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I'm Free!
Non classifié
272
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166
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36
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29
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21
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10
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5
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1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
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70
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21
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18
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12
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5
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4
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
+ 3 instrumentations
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Chorale 3 parties
156
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41
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18
Chorale TTBB
8
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6
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6
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1
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1
Voix haute
1
+ 4 instrumentations
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Vents
Saxophone
117
Flûte traversière
43
Clarinette
40
Quintette de Saxophone: 5 saxophones
35
Ensemble de saxophones
26
Ensemble de Clarinettes
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Quatuor de Saxophones: 4 saxophones
9
Saxophone Alto
7
Quintette de Flûte : 5 flûtes
7
Ensemble de Flûtes
7
Saxophone Tenor
6
Flûte, Hautbois, Clarinette, Basson
4
Flûte à Bec
4
Saxophone Soprano
4
Quatuor de Flûtes : 4 flûtes
2
Saxophone Tenor et Piano
2
Trio de Flûtes: 3 flûtes
2
Saxophone (partie séparée)
2
Clarinette, Guitare (duo)
1
Flûte traversière et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois
1
Flûte et Guitare
1
3 Saxophones (trio)
1
Flûte, Violon
1
+ 21 instrumentations
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Trombone
40
Trompette
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Ensemble de Trompettes
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Ensemble de Trombones
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres
3
Trio de Cuivres
2
Ensemble de Cors
2
Trompette (partie séparée)
1
Euphonium, Piano (duo)
1
Cor et Piano
1
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Trombone et Piano
1
+ 13 instrumentations
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Cordes
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19
Violon
18
Violoncelle
13
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10
Ensemble d'Altos
10
Alto seul
7
Trio à Cordes: violon, alto, violoncelle
3
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Alto, Piano
2
Violon, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
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1
Violon et Piano
1
2 Violoncelles (duo)
1
+ 11 instrumentations
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Orchestre & Percussions
Batterie
77
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8
Orchestre d'harmonie
7
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5
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4
Marimba
1
Ensemble de Percussions
1
Orchestre à Cordes
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
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Vous avez sélectionné:
I'm Free!
Ensemble Jazz
Partitions à imprimer
5 partitions trouvées
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And I Love Her
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Night Train
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Ensemble Jazz
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FACILE
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Blues
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Jazz
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Buddy Morrlow
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Paul Lichty
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Night Train
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Paul Lichty Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1371340 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by Paul Li...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1371340 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by Paul Lichty. Blues,Jazz. 52 pages. Paul Lichty Music #955551. Published by Paul Lichty Music (A0.1371340). Thank you for considering this arrangement! The catchy melody and triplet feel will provide many opportunities for growth in your developing jazz ensemble.Listening to recordings of the tune is a must for emulating the style of the piece. Two good reference recordings are found on the following albums:Night Train - Jimmy ForrestGrey's Mood Al Grey (w/ Jimmy Forrest)There's also a terrific Youtube video of Jimmy Forrest performing it with the Count Basie Orchestra.This chart can be done with the following instrumentation: Altos 1 + 2, Tenor 1, Bari, Trumpets 1-2, Trombones 1-2, Piano, Bass, and Drums. If you'd like me to make parts for other instruments (flute, horn, etc.), please reach out to me.I couldn't think of too many blues heads that'd be able to teach two essential jazz concepts (the blues and slow swing feel) that would be as catchy and as fun as Night Train. Your kids will be playing this tune a lot in the band room!Whenever chord symbols are present, bass players can make up their own bass lines and guitarists/pianists their own voicings. This chart's slow tempo and familiar harmonic structure can provide young players with a bridge to developing their own improvised bass lines and comping skills.The plunger work in the beginning is fun, but not required (in case you don't trust middle school students with plungers :))If your rhythm section players need easier or harder parts, let me know and I'm happy to provide.Feel free to add additional soloists if desired. The trombone solo can be repeated for additional soloists.Enjoy Night Train!
$49.99
Take The "a" Train - Score Only
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Ensemble Jazz
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FACILE
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Duke Ellington
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Brian Streckfus
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Take The "a" Train -
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Brian Streckfus
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1162547 By Duke Ellington. By Billy Strayhorn. Arranged by Brian Streckfus. Blues,Jazz,Standards. Score ...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1162547 By Duke Ellington. By Billy Strayhorn. Arranged by Brian Streckfus. Blues,Jazz,Standards. Score and parts. 16 pages. Brian Streckfus #762917. Published by Brian Streckfus (A0.1162547). ***This is the Concert Pitch Full Score Only*** (Good for conducting, anaylsis, non-transposing instruments, but it is bad for transposing instruments such as trumpet in Bb trying to read it.)I'm working on uploading the transposed seperate parts as a seperate sale.Key: C MajorPages: 16Arrangement for Jazz Big Band (Brass Quintet + Rhythm Section):1. Alto Sax2. Tenor Sax3. Baritone Sax4. Trumpet in Bb5. Tenor Trombone6. Guitar7. Piano8. Bass Guitar9. Drum SetI made this arrangement my own by mimicking train sounds even more often. There are a lot of composer indications. The harmonies are quite adventurous and the part writing well thought out. The intro could most likely be rhythmically free until the head (B section) of the tune.
$5.99
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