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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's Not Right
Non classifié
341
Piano & claviers
Piano seul
284
Piano Facile
117
Piano, Voix
68
Piano, Voix et Guitare
39
Instruments en Do
23
Orgue
7
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano grosses notes
2
Piano (partie séparée)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
23
Basse electrique
7
Banjo
3
2 Guitares (duo)
3
Ukulele
3
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
4 Guitares (Quatuor)
2
Paroles et Accords
2
Mandoline
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
88
Chorale SSAA
20
Chorale 3 parties
20
Chorale 2 parties
17
Chorale TTBB
11
Chorale Unison
11
Voix Alto, Piano
9
Voix duo, Piano
5
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix haute
2
Chorale SSATTB
1
Voix basse
1
Voix moyenne, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
Quintette de Saxophone: 5 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Ensemble de Flûtes
11
Ensemble de saxophones
11
Flûte traversière et Piano
11
Harmonica
9
Hautbois, Piano (duo)
9
Flûte traversière
8
2 Saxophones (duo)
8
Flûte, Clarinette (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone Baryton, Piano
7
Clarinette et Piano
7
Hautbois, Clarinette (duo)
7
Ensemble de Clarinettes
7
Saxophone Tenor
6
2 Flûtes traversières (duo)
6
Saxophone Tenor et Piano
6
Saxophone Alto
6
Saxophone Soprano et Piano
6
Saxophone, Clarinette (duo)
5
Hautbois (partie séparée)
5
Saxophone Alto et Piano
5
Clarinette
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte, Hautbois (duo)
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
3
Hautbois, Basson (duo)
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
2
Ocarina
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Trompette (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Tuba
8
Trombone et Piano
7
Trombone (partie séparée)
5
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
5
Trombone
4
Trompette, Saxophone (duo)
4
Trompette, Cor (duo)
4
2 Trompettes (duo)
4
Trompette (partie séparée)
4
Trompette, Piano
4
Cor
4
Tuba et Piano
4
Trompette, Trombone (duo)
4
2 Trombones (duo)
3
Trompette
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
2 Cors (duo)
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
4 Tubas
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
Ensemble de Cors
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon, Violoncelle (duo)
34
Harpe
26
Violon
20
Violon et Piano
20
Violoncelle
19
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violoncelle, Piano
7
2 Violoncelles (duo)
5
Alto seul
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
4
2 Altos (duo)
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
2 Violons (duo)
3
Harpe, Voix
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
2
Ensemble de Violons
2
Violon (partie séparée)
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
61
Orchestre
30
Orchestre à Cordes
25
Ensemble Jazz
21
Orchestre de chambre
15
Ensemble de cuivres
13
Cloches
4
Jazz combo
4
Fanfare
2
Ensemble de Percussions
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Batterie
1
Marimba
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Crtitères actifs :
That's Not Right
Ensemble Jazz
Partitions à imprimer
21 partitions trouvées
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1
That's How We Roll: 2nd Baritone T.C.
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Ensemble Jazz
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Jazz
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Gordon Goodwin
#
Peter Blair
#
That's How We Roll: 2nd Barito
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017221_BTC2 2nd Baritone T.C.. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Part. 2 pages. Alfred Mu...
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Jazz Ensemble - SKU: AX.00-PC-0017221_BTC2 2nd Baritone T.C.. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017221_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017221_BTC2). UPC: 038081431734.An easy-to-play shuffle swing adapted from Gordon Goodwin's high-end chart for the grade 2 level. Arranger Peter Blair gets it right with accessible rhythms, written solos for alto and trumpet and this catchy melody. While not a trumpet section feature, the trumpets get most of the spotlight melody lines with lead trumpet range to written G on top of the staff with one last note A above the staff. It's good to play Goodwin! This title is available in SmartMusic.
