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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Make Way for the King
Sheetmusicplus
Non classifié
222
Piano & claviers
Piano seul
125
Piano, Voix
89
Piano Facile
83
Instruments en Do
31
Piano, Voix et Guitare
28
1 Piano, 4 mains
8
Orgue
3
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
24
Guitare
8
2 Guitares (duo)
6
Ukulele
3
Basse electrique
3
Paroles et Accords
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
2 Ukuleles
1
+ 5 instrumentations
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Voix
Chorale SATB
53
Voix Soprano, Piano
46
Voix Alto, Piano
36
Voix Tenor, Piano
27
Chorale 3 parties
19
Chorale 2 parties
14
Chorale SSAA
14
Chorale TTBB
3
Chorale Unison
3
Voix duo, Piano
2
+ 5 instrumentations
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Vents
Saxophone Alto
22
Flûte, Hautbois, Clarinette, Basson
16
2 Saxophones (duo)
16
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
14
Flûte traversière
14
2 Flûtes traversières (duo)
13
Saxophone, Clarinette (duo)
12
Quintette de Saxophone: 5 saxophones
12
Clarinette et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Hautbois, Piano (duo)
11
Clarinette
11
Saxophone Tenor et Piano
11
Clarinette, Violon (duo)
9
Flûte, Clarinette (duo)
8
Hautbois, Clarinette (duo)
7
Saxophone Alto et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois, Basson (duo)
7
Clarinette, Trompette (duo)
6
Saxophone (partie séparée)
6
Clarinette et Alto
6
2 Hautbois (duo)
5
2 Clarinettes (duo)
5
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
Hautbois, Flûte
4
Flûte à bec Soprano
4
Hautbois (partie séparée)
4
Saxophone Tenor
4
Flûte, Violon
4
Flûte, Alto (duo)
4
Flûte, Saxophone (duo)
4
Hautbois
3
Flûte, Trompette (duo)
3
Clarinette, Basson (duo)
3
Saxophone Baryton
2
Saxophone Soprano
2
Cor Anglais
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Hautbois et alto (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois (duo)
2
Ensemble de saxophones
2
Quatuor de Flûtes : 4 flûtes
2
Ocarina
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
Flûte et Trio à cordes
1
Flûte, Trombone (duo)
1
Flûte, Tuba (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Contrebasse (duo)
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes à bec
1
+ 56 instrumentations
Retracter
Cuivres
Trombone et Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone
10
Trompette, Trombone (duo)
10
Trompette
10
Trompette, Saxophone (duo)
8
Trompette, Piano
8
Cor et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Tuba et Piano
6
Cor
6
Tuba
6
2 Trombones (duo)
4
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 trompettes
3
Trompette (partie séparée)
2
Cor Anglais
2
Euphonium
2
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Trombone, Violon (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Euphonium, Piano (duo)
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon et Piano
39
Violoncelle
18
Violoncelle, Piano
17
Violon
17
Violon, Violoncelle (duo)
16
Violon, Alto (duo)
11
Alto, Piano
11
2 Violons (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Violoncelles (duo)
9
Contrebasse, Piano (duo)
7
Harpe
7
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
6
2 Altos (duo)
5
Alto (partie séparée)
5
Contre Basse
5
Violoncelle, Contrebasse (duo)
2
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Violon, Basson (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Violon (partie séparée)
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
Violon, Tuba (duo)
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre à Cordes
20
Orchestre
16
Orchestre de chambre
15
Ensemble Jazz
7
Cloches
7
Ensemble de cuivres
5
Jazz combo
3
Ensemble de Percussions
2
Batterie
1
Vibraphone et Marimba
1
Fanfare
1
Percussion (partie séparée)
1
+ 8 instrumentations
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Autres
Instruments
ACCORDEON
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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style (tous)
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METHODE : TECHNIQUES
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Make Way for the King
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Partitions à imprimer
7 partitions trouvées
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1
They Came Here to Dance (Swing Band Arrangement)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Ensemble Jazz
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INTERMÉDIAIRE
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Classique
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Joe Procopio These arrangement
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pa...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
The Center Of The Universe
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Ensemble Jazz
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AVANCÉ
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George Willson
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The Center Of The Universe
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages....
