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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What Part Of No
Non classifié
280
Piano & claviers
Piano seul
60
Piano Facile
53
Piano, Voix
14
Piano, Voix et Guitare
11
Instruments en Do
6
1 Piano, 4 mains
5
Accompagnement Piano
3
Orgue
3
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
1
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare
13
Guitare notes et tablatures
8
Guitare (partie séparée)
4
2 Guitares (duo)
2
3 Guitares (trio)
2
Paroles et Accords
2
Dulcimer
2
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
46
Chorale 3 parties
25
Chorale 2 parties
14
Chorale TTBB
8
Voix Soprano, Piano
7
Chorale SSAA
3
Voix Baryton, Piano
2
Voix Alto, Piano
2
Chorale Unison
2
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 6 instrumentations
Retracter
Vents
Saxophone (partie séparée)
16
2 Flûtes traversières (duo)
16
Clarinette et Piano
15
Clarinette
15
Quintette de Saxophone: 5 saxophones
14
Flûte traversière
12
Hautbois (partie séparée)
11
Flûte traversière et Piano
11
Saxophone Tenor et Piano
9
Hautbois, Piano (duo)
9
Quatuor de Saxophones: 4 saxophones
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone Alto
8
Flute (partie séparée)
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor
6
Clarinette (partie séparée)
5
Flûte, Hautbois, Clarinette, Basson
5
Ensemble de Clarinettes
5
Ensemble de Flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Baryton, Piano
4
Flûte et Guitare
3
Quintette de Flûte : 5 flûtes
3
Saxophone Soprano et Piano
3
Saxophone Soprano
3
Saxophone Baryton
2
Hautbois
2
3 Saxophones (trio)
2
Cor anglais, Piano
2
Saxophone et Orgue
1
Flûte à bec Soprano
1
Piccolo
1
Quatuor de Flûtes à bec
1
Flûte, Harpe et Violoncelle
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Harpe
1
2 Saxophones (duo)
1
2 Flûtes traversières, Piano
1
Flute, harpe et violon
1
2 Clarinettes (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Flûte à Bec
1
Flûte irlandaise
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trombone (partie séparée)
11
Trombone et Piano
10
Trompette, Piano
8
Cor et Piano
8
Cor
7
Trompette
7
Cor (partie séparée)
5
Trompette (partie séparée)
5
Ensemble de Trompettes
4
Ensemble de Trombones
4
Tuba
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba et Piano
3
Trombone
3
Quatuor de cuivres: 4 cors
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Tuba (partie séparée)
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
4 Tubas
1
2 Trompettes (duo)
1
Bass Clef Instruments
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon et Piano
19
Alto, Piano
16
Violoncelle, Piano
12
Trio à Cordes: violon, alto, violoncelle
12
Harpe
11
Contrebasse, Piano (duo)
7
Violoncelle
7
Violon
7
Alto seul
6
Violon, Alto (duo)
4
Violon, Guitare (duo)
4
Contrebasse (partie séparée)
4
Ensemble de Violons
3
Contre Basse
3
Violon (partie séparée)
3
Violoncelle , Guitare (duo)
3
Alto (partie séparée)
2
2 Violoncelles (duo)
2
2 Violons (duo)
2
2 Harpes (duo)
2
Harpe, Flûte (duo)
2
4 Contrebasses
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
2
Violoncelle (partie séparée)
1
2 Altos (duo)
1
Ensemble d'Altos
1
Harpe, Violon, Violoncelle
1
Alto et Harpe
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
45
Ensemble Jazz
41
Orchestre d'harmonie
40
Orchestre
36
Orchestre de chambre
18
Ensemble de cuivres
17
Fanfare
3
Batterie (partie séparée)
2
Percussion (partie séparée)
2
Cloches
2
Ensemble de Percussions
2
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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Vous avez sélectionné:
What Part Of No
Ensemble Jazz
Partitions à imprimer
41 partitions trouvées
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1
26
Song Of Peace
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Ensemble Jazz
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AVANCÉ
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Brad Esbensen, Bernadette M
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Brad Esbensen
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Flute for Tenor Sax 1
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Song Of Peace