$3.00
That's How We Roll: Score
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Ensemble Jazz
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Jazz
#
Gordon Goodwin
#
Peter Blair
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That's How We Roll: Score
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PR-0005505 Score. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Score. 13 pages. Alfred Music - Digital S...
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Jazz Ensemble - SKU: AX.00-PR-0005505 Score. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Score. 13 pages. Alfred Music - Digital Sheet Music #00-PR-0005505. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005505). UPC: 038081431734.An easy-to-play shuffle swing adapted from Gordon Goodwin's high-end chart for the grade 2 level. Arranger Peter Blair gets it right with accessible rhythms, written solos for alto and trumpet and this catchy melody. While not a trumpet section feature, the trumpets get most of the spotlight melody lines with lead trumpet range to written G on top of the staff with one last note A above the staff. It's good to play Goodwin! This title is available in SmartMusic.
$8.00
You've Lost That Lovin' Feelin'
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Ensemble Jazz
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Elvis Presley and The Righteou
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Eric Burger
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You've Lost That Lovin' Feelin
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Eric Burger Music
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.509037 By Elvis Presley and The Righteous Brothers. By Barry Mann, Cynthia Weil, and Phil Spector. Arranged by Eri...
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Jazz Ensemble Jazz Ensemble - SKU: A0.509037 By Elvis Presley and The Righteous Brothers. By Barry Mann, Cynthia Weil, and Phil Spector. Arranged by Eric Burger. Jazz,Pop,Rock. Score and parts. 45 pages. Published by Eric Burger Music (A0.509037). A wonderful feature your your great vocalist - this Hall and Oates version of the classic has all of the great backing vocal parts covered in the horns, so nothing will be missing. Great for concert, party or dance gigs. Vocal part includes lyrics of course! Please click the link to check out the YouTube playback of the score. Eric Burger is a long time commercial and military arranger who has written many charts that are performed by bands around the world. Each part is beautifully typeset for ease of reading, and every chart is proven on the “band-stand†by working bands and is sure to be a hit with your audiences. For more information, to request custom work, or for other fine charts please visit https://www.EricBurgerMusic.com Custom work is available, including adapting any work to your ensemble's instrumentation!
$60.00
Cherokee (Szczesniak Polish Children's Version)
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Ensemble Jazz
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AVANCÉ
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Mietek Szczesniak And Joanna G
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Alan Baylock
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Cherokee
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Alan Baylock
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1516427 By Mietek Szczesniak And Joanna Gajda. By Ray Noble. Arranged by Alan Baylock. Jazz. 61 pages. A...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1516427 By Mietek Szczesniak And Joanna Gajda. By Ray Noble. Arranged by Alan Baylock. Jazz. 61 pages. Alan Baylock #1090594. Published by Alan Baylock (A0.1516427). Thanks to performances by the USAF Airmen of Note and the UNT One O'Clock Lab Band, this up-tempo arrangement of Cherokee has become a crowd favorite! It features the trumpet section, and has space for any soloists who are brave enough to play at this tempo. The arrangement was inspired by Allan Wright's vocal chart that was performed at Shenandoah Conservatory.Instrumentation: 5 saxes, 4 trumpets (opt. 5th trumpet), 4 trombones, guitar, piano, bass, drum setTrumpet Range: G6Trombone Range: Ab4
$65.99
Broke - Chose Money Over Me
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Ensemble Jazz
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AVANCÉ
#
Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Sc...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
Eine Kleine Swingmusik
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Ensemble Jazz
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Edward Sims
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Eine Kleine Swingmusik
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Ed Sims
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1353555 By Wolfgang Amadeus Mozart. By Edward Sims. Arranged by Edward Sims. Classical,Contest,Festival,...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1353555 By Wolfgang Amadeus Mozart. By Edward Sims. Arranged by Edward Sims. Classical,Contest,Festival,Instructional,Jazz. 56 pages. Ed Sims #938282. Published by Ed Sims (A0.1353555). Whenever one thinks of moderately easy music for a jazz band, who doesn't think of Mozart? Normal people, right? Proving again that I'm not normal, while listening to Mozart's Eine Kleine Nachtmusik for the millionth time while teaching my music history class, I wondered if a swing song was hidden in there. This is the result. Containing solos for alto, trumpet, muted trombone, piano, and a duet for muted trumpets, here's a chart that is not too demanding for your lower section players while including just enough challenges to keep the interest of your leaders.
