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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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AFRICAIN
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428
PIANO & CLAVIERS
Piano seul
119
Piano, Voix
64
Piano, Voix et Guitare
27
Piano Facile
9
Orgue
7
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 4 mains
1
Accordéon
1
Piano (partie séparée)
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GUITARES
Guitare
14
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11
2 Guitares (duo)
6
Basse electrique
3
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1
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1
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1
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1
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1
Ligne De Mélodie, (Paroles) et Accords
1
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VOIX
Chorale SATB
74
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28
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14
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10
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10
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4
Voix duo, Piano
3
Voix Soprano, Piano
2
Voix Tenor
1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix duo
1
Chorale
1
Chorale Unison
1
Voix moyenne, Piano
1
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VENTS
2 Saxophones (duo)
40
Ensemble de saxophones
37
Flûte traversière et Piano
32
Quintette de Saxophone: 5 saxophones
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Saxophone Alto et Piano
23
Clarinette et Piano
21
Saxophone Tenor et Piano
19
Hautbois, Piano (duo)
18
Saxophone Soprano et Piano
18
Ensemble de Clarinettes
17
Saxophone, Clarinette (duo)
16
2 Clarinettes (duo)
15
Quatuor de Saxophones: 4 saxophones
13
Ensemble de Flûtes
12
Saxophone Baryton, Piano
12
2 Flûtes traversières (duo)
12
Cor anglais, Piano
12
3 Saxophones (trio)
10
Clarinette, Violon (duo)
10
Clarinette Basse, Piano
9
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
9
Flûte traversière
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Hautbois, Clarinette, Basson
8
Clarinette
8
Quintette de Flûte : 5 flûtes
7
Flûte, Violon
7
Flûte, Saxophone (duo)
7
2 Flûte à bec (duo)
6
3 Clarinettes (trio)
6
Saxophone Alto
6
Clarinette et Alto
5
Flûte, Alto (duo)
5
Hautbois, Flûte
4
Flûte à bec Soprano
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
4
2 Hautbois (duo)
4
Saxophone Tenor
4
Ensemble De Flûte à bec
3
Flute, harpe et violon
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois, Clarinette (trio)
3
Quatuor de Flûtes : 4 flûtes
3
3 Flûtes à bec (trio)
2
Saxophone Soprano
2
Clarinette, Basson (duo)
2
Flûte et Guitare
2
Flûte à bec Tenor
2
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Saxophone et Guitare
1
Saxophone
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Piccolo, Piano
1
Flûte à bec Alto, Piano
1
Saxophone (partie séparée)
1
Saxophone et Orgue
1
Flûte, Violoncelle
1
5 Flûtes à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trombone et Piano
15
Trompette, Piano
13
Trompette
12
Cor anglais, Piano
12
Ensemble de Trombones
12
Euphonium, Piano (duo)
11
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Saxophone (duo)
9
Ensemble de Trompettes
9
Cor et Piano
9
Trompette, Trombone (duo)
8
2 Trombones (duo)
7
Ensemble de Cors
6
2 Trompettes (duo)
6
Trombone
4
Tuba et Piano
3
2 Cors (duo)
3
Tuba
3
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
3 Cors (trio)
1
Trombone, Cor (duo)
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
2 Cors, Piano
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
3 Tubas (trio)
1
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CORDES
Violon et Piano
34
Quatuor à cordes: 2 violons, alto, violoncelle
28
Alto, Piano
25
Violoncelle, Piano
19
Harpe
13
Violon, Violoncelle (duo)
12
Violon, Alto (duo)
11
2 Violons (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle
11
2 Altos (duo)
7
Violon
7
2 Violoncelles (duo)
7
2 Harpes (duo)
6
Ensemble d'Altos
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Violons, Piano
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
1
Violoncelle, Orchestre
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
76
Orchestre
38
Orchestre de chambre
23
Orchestre à Cordes
22
Ensemble de cuivres
14
