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Mad Man Moon
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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Crtitères actifs :
Mad Man Moon
Ensemble Jazz
Partitions à imprimer
2 partitions trouvées
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Sail Along Silvery Moon
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Ensemble Jazz
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FACILE
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Harry Tobias and Percy Wenrich
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John Ivor Holland
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Sail Along Silvery Moon
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John Ivor Holland
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1490039 Composed by Harry Tobias and Percy Wenrich. Arranged by John Ivor Holland. 20th Century,Jazz,Pop...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1490039 Composed by Harry Tobias and Percy Wenrich. Arranged by John Ivor Holland. 20th Century,Jazz,Pop,Standards. 24 pages. John Ivor Holland #1066902. Published by John Ivor Holland (A0.1490039). Sail Along Silvery Moon is a song written by Harry Tobias and Percy Wenrich in 1937 and originally performed by Bing Crosby, although covered later on by many artists including Andy Williams, Gene Autry and Slim Whitman. It reached #4 on the U.S. pop chart in 1937. in December 1957, saxophonist Billy Vaughn released an instrumental version of the song which went to #5 on the U.S. pop chart and #1 in Germany and in Canada. The following year, the song went #1 in Norway and made #4 in Australia. This arrangement for jazz ensemble follows the alto and tenor sax duet version by Vaughn, but makes these parts available for flute and clarinet if a doubling option is desired. There are short solos throughout, but nothing too complicated, it's a warm, nostalgic chart that would fit nicely into any programme.
$49.99
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
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