$2.00
Bohemian Rhapsody
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Queen
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Michael Bomier
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Bohemian Rhapsody
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Michael Butkus-Bomier
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862693 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Michael Bomier. Rock. Score and p...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862693 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Michael Bomier. Rock. Score and parts. 68 pages. Michael Butkus-Bomier #3926193. Published by Michael Butkus-Bomier (A0.862693). Bohemian Rhapsody, the Song of the Moment, the Film of the year, and the piece everyone wants to try and play! Here is a setting for a standard jazz ensemble with ONE main Idea: Let's NOT make this a guitar piece, but a Horn Piece. So, we have all the same structures as the original recording, right down to the time changes, and the shift from slow to fast and back again. The saxes are given the solo vocal line harmonized as a typical sax soli. The brass take Queen's vocal overdubs and operatic elements, and are given a jazz rather than a pop harmonic setting, with some extended and altered harmony, rather than just the triads and 7th chords of the Queen vocal. Sax ranges go to the top of the horn for lead alto, and go to a concert Ab just above the staff for the lead trpt. Trombone goes to a high Bb in the lead solo. First ending should appear at ms. 29 to the repeat. 2nd ending at ms. 35The guitar solos are given to either the piano, in octaves, or the brass, so that a guitar player is an option here, not a necessity. Revised version here, with ending placement errors all fixed up! This is NOT a jazz chart in the improvisational sense: it is a pop song set for a jazz ensemble. Our audio clip shows the opening trombone solo with the piano accomp, into the main vocal line harmonized with saxes. The score precedes the parts in the PDF file, with coverpage and a blank page, so print double-sided until pg. 27. Parts begin at pg. 28 and should be printed single-sided. MBB
$34.95
I Thought It Was You
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Herbie Hancock
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Johan Verhey
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I Thought It Was You
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey. Disco,Funk,Jazz,Rock. 83 pages. DaimlerMusic #821963. Published by DaimlerMusic (A0.1225926). Step into a world of musical enchantment as the talented Johan Verhey invites you to experience a mesmerizing big band reimagining of Herbie Hancock's 'I Thought It Was You.' Prepare to be swept away by the magic of Johan's artistry, where classic jazz meets contemporary brilliance.Johan Verhey's arrangement takes this jazz-funk gem to new heights, infusing it with a dynamic energy that's impossible to resist. Every note, every instrument, and every moment in this rendition is a testament to the passion and expertise of a true musical visionary.As you listen, you'll find yourself transported to a realm where the boundaries between the past and the present blur, all thanks to Johan's extraordinary craftsmanship. With a fusion of groovy rhythms, scintillating brass, and the sheer power of a big band, 'I Thought It Was You' comes to life in ways you've never imagined.This is more than music; it's an experience that transcends time and genre, a journey into the heart of jazz's future. Johan Verhey's arrangement encapsulates the essence of innovation and artistry, a testament to the enduring power of Herbie Hancock's timeless composition.Prepare to groove, be amazed, and let your soul dance to the rhythm of 'I Thought It Was You.' Johan Verhey's arrangement promises to leave you spellbound and craving for more. It's a musical transformation that you won't want to miss.Join Johan Verhey on this sonic adventure, where the past and the present converge, and the future of jazz shines brightly. Don't just listen; immerse yourself in the brilliance of 'I Thought It Was You.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00
Last Night
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Ensemble Jazz
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FACILE
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Charles Axton, Chips Moman, Fl
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Bandroom
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Last Night
