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Reason G
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1
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--INSTRUMENTS--
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Vous avez sélectionné:
Reason G
Ensemble Jazz
Partitions à imprimer
3 partitions trouvées
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Come Fly With Me - Score Only
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Ensemble Jazz
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AVANCÉ
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Jazz
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Frank Sinatra
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Dico
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Come Fly With Me - Score Only
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Dico Ferreira
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1485357 By Frank Sinatra. By James Van Heusen and Sammy Cahn. Arranged by Dico. Jazz. 16 pages. Dico Fer...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1485357 By Frank Sinatra. By James Van Heusen and Sammy Cahn. Arranged by Dico. Jazz. 16 pages. Dico Ferreira #1062421. Published by Dico Ferreira (A0.1485357). COME FLY WITH ME (IN G)IMPORTANT: parts are available in another publication (identify as score only too - for price reasons) due to the difference in the orientation of the pages (the score is in landscape mode).INSTRUMENTATION: Voice / Alto sax 1, 2 / Tenor sax / Baritone sax / Trumpet 1, 2 / Trombone 1, 2 / Drum Set / Guitar / Bass / PianoI suggest that trumpets use the straight mute, as indicated, instead of the traditional harmon mute. The reason for this is that, with the small instrumentation, the harmon mute would leave the sound of the section extremely thin, without strength.
$25.00
Mi Pecadito – Big band, Salsa, Latin
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Ensemble Jazz
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Mi Pecadito – Big band,
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.567508 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Latin,World. Score and parts. 74 pages. Th...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.567508 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Latin,World. Score and parts. 74 pages. Thomas Graf - the-hit-factory.com #2024799. Published by Thomas Graf - the-hit-factory.com (A0.567508). Salsa tune for Big band, dance! A great challenge for your ensemble! – Powerful arrangement and very ambitious melody. This composition features solos on trumpet, trombone and saxophone. The rhythm group is especially in charge to provide powerful salsa groove which makes the audience dance. 1 tpt top note: written high G Listen to the live recording (German college big band) Check out our other compositions and arrangements! Any individual arrangement is available on request for reasonable price. Call +49 0172 2515987.
$25.99
Symphony In Riffs
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Ensemble Jazz
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AVANCÉ
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Benny Carter
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Peter Stöve
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Symphony In Riffs
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pag...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!
$49.99
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