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.774418 Composed by Brad Esbensen, Bernadette M. Debattista. Arranged by Brad Esbensen. Jazz,Multicultura...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.774418 Composed by Brad Esbensen, Bernadette M. Debattista. Arranged by Brad Esbensen. Jazz,Multicultural,World. Score and parts. 132 pages. Brad Esbensen Music Services #6092699. Published by Brad Esbensen Music Services (A0.774418). This work was originally composed for choir by Bernadette Debattista and was first performed at the Dawn Service, commemorating the centenary of the Gallipoli landings, in ANZAC Cove on 25 April 2015 by a combined choir from St Joseph’s College, Gregory Terrace and All Hallows’ School. This extended work sees the original theme recomposed for big band and choir. It may be performed in its entirety or the third movement may be omitted (or presented as spoken word only) if a choir is not available. The sax section requires the following doubles: Clarinet for Alto Saxes 1 and 2, and Tenor Sax 2; Flute for Tenor Sax 1; Bassoon for Bari Sax (although a Bari Sax part with no doubles has been included). There is also an optional part for Eb Sarrusophone! Trumpets require Flugelhorns and Harmon mutes.The recording features excerpts from each of the four movements and a brief description of each follows.1. Distant Shores With its jaunty, march-like feel, one can only imagine what it must have been like as these young men and women travelled to far off places, fired with the thrill of adventure, blind to the trauma and terrors of war. 2.Your Sons Are Our Sons The title for this movement is a paraphrase of a line in a speech given by Mustafa Kemal Ataturk in which he speaks of the special bond between Australia and Turkey. This movement features solo space for Piano and Trumpet.3.Reflection This movement features a small vocal group, including some of the singers who were present at the 2015 performance in ANZAC Cove, and a reading of the poem that became the lyrics of the song. 4.Hymn The final movement presents the theme in close to its original form, although extensively re-harmonised. A solo trumpet for most of the movement.I hope you enjoy performing this work.www.bemus.com.au
$80.00
No Time To Die
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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George Willson
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No Time To Die
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1240490 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by George Willson. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1240490 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by George Willson. 21st Century,Film/TV,Jazz,Rock. Score and Parts. 59 pages. George Willson #835873. Published by George Willson (A0.1240490). As performed by the T-Town Jazz Band.After creating a perfectly servicable big band arrangement of No Time To Die, I did what any good arranger of a big band would do and asked myself, How would Maynard Ferguson play this? The answer is, of course, louder, faster, and higher, or otherwise stated, obnoxiously. Such was born this unique version of this piece, with screaming trumpet parts, but a trombone soloing the first verse and then taking an extended improvisional solo throughout the middle (because as the lead trombone player of the band, I opted to give it to myself). I, personally, like this version better than the one that mimics the original, and give a little Bond pep to the midst to your setlist. Enjoy No Time To Die, as performed (obnoxiously) by the T-Town Jazz Band.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$49.99
What Child Is This (Vocal Solo and Jazz Ensemble)
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Ensemble Jazz
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INTERMÉDIAIRE
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Musique Sacrée
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William Chatterton Dix
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Joseph Hasper
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What Child Is This
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734856 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz,Praise & Worship. S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734856 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz,Praise & Worship. Score and parts. 84 pages. Joseph Hasper #3681527. Published by Joseph Hasper (A0.734856). A smooth jazz waltz version of a touching Christmas favorite. Easy vocals and a lush setting allow room for your singer to add their own embellishments to make it as big or small as you like. Requires no large instrumental ad libs, with two optional ad lib fills for alto sax. Piano and bass fully notated plus chord symbols. Key of D minor.A high vocal version (key of G minor) is also available, SMP no. S0.446811 arranged by Joseph Hasper.What Child Is This? is a Christmas carol whose lyrics were written by William Chatterton Dix, in 1865. At the time of composing the carol, Dix worked as an insurance company manager and had been struck by a severe illness. While recovering, he underwent a spiritual renewal that led him to write several hymns, including lyrics to this carol that was subsequently set to the tune of Greensleeves, a traditional English folk song.