Ensemble Jazz
12
Cloches
4
Ensemble de Percussions
4
Vibraphone
1
Piano et Orchestre
1
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AUTRES
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There Was Only
Ensemble Jazz
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Till There Was You
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1128439 By The Bea…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1128439 By The Beatles. By Meredith Willson. Arranged by Daryl McKenzie. Broadway,Film/TV,Latin,Musical/Show,Rock. Score and parts. 47 pages. Daryl McKenzie #729060. Published by Daryl McKenzie (A0.1128439). Arranged in the style of the Beatles with a Bolero twist for Vocal with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Key of F Voice and Rhythm Section (only) arrangement also available on SMP: https://bit.ly/3Ue59oe Full audio demo (Sibelius Sounds): https://bit.ly/3DHXEyyLive demo : Here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$69.99
63.15 €
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Ensemble Jazz
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The Beatles
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Daryl McKenzie
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Till There Was You
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Daryl McKenzie
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SheetMusicPlus
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.07 €
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Ensemble Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
Night Of The Rooster
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1242126 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1242126 Composed by George Willson. Blues,Contemporary,Jazz. Score and Parts. 50 pages. George Willson #837483. Published by George Willson (A0.1242126). With all the bird titles floating around out there from Birdland, Lullaby of Birdland, Yardbird, Foo Birds, Free Bird, and even The Chicken, I figured what with my being from Broken Arrow (the home of the annual Rooster Days festival), it was high time there was a song involving the rooster. Called Night of the Rooster, this was a cross between the Stray Cat Strut and James Bond, and one can only imagine the rooster's evening in the hen house. Without going into innuendos, the way the T-Town Jazz Band performed it was with all trombone improv solos ending with all four of us playing at once. Whether this was measuring slide lengths or a battle between roosters, you can let your imagination run wild. It boiled down to a fun ltitle blues piece that wasn't too difficult to get into in any case, and we even have the recording linked to prove it.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
31.58 €
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Ensemble Jazz
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George Willson
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Night Of The Rooster
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George Willson
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SheetMusicPlus
Thank Hank for Jazz Ensemble, A Tribute to Hank Levy
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.826667 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.826667 Composed by Bud Caputo. Instructional,Jazz,Rock. Score and parts. 56 pages. Bud Caputo #3686729. Published by Bud Caputo (A0.826667). Thank Hank is Rock 70’s arrangement similar to what I experienced under the direction of Hank Levy while a grad student at Catholic University in Washington, D. C. It offers students an opportunity to explore the odd meters he commonly used to formulate many of his works, only on an easier level for advanced middle school and high school players. Audiences will also enjoy this diversion from the typical meters used in most jazz arrangements. Although scored for full jazz ensemble, the arrangement will work for smaller groups that do not have the full instrumentation. Auxiliary cow bell and tambourine parts will add to the flavor that was so commonly used during this era of pop music. Try to get the70’s flavor by using as close to an organ sound as possible, but a piano may be substituted. . There is 36 measure improvisation section that uses three chords, one for every 12 measures, and jazz scales are included in all the wind parts to encourage students to improvise.
