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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AFRICAIN
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28
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5
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3
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2
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2
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2
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2
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2
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Piccolo
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Flute (partie séparée)
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Clarinette, Violoncelle, Piano (trio)
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Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone et Piano
19
Trompette
16
Trompette, Piano
11
Trombone (partie séparée)
9
Cor (partie séparée)
8
Quatuor de Cuivres
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
7
Cor et Piano
7
Euphonium
6
Tuba
6
Trompette, Saxophone (duo)
5
2 Trombones (duo)
4
Trompette (partie séparée)
4
Trombone
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trombones
2
Tuba (partie séparée)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor Anglais
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
4 Tubas
1
Trombone, Cor (duo)
1
Trompette, Cor (duo)
1
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
2 Tubas (duo)
1
Trompette, Violoncelle et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
70
Violon et Piano
19
Trio à Cordes: violon, alto, violoncelle
19
Violon, Violoncelle (duo)
18
Violoncelle, Piano
18
Alto, Piano
18
Violon
16
2 Violons (duo)
12
Harpe
10
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle (partie séparée)
8
2 Violoncelles (duo)
7
Trio à cordes
6
Violon, Alto (duo)
6
Violon (partie séparée)
5
Alto seul
4
Trio à Cordes: 2 violons, alto
4
Contrebasse (partie séparée)
4
2 Altos (duo)
3
Alto (partie séparée)
3
Contre Basse
3
Contrebasse, Piano (duo)
2
Violoncelle
2
Alto et Harpe
1
Harpe, Voix
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
192
Orchestre
58
Orchestre à Cordes
19
Ensemble de cuivres
13
Cloches
12
Jazz combo
12
Orchestre de chambre
10
Ensemble Jazz
9
Ensemble de Percussions
6
Percussion (partie séparée)
6
Batterie
5
Piano et Orchestre
1
Xylophone, Piano
1
Marimba
1
Xylophone
1
Vibraphone
1
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AUTRES
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Us and Them
Ensemble Jazz
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.71 €
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Ensemble Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
The Center Of The Universe
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages. George Willson #837490. Published by George Willson (A0.1242133). The Center Of The Universe is a a landmark in downtown Tulsa that is a bit of broken pavement on a bridge across some railroad tracks. Where its name comes from is the unusual acoustic properties that one experiences when standing on top of that broken pavement. Those outside the circle can't hear what the person is saying, and when speaking, the person in the circle can hear their voice echoed back to them. Scientifically, it is said to be its unique position in relation to the nearby buildings of downtown, but even so, it has become a strange tourist attraction. To exemplify these strange acoustic properties, this big band piece is written in an unusual time signature for the blues: 5/4. That, in itself, makes it inherently difficult to play since most jazz musicians are tuned into 4/4 with the occasional 3/4 or 12/8 thrown in for variety. Yes, others have done it, but this adds another entry to that very short list of big bands tunes in 5 to make us think of that weird spot downtown where sound just doesn't behave the way it seems like it should.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
32.32 €
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Ensemble Jazz
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George Willson
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The Center Of The Universe
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George Willson
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SheetMusicPlus
It Is Well Forever
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1421879 By Holiyo.…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1421879 By Holiyo. By Holyone Tombari Dodoh. Blues,Jazz,Multicultural,Pop,Traditional,World. 53 pages. Holyone Tombari Dodoh #1003213. Published by Holyone Tombari Dodoh (A0.1421879). LyricsIt is e well with me o; It shall be well with you o, And it must be well with us o Forever. People wey no fear God o Them think say life go bad o My life just dey better o Forever. Baba God say na so o I don dey see better o Na so God want for me o Forever. Them don go swear for me o, Na so their power fail o, I don dey hamma for here o Forever. Them don throw jazz for me o, Them say I do juju o, But na Jesus stand for me o Forever. I say, It is e well with me o; It shall be well with you o, And it must be well with us o Forever. Uncle, Aunty Make you no worry, Wetin dey shelle Baba dey see am. When e go happen, Your eyes go clear And you go fear God.Ewo, It is e well with me o; It shall be well with you o, And it must be well with us o Forever. Wahala dey for them o, Them no go see our back o, Them no go fit oppress o Forever. E don dey reach your time o, Better must come to you o, Baba don sign for you o, Forever.Them think say me I go die o, Na so them wait and die o, Baba God save my life o, Forever. Them tie dumb baby for bush o, Them think say na me them tie o, Na so their cup come full o Forever. I say, It is e well with me o; It shall be well with you o, and it must be well with us o Forever. Mama, Papa God dey see you, Brother, Sister God He too much, Enemies go scatter, Your God too strong, People go see am Say God do better For me and you, Them call our name, Baba God show, Na so them fall, Our God don do am.Ewo, It is e well with me o; It shall be well with you o, And it must be well with us o Forever. It is e well with me o; It shall be well with you o, And it must be well with us o Forever.
