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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Thou Art the Way
Sheetmusicplus
Non classifié
825
Piano & claviers
Piano seul
398
Piano, Voix
197
Orgue
148
Piano Facile
73
Piano, Voix et Guitare
52
Instruments en Do
23
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
8
1 Piano, 4 mains
7
Accompagnement Piano
6
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
2
1 Piano, 6 mains
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
114
Guitare
59
Guitare notes et tablatures
25
2 Guitares (duo)
15
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Paroles et Accords
2
Basse electrique
2
4 Guitares (Quatuor)
1
Banjo
1
Ensemble de guitares
1
Cithare
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
207
Chorale 3 parties
74
Chorale 2 parties
29
Chorale TTBB
28
Chorale Unison
17
Chorale SSAA
15
Voix Alto, Piano
11
Voix Soprano, Piano
6
Voix seule
5
Chorale SSAB a cappella
5
Voix basse, Piano
3
Voix haute
3
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix Tenor
2
Voix duo
2
Voix duo, Piano
2
Chorale SSAATTBB
1
Voix Tenor, Piano
1
+ 14 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
260
Clarinette et Piano
223
Flûte traversière et Piano
212
Saxophone Alto et Piano
169
Saxophone Tenor et Piano
147
2 Saxophones (duo)
101
Quatuor de Saxophones: 4 saxophones
53
Clarinette
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Flûte traversière
43
2 Flûtes traversières (duo)
33
Saxophone, Clarinette (duo)
30
Saxophone Alto
29
Flûte, Hautbois, Clarinette, Basson
26
2 Clarinettes (duo)
25
Quintette de Saxophone: 5 saxophones
24
Clarinette, Violon (duo)
23
Saxophone Soprano et Piano
22
Hautbois (partie séparée)
22
Saxophone Baryton, Piano
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Trompette (duo)
16
Saxophone Tenor
16
Saxophone (partie séparée)
13
Ensemble de Clarinettes
13
Hautbois, Basson (duo)
12
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
11
2 Hautbois (duo)
11
Clarinette et Alto
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois, Clarinette (duo)
10
Flûte à bec Soprano
10
Cor anglais, Piano
10
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
8
Flûte, Violon
8
Ensemble de Flûtes
8
Hautbois, Flûte
8
Flûte irlandaise
8
Flûte, Alto (duo)
7
Flûte, Clarinette et Basson
7
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
5
5 Flûtes à bec
5
Quatuor de Flûtes à bec
5
Hautbois
5
3 Saxophones (trio)
4
Flûte et Guitare
4
Ensemble de saxophones
4
Flute (partie séparée)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Alto, Piano
3
2 Clarinettes, Piano
3
Cor Anglais
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Alto et Piano
2
2 Saxophones, Piano
2
Ocarina
2
Flûte, Hautbois (duo)
2
Clarinette, Guitare (duo)
2
Saxophone
2
Cor anglais, Guitare (duo)
2
Flûte à bec Alto
2
Flûte, Violon, Piano
1
Clarinette Basse
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Harmonica
1
Flûte à bec Tenor
1
Clarinette, Basson (duo)
1
Flûte à Bec
1
Saxophone Baryton
1
Piccolo
1
3 Flûtes à bec (trio)
1
Flûte, trombone et piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo, Piano
1
+ 84 instrumentations
Retracter
Cuivres
Trombone et Piano
175
Trompette, Piano
118
Trompette
107
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Cor et Piano
62
Trombone
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette, Saxophone (duo)
22
Tuba et Piano
18
Trompette (partie séparée)
17
Cor
16
2 Trompettes (duo)
16
Trompette, Trombone (duo)
15
Quatuor de Cuivres
13
2 Trombones (duo)
13
Cor anglais, Piano
10
2 Tubas (duo)
8
Euphonium, Piano (duo)
8
2 Cors (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trombone (partie séparée)
7
Tuba
7
Tuba et Orgue
4
Cor (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
Cor Anglais
3
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Tubas