$20.00
18.04 €
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Ensemble Jazz
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Bud Caputo
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Thank Hank for Jazz Ensemble, A Tribute to Hank Levy
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Bud Caputo
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SheetMusicPlus
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
5.4 €
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Ensemble Jazz
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Joe Procopio These arrangements by Joe Procopio from J
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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JoeCopio Music LLC
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SheetMusicPlus
Song Of Peace
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.774418 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.774418 Composed by Brad Esbensen, Bernadette M. Debattista. Arranged by Brad Esbensen. Jazz,Multicultural,World. Score and parts. 132 pages. Brad Esbensen Music Services #6092699. Published by Brad Esbensen Music Services (A0.774418). This work was originally composed for choir by Bernadette Debattista and was first performed at the Dawn Service, commemorating the centenary of the Gallipoli landings, in ANZAC Cove on 25 April 2015 by a combined choir from St Joseph’s College, Gregory Terrace and All Hallows’ School. This extended work sees the original theme recomposed for big band and choir. It may be performed in its entirety or the third movement may be omitted (or presented as spoken word only) if a choir is not available. The sax section requires the following doubles: Clarinet for Alto Saxes 1 and 2, and Tenor Sax 2; Flute for Tenor Sax 1; Bassoon for Bari Sax (although a Bari Sax part with no doubles has been included). There is also an optional part for Eb Sarrusophone! Trumpets require Flugelhorns and Harmon mutes.The recording features excerpts from each of the four movements and a brief description of each follows.1. Distant Shores With its jaunty, march-like feel, one can only imagine what it must have been like as these young men and women travelled to far off places, fired with the thrill of adventure, blind to the trauma and terrors of war. 2.Your Sons Are Our Sons The title for this movement is a paraphrase of a line in a speech given by Mustafa Kemal Ataturk in which he speaks of the special bond between Australia and Turkey. This movement features solo space for Piano and Trumpet.3.Reflection This movement features a small vocal group, including some of the singers who were present at the 2015 performance in ANZAC Cove, and a reading of the poem that became the lyrics of the song. 4.Hymn The final movement presents the theme in close to its original form, although extensively re-harmonised. A solo trumpet for most of the movement.I hope you enjoy performing this work.www.bemus.com.au
$80.00
72.18 €
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Ensemble Jazz
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Brad Esbensen, Bernadette M
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Brad Esbensen
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Flute for Tenor Sax 1
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Song Of Peace
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Brad Esbensen Music Services
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SheetMusicPlus
Hop Off
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
45.1 €
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Ensemble Jazz
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Fletcher Henderson And His Orchestra
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
KIDS' SONG
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1077216 By Big Ban…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1077216 By Big Band. By Des McNutty. Arranged by Des McNutty. Broadway,Children,Jazz,Musical/Show. Score and parts. 57 pages. Des Press #681382. Published by Des Press (A0.1077216). Kids' Song is an original piece for big band, composed and arranged by Des McNutty. The saxophone section needs flute, clarinet and bass clarinet, with only one alto and one tenor sax. The solo trumpet part is quite easy, spanning one octave; f-f'. The written-out jazz solo is not as difficult as it looks but nevertheless a bit more challenging. An easier solo can be written or improvised to be as difficult as the player dares, or given to someone else. The level is on the easier side of intermediate. Kids' Song was written in the mid- 1990s, apparently after listening to a lot of Isaac Hayes as an antidote to the then-ubiquitous Britpop and EDM. The style is a bit commercial and unashamedly schmaltzy - as you might find in a Broadway show from the time. The harmonies are like recently-poured cornflakes; slushy but slightly crunchy in places - and there's a funky middle section, as if you've mashed in a banana with maple syrup and Tabasco on it or something. Kids' Song was conceived as part of the obscure musical about the fortunes of a banjo-playing flapper from Burnley, Fifi Braithwaite, but dropped for stylistic reasons because the show was set in the late 1920s/ early 1930s. The sentiment is We're hungry. Why can't adults just be nice?.
$34.99
31.57 €
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Ensemble Jazz
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Big Band
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Des McNutty
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f-f'
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KIDS' SONG
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Des Press
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SheetMusicPlus
ADESTE FIDELES
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1318219 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1318219 Composed by John Francis Wade. Arranged by Neil M. Boumpani. Christmas,Holiday,Jazz,Latin. 63 pages. Boumpani Music Publishing #906901. Published by Boumpani Music Publishing (A0.1318219). This driving, Latin-flavored arrangement of the traditional carol Adeste Fideles (a.k.a. O Come All Ye Faithful) sounds great with bands of all levels, from professional big bands to high school jazz bands. After an introduction that repeats throughout the piece, the melody is presented with a soli in the 1st trumpet and 1st alto sax. The syncopated rhythms are repeated throughout, which makes it easier for school bands. There are plenty of opportunities for improvised solos over a 2-chord montuno that allows younger students to build confidence using a Bb blues scale (concert key). The rhythm section is also featured throughout and your drummer will love it (after all, it was arranged by a drummer!). Players and audiences alike will love this piece. Ranges are very reasonable with the 1st trumpet playing a written Bb above staff only twice, and the 1st trombone range going over the written F above the staff only once to Gb.
