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Take Five
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1202638 By Paul De…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1202638 By Paul Desmond. By Paul Desmond. Arranged by MAJOR SCORE PUBLISHING TM. Jazz,Latin. Score and Parts. 58 pages. Major Score Publishing #801399. Published by Major Score Publishing (A0.1202638). Take Five (Tito Puente Version) - F Min7/9 Piece Ensemble This high energy instrumental verion of Take Five as perfromed by the Tito Puente ensemble is a scorching addition to any live performance. We have included the epic harmonies, piano figure, bass line, drum part and higly notated parts even including the decending salsa pattern on the piano for the bridge! We have made this chart very versatile by adding alternate horn parts so you can perform this Paul Desmond/Tito Puente arrangement with 5 horns or 3 horns and 4 piec erhythm section depending on your setup. Flute/Alto sax option is available in the 5 horn version. Your audience, crowd or guests will just love this arrangement! A perfect opener, closer, or change of pace when the time is right! Check out our website today to view all of your specialized 7 or 9 piece instrumental sheet music arrangements for your high profile performance needs today! This version has been transposed to an easier key of concert F Minor from the original recording attached that is in Eb minor. We do also have a version for sale in the original key of Eb minor via our website! Cheers!7 + 9 piece charts available on our website below!WinelightTake FivePick up the PiecesNew ArrivalTop Gun AnthemSir DukeEl Cuatro De Tulaand many more! Follow us today! Youtube@majorscorepublishingInstagram@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/instrumental
$44.99
40.79 €
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Ensemble Jazz
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Paul Desmond
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MAJOR SCORE PUBLISHING TM
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Take Five
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Major Score Publishing
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SheetMusicPlus
Should I Stay Or Should I Go
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clas…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
45.34 €
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Ensemble Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Smooth Operator
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.955738 By Sarah Va…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.955738 By Sarah Vaughan. By Clyde Otis and Murray Stein. Arranged by Phil Thrift. Jazz. Score and Parts. 48 pages. Phil Thrift #6062351. Published by Phil Thrift (A0.955738). When my friend Werner told me to listen to Smooth Operator, I thought he meant the well-known mid-80s smooth jazz number by the British band Sade. Instead, I got a surprise. This Smooth Operator was totally different, totally unknown to me, and provoked me to find out about Dorothy Dandridge and her life. I encourage you to do so too.The album Smooth Operator was released in 1999. However, Dorothy Dandridge had recorded this song nearly 40 years earlier, in February 1961, with – according to the sleeve notes from Verve Records – an unknown orchestra and unknown producer. The arranger of the band charts is also not credited. It seems there was just one take, because when Ms. Dandridge enters at the pickup to measure 5, it takes the rhythm section a few beats to fall into line with her; one trumpet also enters too early in measure 74! Notwithstanding, this is an amazing, very cool number, and if your female vocalist feels up to the challenge of these cheeky, risqué lyrics, then these easy charts will enable your big band to recreate the piece.Although the style is dated and recalls a bygone era, I feel this song is a good way to remember this brilliant actress, singer, and dancer who died so young, and draw attention to the injustices she suffered and which are still with us today. The tagline to the film of her life starring Halle Berry sums up her life: Right woman. Right place. Wrong time.
$49.99
45.33 €
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Ensemble Jazz
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Sarah Vaughan
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Phil Thrift
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Smooth Operator
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Phil Thrift
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SheetMusicPlus
Hop Off
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
45.33 €
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Ensemble Jazz
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Fletcher Henderson And His Orchestra
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
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