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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four in Hand
Non classifié
370
Piano & claviers
1 Piano, 4 mains
491
Piano seul
294
Piano Facile
92
2 Pianos, 4 mains
58
Piano, Voix
21
Orgue
17
Instruments en Do
5
1 Piano, 6 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Accordéon
2
Clavecin
2
Piano, Voix et Guitare
2
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
8
Mandoline
7
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
4
Dulcimer
3
Basse electrique
3
4 Guitares (Quatuor)
2
Banjo
1
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale TTBB
20
Chorale 3 parties
12
Chorale Unison
10
Chorale SSAA
7
Chorale 2 parties
7
Voix Baryton, Piano
3
Voix Soprano, Piano
2
Chorale SSATTB
1
Voix duo, Piano
1
Voix duo
1
Voix Alto, Piano
1
Voix haute
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Flûte traversière et Piano
24
Clarinette et Piano
22
2 Saxophones (duo)
15
Quatuor de Saxophones: 4 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Saxophone Soprano et Piano
11
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor et Piano
11
2 Flûtes traversières (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Baryton, Piano
7
Flûte, Hautbois, Clarinette, Basson
6
2 Clarinettes (duo)
6
3 Saxophones (trio)
5
Saxophone Tenor
4
Quintette de Flûte : 5 flûtes
4
Ensemble de Clarinettes
4
Clarinette Basse, Piano
4
Saxophone Alto
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Basse continue
2
2 Flûte à bec (duo)
2
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano
2
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon et Violoncelle
1
3 Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson et Piano
1
2 Clarinettes, Basson
1
Clarinette Basse
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Clarinette, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette (duo)
1
Clarinette
1
Ensemble de saxophones
1
Saxophone (partie séparée)
1
Clarinette et Alto
1
Flûte traversière
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Euphonium, Piano (duo)
13
Ensemble de Trompettes
12
Trombone et Piano
11
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette, Piano
7
Cor anglais, Piano
4
Trompette
4
Ensemble de Trombones
4
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone
3
2 Trompettes (duo)
3
2 Trombones (duo)
2
2 Euphoniums (duo)
2
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
1
Tuba et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Trombone (duo)
1
4 Tubas
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
55
Alto, Piano
27
Violon et Piano
27
Harpe
23
Violon
21
Violoncelle, Piano
19
Violon, Violoncelle (duo)
13
Violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
6
Ensemble de Violons
4
Ensemble d'Altos
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
2
Contre Basse
2
Trio à cordes: 3 violins
2
2 Altos (duo)
2
2 Violons (duo)
2
2 Harpes (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
4 Violoncelles
1
Harpe, Voix
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Cloches
157
Orchestre d'harmonie
59
Orchestre de chambre
26
Orchestre à Cordes
26
Orchestre
15
Ensemble de cuivres
12
Ensemble de Percussions
4
Batterie
3
Ensemble Jazz
3
Jazz combo
2
Piano et Orchestre
1
Marimba
1
Vibraphone
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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Vous avez sélectionné:
Four in Hand
Ensemble Jazz
Partitions à imprimer
3 partitions trouvées
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Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
Connecticut Avenue SUVs
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Ensemble Jazz
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AVANCÉ
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219....
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
Roses From the South - Strauss Waltz Medley for Big Band
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Ensemble Jazz
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Daryl McKenzie
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4th opt
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Roses From the South - Strauss
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Daryl McKenzie
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.718329 Composed by Johann Strauss Jr. Arranged by Daryl McKenzie. Multicultural,Romantic Period,World. S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.718329 Composed by Johann Strauss Jr. Arranged by Daryl McKenzie. Multicultural,Romantic Period,World. Score and Parts. 92 pages. Daryl McKenzie #5376935. Published by Daryl McKenzie (A0.718329). Roses From the South - Strauss Waltz Medley for Big Band (saxes). Four waltzes in a medley - each can be performed separately if required. 5 Saxes (Ten 2 & Bari opt.), 4 Trumpets (3rd & 4th opt.), 4 Trombones (3rd & 4th opt.), Piano, Guitar, Bass, Drums.An alternative arrangement using woodwind doubles on all sax parts is also available on SMP: Search HerePlayable with 3 Saxes, 2 Trumpets, 2 Trombones and no Guitar.Full audio demo (from Sibelius WW version): Click HereRosen aus dem Süden (Roses From the South), Op. 388, is a waltz medley composed by Johann Strauss II (1825 –  1899) in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin (The Queen's Lace Handkerchief). This arrangement is ideal for formal balls or ballroom dancing requiring a Viennese waltz. More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$59.99
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