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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
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FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Don't Start Now
Non classifié
84
Piano & claviers
Piano seul
204
Piano Facile
97
Piano, Voix
40
Instruments en Do
26
Piano, Voix et Guitare
23
Orgue
3
Piano grosses notes
1
1 Piano, 4 mains
1
+ 3 instrumentations
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Guitares
Guitare notes et tablatures
25
Basse electrique
23
Ligne De Mélodie, (Paroles) et Accords
5
Piano, Guitare (duo)
3
2 Guitares (duo)
2
Mandoline
2
Ukulele
2
+ 2 instrumentations
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Voix
Chorale SATB
26
Chorale 3 parties
4
Chorale SSAA
4
Chorale SSAATB A Cappella
1
Chorale TTBB
1
Vents
Flûte traversière
30
Saxophone Alto
19
Clarinette
17
Hautbois, Piano (duo)
17
Hautbois
17
Flûte traversière et Piano
16
Clarinette et Piano
14
Hautbois (partie séparée)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto et Piano
12
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Saxophones: 4 saxophones
11
Saxophone Tenor
9
Flûte à Bec
8
Quintette de Saxophone: 5 saxophones
8
Saxophone Tenor et Piano
6
2 Saxophones (duo)
5
Saxophone (partie séparée)
4
Cor anglais, Piano
4
Flute (partie séparée)
3
Saxophone Soprano et Piano
3
2 Hautbois (duo)
2
2 Flûtes traversières (duo)
2
Saxophone Baryton
2
Cor Anglais
2
Flûte, Clarinette (duo)
2
2 Clarinettes (duo)
2
Saxophone Baryton, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Soprano
2
Clarinette (partie séparée)
1
Ensemble de saxophones
1
Saxophone
1
Flûte, Clarinette et Basson
1
Hautbois, Guitare (duo)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette
16
Trombone et Piano
15
Trompette, Piano
14
Tuba
13
Cor
10
Trombone
10
Cor et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Tuba et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor anglais, Piano
4
Trombone (partie séparée)
3
2 Trombones (duo)
2
Bass Clef Instruments
2
Cor Anglais
2
2 Trompettes (duo)
2
Trompette (partie séparée)
1
Tuba (partie séparée)
1
Instruments en Sib
1
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Violon
46
Quatuor à cordes: 2 violons, alto, violoncelle
33
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28
Violoncelle, Piano
20
Violoncelle
20
Alto seul
18
Alto, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contrebasse, Piano (duo)
9
Contre Basse
6
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
4
2 Violons (duo)
2
2 Violoncelles (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
2
Harpe
1
Violoncelle , Guitare (duo)
1
+ 13 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
38
Fanfare
26
Batterie
21
Ensemble Jazz
3
Orchestre
3
Orchestre à Cordes
2
Percussion (partie séparée)
2
Jazz combo
1
Timbales (partie séparée)
1
Ensemble de Percussions
1
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Théorie de la musique
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Don't Start Now
Ensemble Jazz
Partitions à imprimer
3 partitions trouvées
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Don't Start Now
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Ensemble Jazz
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INTERMÉDIAIRE
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Dua Lipa
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Daryl McKenzie
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Don't Start Now
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1158472 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Daryl...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1158472 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Daryl McKenzie. Disco,Funk,Pop. Score and parts. 64 pages. Daryl McKenzie #758758. Published by Daryl McKenzie (A0.1158472). Arranged in the style of for Vocal with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums) Key of Bm Rhythm Section Cover Band and Small band (3-5 Horns) arrangements also available on SMP: http://bit.ly/3Xf0p2E Full audio demo (Sibelius sounds): https://bit.ly/3IyVMfN More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$89.99
Blame It On The Boogie
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Ensemble Jazz
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INTERMÉDIAIRE
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David Jackson-Rich, Elmar Kroh
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Nathaniel Frisque
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Blame It On The Boogie
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Nathaniel Frisque
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas ...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Nathaniel Frisque. Jazz,Pop. Score and parts. 42 pages. Nathaniel Frisque #164885. Published by Nathaniel Frisque (A0.555276). I arranged this piece at the request of my friends in the 2020-2021 Viking Jazz Ensemble at Wisconsin Lutheran High School. We hoped to do Blame it on the Boogie for that year's Prism concert, and they had asked my director to find an arrangement. He found one, but it was out of print. We were already playing an arrangement I did of Don't Start Now by Dua Lipa, so my friends turned to me and said, You can do one more, right? A year later, the 2021-2022 Jazz Ensemble performed this in front of 4 sold-out Prism concerts. This arrangement won first place in the WSMA 2022 Student Composition Project Arrangement Category- High School Division. This arrangement starts with the original melody and harmonies as presented on the original recording. The intro features bass and bari sax, the verse melody is passed to the saxophones, and the chorus is in the hands of the trumpets. I know. Scary. The second verse takes a turn, changing keys to the relative minor and changing feels into a jazz-latin groove. The melody starts in the trumpets and moves to the saxophones, while everyone else is comping on a montuno-based rhythm. The second chorus serves as a Breakdown section and transitions the piece into the solo section. The solo section is heavily inspired by the steel pan music of Trinidad and Tobago. The transition from the chorus into the solo section is stolen from Summersong, a piece of steel pan literature. The chord progression is ripped from the soca tune Pan in A Minor by Lord Kitchener. The backgrounds are traditional strum rhythms from the genre. The transition out of the solo section is a chromatic line also commonly used in steel pan music, especially pieces performed for the annual steel pan competition Panorama. The final chorus is presented in the same style and key as the original recording. Some slight changes are made in the backgrounds, and the entire band brings back the idea from the introduction to bring the piece to an end. This piece exists for one reason only: for you and the audience to have fun.
$54.99
They Came Here to Dance (Swing Band Arrangement)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
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Don't Start Now
