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Let It Be Done To Me
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--INSTRUMENTS--
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Vous avez sélectionné:
Let It Be Done To Me
Ensemble Jazz
Partitions à imprimer
3 partitions trouvées
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Night Train
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Ensemble Jazz
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FACILE
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Blues
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Jazz
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Buddy Morrlow
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Paul Lichty
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Night Train
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Paul Lichty Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1371340 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by Paul Li...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1371340 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by Paul Lichty. Blues,Jazz. 52 pages. Paul Lichty Music #955551. Published by Paul Lichty Music (A0.1371340). Thank you for considering this arrangement! The catchy melody and triplet feel will provide many opportunities for growth in your developing jazz ensemble.Listening to recordings of the tune is a must for emulating the style of the piece. Two good reference recordings are found on the following albums:Night Train - Jimmy ForrestGrey's Mood Al Grey (w/ Jimmy Forrest)There's also a terrific Youtube video of Jimmy Forrest performing it with the Count Basie Orchestra.This chart can be done with the following instrumentation: Altos 1 + 2, Tenor 1, Bari, Trumpets 1-2, Trombones 1-2, Piano, Bass, and Drums. If you'd like me to make parts for other instruments (flute, horn, etc.), please reach out to me.I couldn't think of too many blues heads that'd be able to teach two essential jazz concepts (the blues and slow swing feel) that would be as catchy and as fun as Night Train. Your kids will be playing this tune a lot in the band room!Whenever chord symbols are present, bass players can make up their own bass lines and guitarists/pianists their own voicings. This chart's slow tempo and familiar harmonic structure can provide young players with a bridge to developing their own improvised bass lines and comping skills.The plunger work in the beginning is fun, but not required (in case you don't trust middle school students with plungers :))If your rhythm section players need easier or harder parts, let me know and I'm happy to provide.Feel free to add additional soloists if desired. The trombone solo can be repeated for additional soloists.Enjoy Night Train!
$49.99
Briar Rose for Big Band
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Ensemble Jazz
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FACILE
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Tchaikovsky, Peter
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Thingvall, Jon
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Briar Rose for Big Band
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Jon Thingvall
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pa...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pages. Jon Thingvall #865640. Published by Jon Thingvall (A0.1273503). Briar Rose was the name of an early version of Sleeping Beauty.  Here, Tchaikovsky’s famous Sleeping Beauty Waltz is perked up a little, and re-imagined for a standard junior high/early high school, jazz big band (5,4,4), and played in 4/4 time.Difficulty:  junior high to early high school band.Designed to help students learn jazz.Key:  F (original ballet key is B-flat)Highest lead trumpet note: concert E (last note), in the treble clef.There are no solos.  Exposed parts have at least two players.The rhythms swing, but are kept predictable, without too much variety.Rhythm section play-along here:  https://youtu.be/rhlifLTzHC8Additional Parts Included:        Score, transposed        Score, concert pitch        Piano/Guitar showing Bass in L.H.        Piano/Guitar only, no Bass        Piano with jazz ideas/options written out        Drum set notation        Drum set kicksheetMeasure 71 (at approx. 1:51) could serve as an Optional Ending, and the director will be able to edit the measure as desired—beef up the “& of two†if desired, and/or add horns on beat 4, etc.  If done in class, as my teachers occasionally did, it can show the students the process of arranging, and might encourage some in that direction.As a classical-turned-jazz pianist, my best memories are of those who helped me bridge the gap from verbatim part-playing to the concepts of learning jazz harmonies and its own unique form of counterpoint.  Writers' suggestions--like Sammy Nestico's, who occasionally specified voicings--were invaluable. So, for classically-trained pianists who are interested in jazz, I’ve included a couple versions of the piano part—a fairly standard “lead sheetâ€, but also one with ideas for voicings, especially quartal, which the classical artist might not have considered.  Further study on YouTube and other Internet sites will help them hear and visualize the difference between jazz and classical.The Bass part gives the student the option of playing the changes, or the written notes.I’ve also included two kinds of drum parts—one with notation for those just starting out, and another “kick sheet†for those with more experience.Manuscript made with Finale v26Sounds from Finale and Garritan “JABB3†(Jazz And Big Band)MP3 courtesy of OnlineAudioConverter.com.
$45.00
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Let It Be Done To Me