$39.00
What Child Is This - Jazz Ensemble and Vocal Solo (High Voice)
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Ensemble Jazz
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INTERMÉDIAIRE
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Noël
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William Chatterton Dix
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Joseph Hasper
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What Child Is This - Jazz Ense
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734868 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz. Score and parts. 9...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734868 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz. Score and parts. 94 pages. Joseph Hasper #3879039. Published by Joseph Hasper (A0.734868). A smooth jazz waltz version of a touching Christmas favorite. Easy vocals and a lush setting allow room for your singer to add their own embellishments to make it as big or small as you like. Requires no large instrumental ad libs. Piano and bass fully notated plus chord symbols. Key of G minor.A low voice version (in D minor) is also available at SMP Press: https://www.sheetmusicplus.com/title/what-child-is-this-vocal-solo-and-jazz-ensemble-digital-sheet-m...What Child Is This? is a Christmas carol whose lyrics were written by William Chatterton Dix, in 1865. At the time of composing the carol, Dix worked as an insurance company manager and had been struck by a severe illness. While recovering, he underwent a spiritual renewal that led him to write several hymns, including lyrics to this carol that was subsequently set to the tune of Greensleeves, a traditional English folk song.
$29.00
It Is What It Is: Vibraphone
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Ensemble Jazz
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Methodes
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Victor López
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It Is What It Is: Vibraphone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016248_V Vibraphone. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet M...
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Jazz Ensemble - SKU: AX.00-PC-0016248_V Vibraphone. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016248_V. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016248_V). UPC: 038081485287.This one has a funky rock groove with a hip chord progression, yet it's very easy to play. It Is What It Is has plenty of unison harmony, no solos, easy ranges, and is very effective for the young band. (2:42).
$3.00
It Is What It Is: Auxiliary Percussion
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Ensemble Jazz
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Methodes
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Victor López
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It Is What It Is: Auxiliary Pe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016248_APC Auxiliary Percussion. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Dig...
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Jazz Ensemble - SKU: AX.00-PC-0016248_APC Auxiliary Percussion. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016248_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016248_APC). UPC: 038081485287.This one has a funky rock groove with a hip chord progression, yet it's very easy to play. It Is What It Is has plenty of unison harmony, no solos, easy ranges, and is very effective for the young band. (2:42).
$3.00
I Am What I Am
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jerry Herman
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Daryl McKenzie
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I Am What I Am
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1404518 Composed by Jerry Herman. Arranged by Daryl McKenzie. Broadway,Musical/Show. 65 pages. Daryl McK...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1404518 Composed by Jerry Herman. Arranged by Daryl McKenzie. Broadway,Musical/Show. 65 pages. Daryl McKenzie #987599. Published by Daryl McKenzie (A0.1404518). A swing style arrangement of the La Cage Aux Folles song for Vocal with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Keyboard, Guitar, Bass, Drums) Key of Gb with key change to G  NOTE: No Vocal part includedMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$79.99
What Is Hip: Vibraphone
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Ensemble Jazz
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Methodes
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: Vibraphone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor Ló...
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Jazz Ensemble - SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_V. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_V). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
What Is Hip: Auxiliary Percussion
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Ensemble Jazz
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Methodes
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: Auxiliary Percuss
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016290_APC Auxiliary Percussion. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Vict...
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Jazz Ensemble - SKU: AX.00-PC-0016290_APC Auxiliary Percussion. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_APC). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
What Is Hip: 2nd Baritone T.C.
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Ensemble Jazz
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Methodes
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: 2nd Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016290_BTC2 2nd Baritone T.C.. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor...