1
Ensemble de Trombones
1
Tuba (partie séparée)
1
3 Trompettes (trio)
1
2 Cors, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
289
Violon et Piano
241
Alto, Piano
231
Violoncelle, Piano
185
Violon, Violoncelle (duo)
174
Violon
165
Trio à Cordes: violon, alto, violoncelle
141
Violoncelle
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Violon, Alto (duo)
28
Alto seul
28
2 Violons (duo)
23
2 Violoncelles (duo)
18
2 Altos (duo)
15
Contrebasse, Piano (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Harpe
13
Alto (partie séparée)
13
Contre Basse
8
Harpe, Voix
6
Violoncelle , Guitare (duo)
5
4 Violoncelles
5
2 Contrebasses (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Harpe, Flûte (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
170
Orchestre à Cordes
140
Orchestre
79
Ensemble Jazz
38
Ensemble de cuivres
35
Orchestre de chambre
33
Cloches
18
Ensemble de Percussions
10
Batterie
8
Jazz combo
5
Percussion (partie séparée)
2
Fanfare
2
Marimba
2
Percussion
1
Ensemble d'École
1
Vibraphone
1
Piano et Orchestre
1
2 Marimbas
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
1
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CORNET
DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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LUTH, THEOR…
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PERCU. ORCH…
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Vous avez sélectionné:
Thou Art the Way
SheetMusicPlus
Partitions à imprimer
38 partitions trouvées
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1
26
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Boppin' At the Laundromat
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Ensemble Jazz
#
Benjamin Van De Water
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Boppin' At the Laundromat
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Imagine Music - Digital
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SheetMusicPlus
Jazz ensemble - SKU: IZ.JES171 Composed by Benjamin Van De Water. Score and Parts. 63 pages. Imagine Music - Digital #JES171. Published by Imagine Music...
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Jazz ensemble - SKU: IZ.JES171 Composed by Benjamin Van De Water. Score and Parts. 63 pages. Imagine Music - Digital #JES171. Published by Imagine Music - Digital (IZ.JES171). 9 x 12 in inches.Boppin' at the Laundromat, a piece for Jazz Ensemble featuring Oboe and Tuba soloists, is a programmatic story. The first idea to come to mind was the dissonant chord (m. 16, m. 24, m. 32, etc.) intended to emulate a dryer buzzer. From there, a story began to take shape.An attractive gentleman (tuba) approaches the counter at his local laundromat (m. 17), looking to have some of his clothes washed. Soon after, an attractive lady (oboe) approaches the counter along with the man (m. 23), and they notice each other. The mutual attraction is palpable, illustrated with arpeggios in triplets in the piano and vibes (m. 33). Their clothes washing questions are resolved, and they take their seats, nearby each other, of course. The small talk begins.Just then, some noisier patrons enter (brass), completing the laundering atmosphere. A high trumpet lick (m. 61) is the ever present obnoxious laughter that always seems to have an outburst at the most inopportune time. The following solo section (m. 66) is a lull in the superficial conversation of the lady and gentleman, where each is left to their own thoughts.Suddenly (m. 78), the conversation begins anew, with a more personal and profound interaction between them. All the while, the other launderers continue their carrying on. At measure 121, the man's dryer finishes, followed soon after by the woman's (m. 122), and the pair go their separate ways. Their story to be completed in the mind of the listener.
