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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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DEEJAY
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So Good - Bass Clarinet
Non classifié
25
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1
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11
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1
Ensemble de Clarinettes
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1
+ 24 instrumentations
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4
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2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Trompette
1
+ 4 instrumentations
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1
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1
2 Violoncelles (duo)
1
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6
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3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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SYNTHETISEUR
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TROMPETTE
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Vous avez sélectionné:
So Good - Bass Clarinet
Ensemble Jazz
Partitions à imprimer
3 partitions trouvées
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"Blues For Tony"-Background Track for Clarinet-Video
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Ensemble Jazz
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INTERMÉDIAIRE
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Fishel Pustilnik
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Fishel Pustilnik
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"Blues For Tony"-Bac
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F & N Enterprise
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635127 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and par...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635127 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and parts. 2 pages. F & N Enterprise #4792333. Published by F & N Enterprise (A0.635127). Background Track of Blues For Tony from my Music Book Jazz & Pop Sax Paradise (with attached CD) for Clarinet.Video (Alto Sax): https://www.youtube.com/watch?v=1E8FChuDpFQ&feature=youtu.beThe version includes a highly professional background music. Plus Version of Blues For Tony at SMP: SO. 295691 What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USAAdditional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Secret Love"-Background Track for Clarinet (With Improvisation)-Video
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Ensemble Jazz
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INTERMÉDIAIRE
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Fishel Pustilnik
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Fishel Pustilnik
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"Secret Love"-Backgr
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F & N Enterprise
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635137 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 2 ...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635137 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 2 pages. F & N Enterprise #4794611. Published by F & N Enterprise (A0.635137). Background Track of Secret Love from my Music Book Jazz & Pop Sax Paradise (with improvisation) for Clarinet.Video for Alto Sax: https://www.youtube.com/watch?v=p8SypGVWutAThe version includes a highly professional background music. Plus Version (Soprano Sax) at SMP: SO. 296179 What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USAAdditional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
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