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages. George Willson #837490. Published by George Willson (A0.1242133). The Center Of The Universe is a a landmark in downtown Tulsa that is a bit of broken pavement on a bridge across some railroad tracks. Where its name comes from is the unusual acoustic properties that one experiences when standing on top of that broken pavement. Those outside the circle can't hear what the person is saying, and when speaking, the person in the circle can hear their voice echoed back to them. Scientifically, it is said to be its unique position in relation to the nearby buildings of downtown, but even so, it has become a strange tourist attraction. To exemplify these strange acoustic properties, this big band piece is written in an unusual time signature for the blues: 5/4. That, in itself, makes it inherently difficult to play since most jazz musicians are tuned into 4/4 with the occasional 3/4 or 12/8 thrown in for variety. Yes, others have done it, but this adds another entry to that very short list of big bands tunes in 5 to make us think of that weird spot downtown where sound just doesn't behave the way it seems like it should.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
Broke - Chose Money Over Me
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Ensemble Jazz
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AVANCÉ
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Sc...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
Not So Quiet Please
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Ensemble Jazz
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INTERMÉDIAIRE
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Sy Oliver
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Oliver/La Barbera
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Not So Quiet Please
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Deaver Enterprises ASCAP
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.791978 Composed by Sy Oliver. Arranged by Oliver/La Barbera. Broadway,Contest,Festival,Film/TV,Jazz,Musi...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.791978 Composed by Sy Oliver. Arranged by Oliver/La Barbera. Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 26 pages. Deaver Enterprises ASCAP #399191. Published by Deaver Enterprises ASCAP (A0.791978). Not So Quiet Please is one of five transcription/Arrangements (Carioca, Hawaiian War Chant, Well Git IT, Oop Bop Sh' Bam) I did for the Buddy Rich Retrospective at the Kool Jazz festival in 1982. After transcribing the originals I updated & re-arranged them to Buddy's liking without obscuring the intent of the originals. This arrangement is a composite of two recordings Buddy did of Quiet with Tommy Dorsey. The solo trumpet (first time at M. 9) can be played with all four trumpets both times if you choose and certain sections can be altered to suit your performance. We agreed on adding the eight bar shout after the drum solo to make the ending a little less anticlimactic. If you prefer, you can jump to M. 85 after the drum solo like the original. The drummer can stay on the toms and bass drum for the entire piece or alternate with a regular ride/hi hat swing pattern.
$85.00
MY SAMBA #1 (to students)
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Ensemble Jazz
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FACILE
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SANDS Do it and Believe it
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JORGE SANDS
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MY SAMBA #1
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SANDS
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1037651 Composed by SANDS Do it and Believe it. Arranged by JORGE SANDS. Hip-Hop,Jazz,Latin,Pop,R & B,Tr...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1037651 Composed by SANDS Do it and Believe it. Arranged by JORGE SANDS. Hip-Hop,Jazz,Latin,Pop,R & B,Traditional. Score and parts. 16 pages. SANDS #642552. Published by SANDS (A0.1037651). SANDS Do it and believe it, always working on the creation of new original melodies for cooperation with other artists sharing and transmitting feelings. MY SAMBA 1 INSTRUMENTAL MELODY / CONTEMPORARY ADULT/ SMOOTH SAMBA JAZZ / Instrumental Music Project for students. Download the file PDF and make your rehearsals with EASY original melodies creating a new gig repertoire includes BAND GROOVE SCORE keyboard (E. piano, Strings), bass, guitar, brass (trumpet, tenor sax), Percussion audio guide. by JORGE SANDS.
$20.88
High Hopes
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Ensemble Jazz
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INTERMÉDIAIRE
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James Van Heusen and Sammy Cah
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Cindy Cross
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High Hopes
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Cindy M. Cross
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1231855 Composed by James Van Heusen and Sammy Cahn. Arranged by Cindy Cross. Broadway,Film/TV,Jazz,Musi...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1231855 Composed by James Van Heusen and Sammy Cahn. Arranged by Cindy Cross. Broadway,Film/TV,Jazz,Musical/Show,Standards. Score and Parts. 40 pages. Cindy M. Cross #827559. Published by Cindy M. Cross (A0.1231855). This is a barn-burner of an arrangement (of course you can choose to take it like the glowing embers after you cooked all of your S’mores) featuring tight horns, swinging rhythms, and surprises around every corner. Easily adapted for larger, smaller, older, younger…basically you can make it your own if you so desire. A classic from 1959, you could even add vocals and make it a tribute to good vibes and making it happen!
$49.99
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Make Way for the King