$50.00
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Ensemble Jazz
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INTERMÉDIAIRE
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Classique
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Joe Procopio These arrangement
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pa...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
Another Way To Die
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Ensemble Jazz
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INTERMÉDIAIRE
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Jack White & Alicia Keys
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Brad Esbensen
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Another Way To Die
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1474793 By Jack White & Alicia Keys. By Jack White. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop,...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1474793 By Jack White & Alicia Keys. By Jack White. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop,Rock. 100 pages. Brad Esbensen Music Services #1052410. Published by Brad Esbensen Music Services (A0.1474793). This arrangement for vocalist and big band is written in the key of E minor, and follows the form as sung on the sound track of the James Bond film, Quantum of Solace, by Alicia Keys and Jack White. All brass are mostly in a comfortable range and fully notated rhythm section parts are provided. Flute doubles are required for alto saxes 1 and 2, but parts without flute doubles have also been included in case they are unavailable. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
Night Of The Rooster
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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George Willson
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Night Of The Rooster
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1242126 Composed by George Willson. Blues,Contemporary,Jazz. Score and Parts. 50 pages. George Willson #...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1242126 Composed by George Willson. Blues,Contemporary,Jazz. Score and Parts. 50 pages. George Willson #837483. Published by George Willson (A0.1242126). With all the bird titles floating around out there from Birdland, Lullaby of Birdland, Yardbird, Foo Birds, Free Bird, and even The Chicken, I figured what with my being from Broken Arrow (the home of the annual Rooster Days festival), it was high time there was a song involving the rooster. Called Night of the Rooster, this was a cross between the Stray Cat Strut and James Bond, and one can only imagine the rooster's evening in the hen house. Without going into innuendos, the way the T-Town Jazz Band performed it was with all trombone improv solos ending with all four of us playing at once. Whether this was measuring slide lengths or a battle between roosters, you can let your imagination run wild. It boiled down to a fun ltitle blues piece that wasn't too difficult to get into in any case, and we even have the recording linked to prove it.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
Have A Good One! For Jazz Big Band, from the CD Guided Tour by Michael BB Quartet
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Michael Bomier
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Have A Good One! For Jazz Big
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862541 Composed by Michael Bomier. Instructional,Jazz,Standards. Score and parts. 87 pages. Michael Butk...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862541 Composed by Michael Bomier. Instructional,Jazz,Standards. Score and parts. 87 pages. Michael Butkus-Bomier #13335. Published by Michael Butkus-Bomier (A0.862541). Have A Good One is a track from the bop quartet CD Guided Tour. WINNER of the 2014 SMP/ Hal Leonard Publishing Contest for Best Jazz Combo submission. The piece is a Charlie Parker-Style blues with a modal bridge. After the theme, a short tutti leads to a series of solos with backgrounds for various saxes and brass, finishing with a full ensemble chorus out. The chart can be opened up for additional solos if desired. GateWay Editions Jazz Ensemble Series titles feature SampleSolos for most improvisational sections, so your band can learn to play the section material AND blow on changes at the same time. Each soloist's part is included without the sample as well, for the experienced player. All charts are straight through, with no D.S.'s back to the top or awkward pageturns. A rhythm section Uni-Part comes with each chart, which the optional guitar, bass, piano and even drums can play from! Drumset parts are fully notated versions of the MIDI audio clips. Piano voicings AND chord symbols are provided. Running time without additional soloists is approx. 5 mins 30 secs. Brass ranges are conservative at both the high and low ends. A low-A baritone sax is NEVER required for any GateWay Editions Jazz Ensemble Series chart. MBB 2014 Labor of Love Contest Winner.
$20.00
Don't Work Too Hard GateWay Editions Jazz Ensemble Series
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Ensemble Jazz
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Michael Bomier
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Don't Work Too Hard GateWay Ed
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael B...
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Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael Butkus-Bomier #2033003. Published by Michael Butkus-Bomier (A0.862528). The IImin7-V7-IMaj7 chord progression is the first and most basic set of chords in tonal jazz. So, let's see how far they can be layered, stretched, and interwoven to create some nicely contrasting harmonic and melodic colors. OK, it Might take a BIT more work that the title suggests. Irony is IN right now... The saxes state the theme in octave unison, while the brass comment and accompany. Then the saxes take over for a full chorus of soli. None of the phrases is more than three measures in length, so the players can blow through without blowing themselves out. The soloists are the trumpet, accompanied by a trombone background, and the piano, with saxophones behind it. SampleSolos are provided. The trumpet shows how Woody Shaw might have played this piece with pentatonic scales, a bit of a contrast to the tonal nature of the changes. The piano has a rapid, multi-noted solo with lots of chromatics, with fingerings, to show what the Tatum-style of pianistic technique is all about. Running time is just over 4 mins at suggested tempo. The rhythm section Uni-Part is included with every GateWay Edition Jazz Ensemble Series chart. Drum part is notated as heard on the audio clip. MBB.
