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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FORMATION MUSI…
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MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Free At Last
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186
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41
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20
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7
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4
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2
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1
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1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
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6
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2
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2
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1
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23
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7
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6
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5
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4
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2
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1
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1
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Saxophone
15
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8
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6
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4
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4
Flûte, Hautbois, Clarinette, Basson
4
2 Saxophones (duo)
4
Saxophone Alto
3
Saxophone Tenor et Piano
3
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3
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Clarinette
2
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2
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1
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1
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1
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1
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1
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Ensemble de Hautbois
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1
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1
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3
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2 Cors (duo)
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Euphonium, Piano (duo)
1
2 Trombones (duo)
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1
3 Euphoniums
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 7 instrumentations
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16
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9
Violon et Piano
6
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4
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4
Alto, Piano
4
Alto seul
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Violoncelle (duo)
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
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9
Orchestre
4
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Ensemble Jazz
3
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2
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Vous avez sélectionné:
Free At Last
Ensemble Jazz
Partitions à imprimer
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The Plaza
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Rodney D
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The Plaza
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Rodney D. Chism, Sr.
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1259418 By Rodney D. Chism, Sr. By Rodney D. Chism, Sr. 20th Century,Blues,Jazz,Soul. Score and Parts. 8...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1259418 By Rodney D. Chism, Sr. By Rodney D. Chism, Sr. 20th Century,Blues,Jazz,Soul. Score and Parts. 8 pages. Rodney D. Chism, Sr. #852705. Published by Rodney D. Chism, Sr. (A0.1259418). The Plaza is a low 12/8 feel down-to-earth Mississippi Delta style blues. Great solo vehicle for a blues guitarist. A strong ensemble shout chorus that will bring down the house. It is very playable. Solos - Guitar, Tenor Saxophone, muted Trumpet/Flugelhorn (or just open it up). This composition was written for Nolan Ryan Henderson, a student murdered in Mississippi. It begins with a drum build-up and a strong beginning. Letter A is written for a Guitar solo to go to town. The Saxophone part will be played as background for the last time. Letters B and C are full band sections. Trumpets with shakes, Trombones with slide falls throughout, and a Saxophone Soli at letter C leading up to letter D, the open solo section.Letter D is the open solo section for any instrument let freedom ring. The ensemble backgrounds are to be played every even number of repeated cycles or the last time. Allow the Guitarist to close it out by going into the shout section of the letter E.Letter E is the famous riff until the next, the last measure with the railroad tracks. At the pause, allow the lead soloist or the drummer to work until the last note is cued. If the spirit is still high, the final note can be played with directed quarter note hits leading back to the 5th measure of letter E (shout section). Play it straight to the end with no railroad tracks during this time.
$50.00
Not So Long Ago
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Ensemble Jazz
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Jazz
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John Philips
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2 in unison
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Not So Long Ago
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published by John Philips Music Service (A0.947278). This is an alto sax feature ballad. The melody is full and rich and could make you think of Johnny Hodges. First bridge is alto 1 & 2 in unison...with solo alto out front and alto 2 in section it gets a nice echo effect--Last 8 back to alto 1 solo. First half of second chorus has a band within a band over background. Solo part has a few notes past an eighth.Last bridge trombones then alto solo last 8. Ending is very dramatic with some interesting alto work..the very last note is held over the band....like Harlem Nocturne. Not too fast.Don’t let the last note scare you, look at your fingering chart or play it 8va lower. If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Goin' Up Yonder
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Ensemble Jazz
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INTERMÉDIAIRE
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Charles Creath
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Rodney D
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Saxophonist Jeff Huddleston
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Goin' Up Yonder
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Rodney D. Chism, Sr.
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1259347 Composed by Charles Creath. Arranged by Rodney D. Chism, Sr. 20th Century,Jazz,Praise & Worship,...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1259347 Composed by Charles Creath. Arranged by Rodney D. Chism, Sr. 20th Century,Jazz,Praise & Worship,Spiritual. Score and Parts. 41 pages. Rodney D. Chism, Sr. #852616. Published by Rodney D. Chism, Sr. (A0.1259347). Goin' Up Yonder is a famous gospel tune typically played a funeral services. This arrangement is dedicated to Jazz Educator & Saxophonist Jeff Huddleston. In 2014, he passed away, and this tune was performed at his funeral services. As a gospel Saxophonist, this was his favorite song to perform during church services. This gospel Saxophone feature allows the 1st Alto Saxophonist to perform with many liberties open up. The arrangement is free-flowing. However, the rest of the ensemble acts as a gospel choir backing up the soloist at letter D. Also, allow the drummer to take us to church from the letter D to the end. All four (4) notes, two (2) measures before the end must be conducted, giving the soloist an open cadenza before the last note.
$50.00
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