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 14 pages. Bandroom.com Publications #3905807. Published by Bandroom.com Publications (A0.859769). __________________________LAST NIGHT - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Great for pre/post-game, 60-second timeouts, or a quick half-time number, LAST NIGHT climbed to #3 on the Billboard Chart in 1961. An easy blend of R&B and rock, this tune is insanely easy (hence the low price), using only 3 different notes! You can make it even more fun by adding easy choreography for the winds - start with bells down, slowly rise during the crescendo, then alternate bells left, then right for each repeated measure.This 54-second arrangement has an easy key and the well-marked rehearsal numbers reduce the amount of time needed in rehearsal.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders._______________________The highly-flexible BcP-Flex scoring imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, Trumpets (note: for this piece, everyone except bass line has a unison lead/rhythm part)Rhythm: Trombone, Horn, TC Baritone, Tenor Sax (note: for this piece, everyone except bass line has a unison lead/rhythm part)Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer to pick-up the tune by listening to the chart._______________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$14.00
Knock On Wood
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Otis Redding
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Dennis Ruello
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approx
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Knock On Wood
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Chicory Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.734478 By Otis Redding. By Eddie Floyd and Steve Cropper. Arranged by Dennis Ruello. 20th Century,Blues,...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.734478 By Otis Redding. By Eddie Floyd and Steve Cropper. Arranged by Dennis Ruello. 20th Century,Blues,Contemporary,Pop,Rock. Score and Parts. 85 pages. Chicory Music #5866147. Published by Chicory Music (A0.734478). Knock on Wood is a 1966 hit song written by Eddie Floyd and Steve Cropper and originally performed by Floyd. The song has become covered by later artists, most notably Amii Stewart in 1979. Stewart's disco version was the most successful on weekly music charts.Eddie Floyd's recording peaked at number 28 on the Billboard Hot 100 and spent one week at number 1 on the Soul Singles chart. The song was written in the Lorraine Motel in Memphis, Tennessee (now The National Civil Rights Museum). Steve Cropper has stated in interviews that there was a lightning storm the night that he and Eddie wrote the song, hence the lyrics 'It's like thunder, lightning, The way you love me is frightening'. Floyd's version earned a Gold certification from the Recording Industry Association of America (RIAA) on July 17, 1995 weekly music charts. Performance time: approx. 3 minutes.
$29.99
Don't Work Too Hard GateWay Editions Jazz Ensemble Series
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Ensemble Jazz
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Michael Bomier
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Don't Work Too Hard GateWay Ed
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael B...
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Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael Butkus-Bomier #2033003. Published by Michael Butkus-Bomier (A0.862528). The IImin7-V7-IMaj7 chord progression is the first and most basic set of chords in tonal jazz. So, let's see how far they can be layered, stretched, and interwoven to create some nicely contrasting harmonic and melodic colors. OK, it Might take a BIT more work that the title suggests. Irony is IN right now... The saxes state the theme in octave unison, while the brass comment and accompany. Then the saxes take over for a full chorus of soli. None of the phrases is more than three measures in length, so the players can blow through without blowing themselves out. The soloists are the trumpet, accompanied by a trombone background, and the piano, with saxophones behind it. SampleSolos are provided. The trumpet shows how Woody Shaw might have played this piece with pentatonic scales, a bit of a contrast to the tonal nature of the changes. The piano has a rapid, multi-noted solo with lots of chromatics, with fingerings, to show what the Tatum-style of pianistic technique is all about. Running time is just over 4 mins at suggested tempo. The rhythm section Uni-Part is included with every GateWay Edition Jazz Ensemble Series chart. Drum part is notated as heard on the audio clip. MBB.