$20.00
I Thought It Was You
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Herbie Hancock
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Johan Verhey
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I Thought It Was You
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey. Disco,Funk,Jazz,Rock. 83 pages. DaimlerMusic #821963. Published by DaimlerMusic (A0.1225926). Step into a world of musical enchantment as the talented Johan Verhey invites you to experience a mesmerizing big band reimagining of Herbie Hancock's 'I Thought It Was You.' Prepare to be swept away by the magic of Johan's artistry, where classic jazz meets contemporary brilliance.Johan Verhey's arrangement takes this jazz-funk gem to new heights, infusing it with a dynamic energy that's impossible to resist. Every note, every instrument, and every moment in this rendition is a testament to the passion and expertise of a true musical visionary.As you listen, you'll find yourself transported to a realm where the boundaries between the past and the present blur, all thanks to Johan's extraordinary craftsmanship. With a fusion of groovy rhythms, scintillating brass, and the sheer power of a big band, 'I Thought It Was You' comes to life in ways you've never imagined.This is more than music; it's an experience that transcends time and genre, a journey into the heart of jazz's future. Johan Verhey's arrangement encapsulates the essence of innovation and artistry, a testament to the enduring power of Herbie Hancock's timeless composition.Prepare to groove, be amazed, and let your soul dance to the rhythm of 'I Thought It Was You.' Johan Verhey's arrangement promises to leave you spellbound and craving for more. It's a musical transformation that you won't want to miss.Join Johan Verhey on this sonic adventure, where the past and the present converge, and the future of jazz shines brightly. Don't just listen; immerse yourself in the brilliance of 'I Thought It Was You.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00
Getaway
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Earth Wind and Fire
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Jim Farley www
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Getaway
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Jim Farley arrangementsone.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.765465 By Earth Wind and Fire. By Beloyd Taylor and Peter Cor. Arranged by Jim Farley www.arrangementson...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.765465 By Earth Wind and Fire. By Beloyd Taylor and Peter Cor. Arranged by Jim Farley www.arrangementsone.com. Jazz,Pop,Rock. Score and parts. 43 pages. Jim Farley arrangementsone.com #6539949. Published by Jim Farley arrangementsone.com (A0.765465). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$49.99
"Flight Of The Bumble Bee" for Violin (with Background Track)-Jazz/Pop Version-Video
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Fishel Pustilnik
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"Flight Of The Bumble Bee
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F & N Enterprise
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.633526 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,W...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.633526 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 4 pages. F & N Enterprise #3428163. Published by F & N Enterprise (A0.633526). An excellent arrangement of famous Flight Of The Bumble Bee by Nikolai Rimsy-Korsakov for Violin with Background Track (Jazz/Pop Version). https://www.youtube.com/watch?v=GluziM0y9x8The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic
$2.99
Broke - Chose Money Over Me
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Ensemble Jazz
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AVANCÉ
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Sc...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Blues
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Jazz
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .
$3.99
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
True Love Ways
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Ensemble Jazz
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Peter & Gordon
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Lindy Mack
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True Love Ways
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Amnesia Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.500991 By Peter & Gordon. By Buddy Holly and Norman Petty. Arranged by Lindy Mack. Jazz,Pop. Score and parts. 53 p...
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Jazz Ensemble Jazz Ensemble - SKU: A0.500991 By Peter & Gordon. By Buddy Holly and Norman Petty. Arranged by Lindy Mack. Jazz,Pop. Score and parts. 53 pages. Published by Amnesia Music (A0.500991). This is a solo vocal with big band arrangement of the Buddy Holly classic. This version is slightly longer to give dancers more time on the dance floor and give the singer more stage time. The vocal range is easy for a tenor or high baritone singer, and the band parts are interesting without being exceptionally difficult. Overall, a very pleasing version of the song that your singer, your band and your audiences will love.
$49.99
On Broadway
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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George Benson
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Clint Bleil
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On Broadway
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Clint Bleil
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1405061 By George Benson. By Barry Mann, Cynthia Weil, Jerry Leiber, and Mike Stoller. Arranged by Clint...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1405061 By George Benson. By Barry Mann, Cynthia Weil, Jerry Leiber, and Mike Stoller. Arranged by Clint Bleil. Jazz. 82 pages. Clint Bleil #988097. Published by Clint Bleil (A0.1405061). Here's a nice funk chart on On Broadway! Based on the George Benson version, this vocal chart is sure to rock out without taking too much rehearsal time.