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Jazz Ensemble - SKU: AX.00-PC-0016290_BTC2 2nd Baritone T.C.. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_BTC2). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
No Money Left (septet version / Blowholes)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Rob Birdwell
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No Money Left
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Birdwell Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1004942 Composed by Rob Birdwell. Blues,Contemporary,Jazz. Score and parts. 45 pages. Birdwell Music LLC...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1004942 Composed by Rob Birdwell. Blues,Contemporary,Jazz. Score and parts. 45 pages. Birdwell Music LLC #4628511. Published by Birdwell Music LLC (A0.1004942). This tune features a vocal (tenor voice) who also plays Trumpet. This is an entertaining and fun song and arrangement of Rob Birdwell's original song. While written from personal experience, it was also written a bit tongue-in-cheek for use at fundraisers - seriously, what better tune is there than this!? ;) There's a bit of call and response, dixieland style section and a melancholy bridge section that drives it home and back to the chorus! Fun stuff. Check out the YouTube clip of a live Blowholes performance!
$25.00
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Ensemble Jazz
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INTERMÉDIAIRE
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Classique
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Joe Procopio These arrangement
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pa...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
The Worm
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Ensemble Jazz
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DÉBUTANT
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Blues
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Jazz
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John Philips
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The Worm
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.947265 Composed by John Philips. Blues,Jazz. Score and parts. 17 pages. John Philips Music Service #3867...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.947265 Composed by John Philips. Blues,Jazz. Score and parts. 17 pages. John Philips Music Service #3867627. Published by John Philips Music Service (A0.947265). Very easy chart for middle schools on up. Based on 12 bar blues it runs at about 140 and has simple themes that are done with unison sections. It’ funky 2 beat and make you want to clap your hands on 2 & 4. Fun to play, younger players can do it and learn. It usually works to have the horn players that are not playing in the first part of the chat clap their hands over their head on 2 and 4. This will get the people into it. This is a simple funky 2 beat and should be kept that way. Piano has dissonant afterbeats--should be soft.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Lovin' And Livin'
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Ensemble Jazz
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INTERMÉDIAIRE
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Michael Drake
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Kevin Carberry
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Lovin' And Livin'
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1503623 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Latin,Musi...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1503623 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Latin,Musical/Show,Singer/Songwriter. 200 pages. Michael Gene Drake #1079086. Published by Michael Gene Drake (A0.1503623). Lovin’ And Livin’ is from my CD “No Tan Lines” 1997. This is a Big Band arrangement with a vocal and trumpet solo.michaeldrakemusic@outlook.com https://drakemusic.com/https://www.youtube.com/watch?v=_lsu5pReG-ACHORUSLovin’ and Livin’, Livin’ and Lovin’, Lovin’ and Livin’ it’s just a game. Lovin’ and Livin’, Livin’ and Lovin’, Lovin’ and Livin’ it’s all the same. VerseWhen you love one, it's hard enough, But when you love two, it's double trouble. The first one can be, so much fun, The second one, makes you run and run. It is brand new, for her and you, But please don't worry, it's part of life.VerseWell we talk about, the way it was, And we talk about, the way it should be.And we talk about, the way it is, And we talk about, the way it could be.VerseIt seems to me, if your gonna play, you need to play, a certain way, and it's not for me, to tell you how, you need to find the path yourself.VerseWell You feel inside, about the potential, and you cry in-side, of the consequential a philosopher, I am not, you need to do, what your passion tells you.
$35.00
Broke - Chose Money Over Me
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Ensemble Jazz
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AVANCÉ
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Sc...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
In the Midnight Hour: Guitar Chords
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Ensemble Jazz
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Victor Lopez
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In the Midnight Hour: Guitar C
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0002427_GC Guitar Chords. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Musi...