$20.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
All In
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Dave Kenney
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Dave Kenney
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All In
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davekenneymusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225387 Composed by Dave Kenney. Arranged by Dave Kenney. 21st Century,Classical,Jazz. Score and Parts. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225387 Composed by Dave Kenney. Arranged by Dave Kenney. 21st Century,Classical,Jazz. Score and Parts. 23 pages. Davekenneymusic #821463. Published by davekenneymusic (A0.1225387). My energetic saxophone quartet (soprano, alto, tenor and baritone),â€All In†is a jazz piece that was inspired by Jimmy Giuffre’s  “Four Brothers†and all of the other great big band arrangers.  From them I learned so much about writing for the saxophone quartet in particular block chording. Further I did not score it for 3 tenors (or 1 alto 2 tenors) and bari and did not use the chord changes to Jeepers Creepers. I did enjoy creating colorful counterpoint and harmonies and tried to keep it in a light style like the Four Brothers recording.  While I did not include any improvisation it could be added perhaps using the chords from Jeepers Creepers.  All of this should make for challenging but enjoyable playing.  Note: all parts and the score are transposed in one pdf file. trt: 2’ 24 “ this work is: copyright 2023davekenneymusic I would love to get comments from you.Be Well Dave Kenneydavekenneymusic@gmail.com
$10.00
A Matanzas
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Jazz
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Manny Cepeda
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A Matanzas
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Manny Cepeda
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1024916 Composed by Manny Cepeda. Contemporary,Jazz,Latin,Standards. Score and parts. 52 pages. Manny Ce...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1024916 Composed by Manny Cepeda. Contemporary,Jazz,Latin,Standards. Score and parts. 52 pages. Manny Cepeda #6808599. Published by Manny Cepeda (A0.1024916). Manny's main theme of this song is Cuba's port of entry where the slaves were brought to Cuba. The term Matanzas in Spanish means massacre as many of the slaves who were transported to Cuba never got there from their harsh treatment by their captors and the horrible conditions of the ship they were being transported. Manny also uses Afro-beat a rhythm not used by only familiar with it. The rhythm and the minor key Manny uses created a very mysterious and haunting feel. From that feel, he then moves into Afro-Cuban Son to brighten the sadness at the beginning of the song. For your percussionist performing this song, care must be taken to play exactly what is written or your song won't have the correct feeling and impact on your listening audience!
$60.00
Blues for Elisa
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Ensemble Jazz
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INTERMÉDIAIRE
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Blues
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Jazz
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Todd Murphy
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Blues for Elisa
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Todd Murphy
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1024937 Composed by Todd Murphy. Blues,Jazz. Score and parts. 101 pages. Todd Murphy #3629455. Published...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1024937 Composed by Todd Murphy. Blues,Jazz. Score and parts. 101 pages. Todd Murphy #3629455. Published by Todd Murphy (A0.1024937). Blues for Elisa is a show tune that will work good as an opener or Encore. The form is irregular starting with the constant F minor swing that is interrupted almost randomly by the Bb7+11 bridge. The rhythm section must stay on it´s toes to make the changes at the right time. Each of the solos is of varying lengths making for alot of surprises (for the audience…not the band hopefully). There are ensemble passages and a 5 sax soli making it a challenging, but highly effective chart!Solos – Guitar, Alto 2, Trumpet 3 and Trombone 3.
$20.00
Batman Theme
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Ensemble Jazz
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AVANCÉ
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Marketts
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Jan Berry and George Tipton
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Batman Theme
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Fiji Printing
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1490266 By Marketts. By Neal Hefti. Arranged by Jan Berry and George Tipton. 20th Century,Film/TV,Pop,Ro...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1490266 By Marketts. By Neal Hefti. Arranged by Jan Berry and George Tipton. 20th Century,Film/TV,Pop,Rock. 47 pages. Fiji Printing #1067103. Published by Fiji Printing (A0.1490266). Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Neal Hefti's Batman Theme for the Jan & Dean Meet Batman LP in 1966. This arrangement pays homage to Nelson Riddle, the well-known composer and bandleader who wrote the music for the first two seasons of the Batman television series in 1966.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Perfect for high school, college, or local ensembles that want to tackle this contemporary take on the television classic from 1966.Studio Recording Arrangement (1966):BRASS: Trumpet 1-2; French Horn; Trombone 1-2.RHYTHM: Guitar 1; Guitar 2 (Danelectro 6-String Bass); Guitar 3 (Bass Guitar); Bass 1 (Fender); Bass 2 (upright); Drums, Percussion (Triangle); Organ.Note: This arrangement is classified as Jazz Ensemble because it is the closest classification offered by the ArrangeMe platform.Publication includes:(1) Illustrated cover page; (2) Introductory text with commentary on the music and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.47 Pages10 x 14.