$70.00
Would Rain Wash Away My Sorrow
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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K
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Joseph Pugh
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Would Rain Wash Away My Sorrow
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Joseph Pugh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.854953 Composed by K. Kobayashi. Arranged by Joseph Pugh. 20th Century,Contemporary,Jazz,Pop,Rock. Score...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.854953 Composed by K. Kobayashi. Arranged by Joseph Pugh. 20th Century,Contemporary,Jazz,Pop,Rock. Score and parts. 27 pages. Joseph Pugh #5754123. Published by Joseph Pugh (A0.854953). K. Kobayashi's tune series, Song Without Word - song titled ,Would Rain Wash Away My Sorrow This arrangement by Joseph Pugh adds strings ,horns and the rhythm section to this tune by the Japanese composer.
$35.99
And I Love Her
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
Show-type Tune (tune For A Lyric)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Bill Evans
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Sarah Jane Cion
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Show-type Tune
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Safflower Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1100228 By Bill Evans. By Bill Evans. Arranged by Sarah Jane Cion. Film/TV,Jazz. Score and parts. 122 pa...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1100228 By Bill Evans. By Bill Evans. Arranged by Sarah Jane Cion. Film/TV,Jazz. Score and parts. 122 pages. Safflower Music LLC #704104. Published by Safflower Music LLC (A0.1100228). Show Type Tune Back in 1989 I was taking an arranging course at NEC taught by George Russell (who subsequently received the Genius Grant for Lifetime Achievement). I worked on this big band arrangement for about a year. My concept was to take a Bill Evans tune and harmonize his solo for saxes within the body of the arrangement. About a week before graduation it finally came time for the class to have their work heard. I was SO excited! A big band was assembled and after a few days of classmate’s charts workshopped, George Russell fell ill, and I never got to hear my arrangement. I was devastated. It had taken me months to arrange, and hand-write the 17 parts as back then, no computers of course!So, tearfully it all went into a red folder—and eventually made its way to the bottom of a box, a box that somehow followed me throughout life. Recently concerned about doing nothing all week at family camp—I thought to myself, with my present knowledge of music notation software, why not dig up that dusty red folder and input the chart to finally hear it —32 years later? I figured if the work had any merit I could print it out and bring it to Library Band ! So. in the tiny log cabin with laptop and travel keys, I began, soon falling into what can only be described as timeless awareness—future self collaborating with inner conservatory undergrad—and dare say, I was rather impressed with her 😂 Although a few tweaks needed, the work proved nothing short of a sound effort. Tying up this life-long loose-end feels nothing short of spiritually inspired. ðŸ˜.
$49.99
Fingerprints
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Chick Corea
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Brian Lawrence
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Fingerprints
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Brian Lawrence
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1469656 Composed by Chick Corea. Arranged by Brian Lawrence. 21st Century,Contemporary,Jazz,Standards. 9...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1469656 Composed by Chick Corea. Arranged by Brian Lawrence. 21st Century,Contemporary,Jazz,Standards. 93 pages. Brian Lawrence #1047633. Published by Brian Lawrence (A0.1469656). Fingerprints by Chick Corea, arr. Brian Lawrence. This is a contrafact of Wayne Shorter's FootprintsArrangement for large jazz ensemble with: 5 saxophones (2 alto, 2 tenor, 1 baritone, and optional flute part) 4 trombones (3 tenor, 1 bass) 4 trumpets (with harmon mutes) Rhythm section (guitar, piano, bass, drum set and optional vibraphone part) Instrument ranges: Trumpet 1 to concert Eb6 in fanfare, otherwise concert concert C6 (ending can be taken down an octave) Trombone 1 to concert A5 This arrangement was comissioned by the Bellevue High School Jazz Band, under the direction of Edd George. It was premiered at the 2023 Starbucks Hot Java Cool Jazz concert at The Paramount Theater in Seattle, WA.Solos for piano, bass, tenor saxophone, and drum set. The solo section is flexible for anyone to solo on though. Please note: The opening of this chart features a fanfare, as this song was the first tune of the evening at Hot Java Cool Jazz. You could alternatively start at measure 16 with the piano, or an open piano cadenza then the piano part at 16. To view a full preview of the score, and other music for sale, please visit my website www.brianlawrencemusic.com/fingerprints
$49.99
Smooth Operator
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Sarah Vaughan
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Phil Thrift
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Smooth Operator
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Phil Thrift
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.955738 By Sarah Vaughan. By Clyde Otis and Murray Stein. Arranged by Phil Thrift. Jazz. Score and Parts....
