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It Don\'t Have To Change
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Vous avez sélectionné:
It Don\'t Have To Change
Ensemble Jazz
Partitions à imprimer
3 partitions trouvées
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Don't Work Too Hard GateWay Editions Jazz Ensemble Series
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Ensemble Jazz
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Michael Bomier
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Don't Work Too Hard GateWay Ed
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael B...
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Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael Butkus-Bomier #2033003. Published by Michael Butkus-Bomier (A0.862528). The IImin7-V7-IMaj7 chord progression is the first and most basic set of chords in tonal jazz. So, let's see how far they can be layered, stretched, and interwoven to create some nicely contrasting harmonic and melodic colors. OK, it Might take a BIT more work that the title suggests. Irony is IN right now... The saxes state the theme in octave unison, while the brass comment and accompany. Then the saxes take over for a full chorus of soli. None of the phrases is more than three measures in length, so the players can blow through without blowing themselves out. The soloists are the trumpet, accompanied by a trombone background, and the piano, with saxophones behind it. SampleSolos are provided. The trumpet shows how Woody Shaw might have played this piece with pentatonic scales, a bit of a contrast to the tonal nature of the changes. The piano has a rapid, multi-noted solo with lots of chromatics, with fingerings, to show what the Tatum-style of pianistic technique is all about. Running time is just over 4 mins at suggested tempo. The rhythm section Uni-Part is included with every GateWay Edition Jazz Ensemble Series chart. Drum part is notated as heard on the audio clip. MBB.
$20.00
Blame It On The Boogie
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Ensemble Jazz
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INTERMÉDIAIRE
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David Jackson-Rich, Elmar Kroh
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Nathaniel Frisque
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Blame It On The Boogie
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Nathaniel Frisque
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas ...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Nathaniel Frisque. Jazz,Pop. Score and parts. 42 pages. Nathaniel Frisque #164885. Published by Nathaniel Frisque (A0.555276). I arranged this piece at the request of my friends in the 2020-2021 Viking Jazz Ensemble at Wisconsin Lutheran High School. We hoped to do Blame it on the Boogie for that year's Prism concert, and they had asked my director to find an arrangement. He found one, but it was out of print. We were already playing an arrangement I did of Don't Start Now by Dua Lipa, so my friends turned to me and said, You can do one more, right? A year later, the 2021-2022 Jazz Ensemble performed this in front of 4 sold-out Prism concerts. This arrangement won first place in the WSMA 2022 Student Composition Project Arrangement Category- High School Division. This arrangement starts with the original melody and harmonies as presented on the original recording. The intro features bass and bari sax, the verse melody is passed to the saxophones, and the chorus is in the hands of the trumpets. I know. Scary. The second verse takes a turn, changing keys to the relative minor and changing feels into a jazz-latin groove. The melody starts in the trumpets and moves to the saxophones, while everyone else is comping on a montuno-based rhythm. The second chorus serves as a Breakdown section and transitions the piece into the solo section. The solo section is heavily inspired by the steel pan music of Trinidad and Tobago. The transition from the chorus into the solo section is stolen from Summersong, a piece of steel pan literature. The chord progression is ripped from the soca tune Pan in A Minor by Lord Kitchener. The backgrounds are traditional strum rhythms from the genre. The transition out of the solo section is a chromatic line also commonly used in steel pan music, especially pieces performed for the annual steel pan competition Panorama. The final chorus is presented in the same style and key as the original recording. Some slight changes are made in the backgrounds, and the entire band brings back the idea from the introduction to bring the piece to an end. This piece exists for one reason only: for you and the audience to have fun.
$54.99
And I Love Her
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
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It Don\'t Have To Change