$15.00
13.85 €
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Ensemble Jazz
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Holiyo
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It Is Well Forever
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Holyone Tombari Dodoh
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SheetMusicPlus
Hop Off
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
46.17 €
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Ensemble Jazz
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Fletcher Henderson And His Orchestra
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Killing Me Softly With His Song
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453554 By Fugees.…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453554 By Fugees. By Charles Fox and Norman Gimbel. Arranged by John Hoesly. Jazz,Pop,Rock,Standards. 55 pages. PRS&B #1032778. Published by PRS&B (A0.1453554). KILLING ME SOFTLY WITH HIS SONG- Arrangement for Little Big Band/ Jazz Ensemble. Beautiful soft rock ballad made famous by Roberta Flack. Killing Me Softly with His Song is a soulful and introspective ballad that captivates with its emotional depth and haunting melody. Killing Me Softly with His Song has since been covered by numerous artists, each bringing their own unique interpretation to the timeless classic. Despite the passage of time, the song's universal themes of love, longing, and the power of music to connect us remain as resonant as ever, ensuring its enduring appeal for generations to com Difficulty: Intermediate.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
50.79 €
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Ensemble Jazz
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Fugees
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John Hoesly
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Killing Me Softly With His Song
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PRS&B
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SheetMusicPlus
Spirit Of The Anzacs
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774373 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774373 Composed by Lee Kernaghan. Arranged by Brad Esbensen. Contemporary,Country,Patriotic. 87 pages. Brad Esbensen Music Services #3925535. Published by Brad Esbensen Music Services (A0.774373). A big band arrangement of Spirit of the Anzacs in the original key of G major, modulating to A major. The song is based on Paul Keating's 1993 eulogy at the interment of the Unknown Soldier, one of Australia's most iconic speeches. Kernaghan said the song was inspired by Keating's immortal words, He is all of them. And he is one of us. This particular arrangement was premiered at a special concert commemorating that centenary of Armistice Day on 11 November 2018. The band accompaniment is fairly straight forward and not too demanding of the players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
55.41 €
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Ensemble Jazz
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Lee Kernaghan
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Brad Esbensen
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Spirit Of The Anzacs
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Brad Esbensen Music Services
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SheetMusicPlus
Firebird, BMI Work #17075594 (Piano Part)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953988 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953988 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939503. Published by BurnettPublishing.COM (A0.953988). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
3.68 €
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Ensemble Jazz
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Firebird, BMI Work #17075594 (Alto Saxophone Part)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953987 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953987 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPublishing.COM #1939501. Published by BurnettPublishing.COM (A0.953987). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
3.68 €
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Ensemble Jazz
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Christopher Burnett
#
Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
#
SheetMusicPlus
Take Five
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1202638 By Paul De…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1202638 By Paul Desmond. By Paul Desmond. Arranged by MAJOR SCORE PUBLISHING TM. Jazz,Latin. Score and Parts. 58 pages. Major Score Publishing #801399. Published by Major Score Publishing (A0.1202638). Take Five (Tito Puente Version) - F Min7/9 Piece Ensemble This high energy instrumental verion of Take Five as perfromed by the Tito Puente ensemble is a scorching addition to any live performance. We have included the epic harmonies, piano figure, bass line, drum part and higly notated parts even including the decending salsa pattern on the piano for the bridge! We have made this chart very versatile by adding alternate horn parts so you can perform this Paul Desmond/Tito Puente arrangement with 5 horns or 3 horns and 4 piec erhythm section depending on your setup. Flute/Alto sax option is available in the 5 horn version. Your audience, crowd or guests will just love this arrangement! A perfect opener, closer, or change of pace when the time is right! Check out our website today to view all of your specialized 7 or 9 piece instrumental sheet music arrangements for your high profile performance needs today! This version has been transposed to an easier key of concert F Minor from the original recording attached that is in Eb minor. We do also have a version for sale in the original key of Eb minor via our website! Cheers!7 + 9 piece charts available on our website below!WinelightTake FivePick up the PiecesNew ArrivalTop Gun AnthemSir DukeEl Cuatro De Tulaand many more! Follow us today! Youtube@majorscorepublishingInstagram@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/instrumental
$44.99
41.55 €
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Ensemble Jazz
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Paul Desmond
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MAJOR SCORE PUBLISHING TM
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Take Five
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Major Score Publishing
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SheetMusicPlus
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