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.955738 By Sarah Vaughan. By Clyde Otis and Murray Stein. Arranged by Phil Thrift. Jazz. Score and Parts. 48 pages. Phil Thrift #6062351. Published by Phil Thrift (A0.955738). When my friend Werner told me to listen to Smooth Operator, I thought he meant the well-known mid-80s smooth jazz number by the British band Sade. Instead, I got a surprise. This Smooth Operator was totally different, totally unknown to me, and provoked me to find out about Dorothy Dandridge and her life. I encourage you to do so too.The album Smooth Operator was released in 1999. However, Dorothy Dandridge had recorded this song nearly 40 years earlier, in February 1961, with – according to the sleeve notes from Verve Records – an unknown orchestra and unknown producer. The arranger of the band charts is also not credited. It seems there was just one take, because when Ms. Dandridge enters at the pickup to measure 5, it takes the rhythm section a few beats to fall into line with her; one trumpet also enters too early in measure 74! Notwithstanding, this is an amazing, very cool number, and if your female vocalist feels up to the challenge of these cheeky, risqué lyrics, then these easy charts will enable your big band to recreate the piece.Although the style is dated and recalls a bygone era, I feel this song is a good way to remember this brilliant actress, singer, and dancer who died so young, and draw attention to the injustices she suffered and which are still with us today. The tagline to the film of her life starring Halle Berry sums up her life: Right woman. Right place. Wrong time.
$49.99
Fanfare
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Roger Aldridge
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Fanfare
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.979665 Composed by Roger Aldridge. Jazz,World. Score and parts. 12 pages. Roger Aldridge #512603. Publis...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.979665 Composed by Roger Aldridge. Jazz,World. Score and parts. 12 pages. Roger Aldridge #512603. Published by Roger Aldridge (A0.979665). Fanfare (for 4 or 5 wind instruments and rhythm section) was inspired by Brazilian brass bands. It was written for music students at the Sandy Spring Friends School in Maryland. This music has an exuberant spirit with samba rhythms churning under contemporary harmonic voicings. It is intended to be a short piece; however, the vamp at the end can be extended with a solo or collective improvisation. Another option is to have a percussion intro before the horn section enters with the opening chords. While Fanfare was draws upon Brazilian music, it is in my own style. Unlike my other pieces for mid-size ensemble, the rhythm section is optional for Fanfare. In this way, the piece can be performed by woodwind or brass quintets, clarinet ensemble, or sax quartet/quintet as several possibilities. Additionally, it can be easily adapted for big bands and larger ensembles by doubling players on parts so that each line has a distinctive blending of tone colors. Suggested assignment of parts for a big band: I -- 4 trumpets (open); II -- clarinet, soprano sax; III - alto sax, trombone (open); IV - tenor sax, trombone (cup), trombone (bucket); V - baritone sax, bass trombone (open). PARTS: The set of parts is available at FANFARE PARTS (S0.90413). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ VIDEO: https://youtu.be/Sdi3-7NeY7I DURATION: around 3:00 YEAR OF RELEASE: 2015 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. This piece may be performed with or without a rhythm section. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html
$10.00
John's Montuna
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Ensemble Jazz
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Jazz
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Latin/Musique du monde
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John Philips
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John's Montuna
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947270 Composed by John Philips. Jazz,Latin. Score and parts. 25 pages. John Philips Music Service #3867639. Publi...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947270 Composed by John Philips. Jazz,Latin. Score and parts. 25 pages. John Philips Music Service #3867639. Published by John Philips Music Service (A0.947270). First adjust the tempo. This is Latin Big Band. Montunos are played at 175 or more, like sambas and merenges. The idea is a simple structure of 2,4,8 or 16 bars for solos, the harmonic content is limited so the soloist must be very clever. The piano is Cuban Style and written out. Will open for solos. Drums, bass & piano must be played as is to get the effect. . Good for programs or dances. . The rhythm section must play as written for the best effect. You must have a full time claves player---without claves you are not playing LATIN MUSIC.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
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