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Jazz Ensemble - SKU: AX.00-PC-0002427_GC Guitar Chords. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002427_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002427_GC). UPC: 654979180340.Wilson Pickett for your jazz ensemble? Absolutely! Victor LA3pez does it best by taking a classic rock song and adapting it for the young jazz ensemble player. What a solid groove tempo for the band---they'll really dig into this chart, and you'll need only minimum prep time for a great performance. No individual solos---just ensemble throughout---reasonable ranges, and a really fun bass part. With the addition of the flexible instrumentation and the optional parts, IN THE MIDNIGHT HOUR just about plays itself!
$3.00
In the Midnight Hour: Guitar
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Ensemble Jazz
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Victor Lopez
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In the Midnight Hour: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0002427_G Guitar. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC...
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Jazz Ensemble - SKU: AX.00-PC-0002427_G Guitar. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002427_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002427_G). UPC: 654979180340.Wilson Pickett for your jazz ensemble? Absolutely! Victor LA3pez does it best by taking a classic rock song and adapting it for the young jazz ensemble player. What a solid groove tempo for the band---they'll really dig into this chart, and you'll need only minimum prep time for a great performance. No individual solos---just ensemble throughout---reasonable ranges, and a really fun bass part. With the addition of the flexible instrumentation and the optional parts, IN THE MIDNIGHT HOUR just about plays itself!
$3.00
Not So Long Ago
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Ensemble Jazz
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Jazz
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John Philips
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Not So Long Ago
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published by John Philips Music Service (A0.947278). This is an alto sax feature ballad. The melody is full and rich and could make you think of Johnny Hodges. First bridge is alto 1 & 2 in unison...with solo alto out front and alto 2 in section it gets a nice echo effect--Last 8 back to alto 1 solo. First half of second chorus has a band within a band over background. Solo part has a few notes past an eighth.Last bridge trombones then alto solo last 8. Ending is very dramatic with some interesting alto work..the very last note is held over the band....like Harlem Nocturne. Not too fast.Don’t let the last note scare you, look at your fingering chart or play it 8va lower. If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Scarlet---Trumpet Feature
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Ensemble Jazz
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Jazz
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John Philips
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Scarlet---Trumpet Feature
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947269 Composed by John Philips. Jazz. Score and parts. 15 pages. John Philips Music Service #3867635. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947269 Composed by John Philips. Jazz. Score and parts. 15 pages. John Philips Music Service #3867635. Published by John Philips Music Service (A0.947269). Set the tempo for about 90. This is a trumpet/fluegelhorn feature ballad that requires a strong lyrical soloist that can play in tune. It is very pretty, not difficult but must be played as is to work. First chorus is solo, second chorus first half ensemble, bridge is trumpet solo in front of brass section, last 8 modulates up for a big finish. Appropriate for a working band or a good high school or college band. Dedicated to Randy Brooks. Solo part has more than eighth notes but tempo is slow.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Sir Duke
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Soul/R&B
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Stevie Wonder
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Wolfgang Schutzinger
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Sir Duke
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Minus 500 Publishing
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.971632 By Stevie Wonder. By Stevie Wonder. Arranged by Wolfgang Schutzinger. Pop,Soul. Score and parts. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.971632 By Stevie Wonder. By Stevie Wonder. Arranged by Wolfgang Schutzinger. Pop,Soul. Score and parts. 45 pages. Minus 500 Publishing #5286485. Published by Minus 500 Publishing (A0.971632). Except for a 4 bar drum solo fill there are no solo sections in this arrangement. Instead a three part counterpoint section involving the chorus melody and 2 reoccurring instrumental themes of the song serves as the climax of the arrangement. Duration: 4' 09''. Level: somewhat difficult.Set of parts included:2 alto sax
$30.01
Why You Blues
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Ensemble Jazz
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Jazz
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John Philips
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Why You Blues
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Long Lost Love----Bossa Nova
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Ensemble Jazz
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Jazz
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Latin/Musique du monde
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John Philips
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Long Lost Love----Bossa Nova
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Publi...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Published by John Philips Music Service (A0.947276). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
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