is written in 4/4 for the swing bridge section. The samba sections should be felt in 2/2 with the accent on the 2. The quarter note always stays the same.
$60.00
And I Love Her
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
A Postcard from Brazil, A Tone Poem for Jazz Orchestra, Full Score and Parts
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Ensemble Jazz
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AVANCÉ
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James Nathaniel Holland
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A Postcard from Brazil, A Tone
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James Nathaniel Holland
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.730468 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin. Score and parts. 232 pages. James N...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.730468 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin. Score and parts. 232 pages. James Nathaniel Holland #3686065. Published by James Nathaniel Holland (A0.730468). Despite being a New Yorker at the time, actually the year 2001 was an excellent year for me. I had the opportunity to take a grand tour to the wonderful country of Brazil which I had always dreamed about. I can say it didn't disappoint. Before computers could imitate an orchestra well, I bought in Salvador many Brazilian instruments and carted them back home. This piece for jazz orchestra was the beginning of my personal renaissance as a composer, and here it is, all shiny and new and revised. The piece begins with a fast Samba, slows to mysterious calls of the rainforest, travels through Rio's bossa nova and ends with a bang. Great, serious piece for jazz concert.Instrumentation: picc, fl, alto fl, clBb, TS, BS, Tpt 1234, trmb 123, Btrm, percussion (5) (surdo high and low, tri., vibraslap, tri., ride cym w.sft. mall. and st., rainstick, pandeiro (tam.), congas, claves, snare, w.blk) pno, full stringsComposer website: https://www.facebook.com/jamesnathanielholland/YouTube Presentation: https://youtu.be/-zOxblZUcVg
$25.95
Should I Stay Or Should I Go
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
When I'm Gone
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Ensemble Jazz
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INTERMÉDIAIRE
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Wayne H
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When I'm Gone
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Wayne Howard Christensen III
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.987118 Composed by Wayne H. Christensen III (Lyrics by Geraldine P. Christensen). Blues,Christian,Jazz,S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.987118 Composed by Wayne H. Christensen III (Lyrics by Geraldine P. Christensen). Blues,Christian,Jazz,Spiritual. Score and parts. 8 pages. Wayne Howard Christensen III #2033059. Published by Wayne Howard Christensen III (A0.987118). My mom wrote this poem in 2007 when she was going through chemotherapy to treat her breast cancer. She was reminiscing about a day when her grandsons Ian (7) and Zachary (4) had accompanied her with bongo drums, maracas and tambourines as she played her Yamaha Clavinova to a latin beat. She said it was so much fun and they had such a good time! From her poem I have created a song that tries to capture the essence of their experience. I incorporated little variations of When the Saints go Marching in to portray their jam session while also alluding to my mom as a Saint who will always be with us in spirit no matter what. When she marches into Heaven I am sure she will be asking Jesus what he wants for dinner. :) For every purchase of this song I will donate $1 to Breast Cancer Charities of America.
$2.19
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Always Through Always