$49.99
Stride- based on a theme from Rhapsody In Blue for little big band
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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George Gershwin
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John Hoesly
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Stride- based on a theme from
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453565 By George Gershwin. By George Gershwin. Arranged by John Hoesly. Jazz,Standards. 78 pages. PRS&B...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453565 By George Gershwin. By George Gershwin. Arranged by John Hoesly. Jazz,Standards. 78 pages. PRS&B #1032789. Published by PRS&B (A0.1453565). Stride: from Rhapsody In Blue- Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, “national pep”. This is known as the Stride theme because of it’s resembling a typical stride piano accompaniment so prominent in the era. Here, it is presented as a stand-alone tune. Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
Could You Be Loved
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Ensemble Jazz
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FACILE
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Bob Marley And The Wailers
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Johan Verhey
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Could You Be Loved
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.922581 By Bob Marley And The Wailers. By Bob Marley. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwrite...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.922581 By Bob Marley And The Wailers. By Bob Marley. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 90 pages. DaimlerMusic #6494927. Published by DaimlerMusic (A0.922581). Reggae Vibes in Merengue Groove! ðŸ¥ðŸŽ·ðŸŽºImmerse yourself in the enchanting sounds of the Caribbean! Johan Verhey has crafted a magical transformation of Bob Marley's legendary hit, Could You Be Loved, and the result is nothing short of a musical celebration!With the rhythmic pulsations of Merengue and the unmistakable spirit of reggae, we bring you an unforgettable musical experience that lights up the dance floor. Trumpets blaze, trombones roar, and saxophones soar like the tropical sun, while the drums set your feet in motion.More music from Johan Verhey, see: www.bestarrangementsforbands.comSo, leave the cares of the day behind and let yourself be carried away on this exciting musical journey. It's time to dance, laugh, and savor life as only the Caribbean can. Join the Big Band and celebrate the joy of music, love, and togetherness with us!Don't miss this vibrant fusion of reggae and Merengue because we're bringing the warmth of the tropics right to your dance floor. Let your soul sing because Could You Be Loved has never been so festive!More music from Johan Verhey? See Johan Verhey on SheetMusicPlus, Sonolize, ScoreExchange or arrangements for big band verhey on Youtube.
$60.00
Tag Blues: from Rhapsody In Blue- Jazz Ensemble Big Band
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Ensemble Jazz
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INTERMÉDIAIRE
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George Gershwin
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John Hoesly
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Tag Blues: from Rhapsody In Bl
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.753647 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 52 pages. PRS&B #62...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.753647 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 52 pages. PRS&B #6202157. Published by PRS&B (A0.753647). Tag Blues: from Rhapsody In Blue- for big band/jazz ensemble arranged by John Hoesly. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, national pep. The Tag Blues is a theme from RIB that is used as connective tissue throughout the piece. It is most famously stated in the bass clarinet. It is know as the the Good Evening Friends theme. In this arrangement, it is lifted from RIB and presented as a stand-alone blues tune. There is a solo for piano and tenor sax, but any member of the band could step in and solo on its simple blues changes. Difficulty level is intermediate and certainly playable by most high school jazz ensembles. Lead Tpt G5.
$50.00
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