$75.00
67.67 €
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Ensemble Jazz
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John Francis Wade
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Neil M
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ADESTE FIDELES
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Boumpani Music Publishing
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SheetMusicPlus
Connecticut Avenue SUVs
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
9.02 €
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Ensemble Jazz
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
HONKIN' HORNS
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876424 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876424 Composed by Joe Procopio. Jazz. Score and parts. 31 pages. JoeCopio Music LLC #39083. Published by JoeCopio Music LLC (A0.876424). HONKIN’ HORNS by Joe Procopio HONKIN’ HORNS is an exclusive solo for two saxophones based on the shuffle beat - known as the Shag down South. It is exciting Dance Music with a swing feel and was extremely popular in the Fifties. The Shag is still popular in the Carolinas and remains the State Dance for South Carolina. HONKIN’ HORNS has the sound literally of two saxophones honking wonderfully together - almost wildly. There are very few saxophone solos for two saxophones that are as much fun as HONKIN’ HORNS and CRYIN’ SAXES. They offer great listening pleasure and are a delight to play. People love to dance to this music. Speaking from personal experience, I have never found any saxophone music that gives more pleasure to playing, listening and dancing than HONKIN’ HORNS and CRYING’ SAXES. The music here is written for Two Alto Saxophones or for Alto and Tenor Saxophone with a small quartet Piano, Guitar, Bass and Drums. A SPECIAL COLLECTION EDITION OF HONKIN’ HORNS AND CRYIN’ SAXES IS AVAILABLE FOR ONLY $14.95.
$10.00
9.02 €
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Ensemble Jazz
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Joe Procopio
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HONKIN' HORNS
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JoeCopio Music LLC
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SheetMusicPlus
Briar Rose for Big Band
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1273503 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pages. Jon Thingvall #865640. Published by Jon Thingvall (A0.1273503). Briar Rose was the name of an early version of Sleeping Beauty.  Here, Tchaikovsky’s famous Sleeping Beauty Waltz is perked up a little, and re-imagined for a standard junior high/early high school, jazz big band (5,4,4), and played in 4/4 time.Difficulty:  junior high to early high school band.Designed to help students learn jazz.Key:  F (original ballet key is B-flat)Highest lead trumpet note: concert E (last note), in the treble clef.There are no solos.  Exposed parts have at least two players.The rhythms swing, but are kept predictable, without too much variety.Rhythm section play-along here:  https://youtu.be/rhlifLTzHC8Additional Parts Included:        Score, transposed        Score, concert pitch        Piano/Guitar showing Bass in L.H.        Piano/Guitar only, no Bass        Piano with jazz ideas/options written out        Drum set notation        Drum set kicksheetMeasure 71 (at approx. 1:51) could serve as an Optional Ending, and the director will be able to edit the measure as desired—beef up the “& of two†if desired, and/or add horns on beat 4, etc.  If done in class, as my teachers occasionally did, it can show the students the process of arranging, and might encourage some in that direction.As a classical-turned-jazz pianist, my best memories are of those who helped me bridge the gap from verbatim part-playing to the concepts of learning jazz harmonies and its own unique form of counterpoint.  Writers' suggestions--like Sammy Nestico's, who occasionally specified voicings--were invaluable. So, for classically-trained pianists who are interested in jazz, I’ve included a couple versions of the piano part—a fairly standard “lead sheetâ€, but also one with ideas for voicings, especially quartal, which the classical artist might not have considered.  Further study on YouTube and other Internet sites will help them hear and visualize the difference between jazz and classical.The Bass part gives the student the option of playing the changes, or the written notes.I’ve also included two kinds of drum parts—one with notation for those just starting out, and another “kick sheet†for those with more experience.Manuscript made with Finale v26Sounds from Finale and Garritan “JABB3†(Jazz And Big Band)MP3 courtesy of OnlineAudioConverter.com.
$45.00
40.6 €
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Ensemble Jazz
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Tchaikovsky, Peter
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Thingvall, Jon
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Briar Rose for Big Band
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Jon Thingvall
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SheetMusicPlus
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