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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What if...?
Non classifié
474
Piano & claviers
Piano, Voix et Guitare
489
Piano seul
330
Piano, Voix
168
Piano Facile
109
Instruments en Do
31
Orgue
26
1 Piano, 4 mains
9
2 Pianos, 4 mains
9
Accompagnement Piano
5
Piano (partie séparée)
2
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Clavecin
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
67
Ukulele
57
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
22
Paroles et Accords
12
Basse electrique
7
Banjo
4
Guitare (partie séparée)
4
4 Guitares (Quatuor)
2
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
Mandoline, Piano (duo)
1
2 Guitares (duo)
1
3 Guitares (trio)
1
Mandoline
1
Ensemble de guitares
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
39
Chorale TTBB
26
Chorale 2 parties
20
Chorale SSAA
10
Chorale Unison
9
Voix Soprano, Piano
5
Voix seule
4
Chorale
4
Voix haute
4
Voix Tenor, Piano
3
Voix duo
2
Chorale SSATTB
1
Voix duo, Piano
1
Voix Tenor
1
Voix basse, Piano
1
Voix Baryton, Piano
1
Voix basse
1
Voix Alto, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière
22
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Clarinette et Piano
16
Clarinette
16
Saxophone (partie séparée)
15
Quatuor de Clarinettes: 4 clarinettes
15
2 Saxophones (duo)
14
Hautbois (partie séparée)
14
Ensemble de Clarinettes
13
Flûte traversière et Piano
13
Ensemble de saxophones
12
Hautbois, Piano (duo)
12
3 Clarinettes (trio)
10
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de Flûtes
10
Flûte et Guitare
8
Saxophone Alto et Piano
8
Quatuor de Flûtes : 4 flûtes
8
2 Flûtes traversières (duo)
8
Clarinette (partie séparée)
7
Flute (partie séparée)
7
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
6
Saxophone Alto
5
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
5
Flûte irlandaise
4
3 Saxophones (trio)
4
Cor anglais, Piano
4
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette et Alto
2
2 Hautbois (duo)
2
Flûte, Alto (duo)
2
Saxophone Baryton, Piano
2
Flûte, Violon, Piano
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette (duo)
2
Cor anglais, Guitare (duo)
2
Hautbois, Guitare (duo)
1
Flûte à bec Tenor
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Saxophone et Guitare
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Cor Anglais
1
Flûte, Alto et Piano
1
Flûte, trombone et piano
1
Flûte, Violon et Violoncelle
1
Quatuor de Flûtes à bec
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone (partie séparée)
17
Trompette (partie séparée)
15
Trompette, Piano
14
Trombone et Piano
9
Trompette
8
Ensemble de Trombones
6
Cor (partie séparée)
6
Cor
5
Trombone
5
Ensemble de Trompettes
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba (partie séparée)
4
Quatuor de Cuivres
4
Cor et Piano
4
Cor anglais, Piano
4
Tuba
3
Trompette, Trombone (duo)
3
Tuba et Piano
2
2 Trombones (duo)
2
2 Trompettes (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Saxophone (duo)
2
4 Tubas
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Ensemble de Cors
1
Trio de Cuivres
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
30
Violon et Piano
27
Violoncelle
21
Harpe
21
Violoncelle, Piano
14
Trio à Cordes: violon, alto, violoncelle
13
Alto, Piano
13
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
6
Alto seul
6
Ensemble de Violons
5
Violoncelle , Guitare (duo)
5
Violon, Guitare (duo)
5
Alto (partie séparée)
5
Violon (partie séparée)
4
Contre Basse
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Harpe, Voix
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
2 Violons (duo)
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
213
Ensemble Jazz
55
Orchestre
39
Orchestre à Cordes
27
Ensemble de cuivres
17
Cloches
15
Orchestre de chambre
14
Jazz combo
10
Ensemble de Percussions
6
Batterie
5
Percussion (partie séparée)
5
Fanfare
4
Vibraphone
2
Batterie (partie séparée)
2
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
What if...?
Ensemble Jazz
Partitions à imprimer
55 partitions trouvées
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51
What If I Loved You
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Joey Gian
#
Laird Halling
#
What If I Loved You
#
Laird Halling
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1517549 Composed by Joey Gian. Arranged by Laird Halling. Broadway,Contemporary,Film/TV,Jazz,Musical/Sho...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1517549 Composed by Joey Gian. Arranged by Laird Halling. Broadway,Contemporary,Film/TV,Jazz,Musical/Show. 50 pages. Laird Halling #1091711. Published by Laird Halling (A0.1517549). This Jazz Ensemble arrangement is based on the recording of 'What If I Loved You' from the film 'Return To Me'. It is scored for Vocal Solo, 5 Saxophones, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, and Drums. It has been transposed down a half step from the original to Eb to be more comfortable and easy to play. The trumpet solo is transcribed as played on the original recording.
$64.95
What If I Loved You
#
Ensemble Jazz
#
Contemporain
#
Joey Gian
#
Arr
#
What If I Loved You
#
Kicker Productions Ltd.
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.833746 Composed by Joey Gian. Arranged by Arr. Mike West. Contemporary. Score and parts. 72 pages. Kicker Producti...
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Jazz Ensemble Jazz Ensemble - SKU: A0.833746 Composed by Joey Gian. Arranged by Arr. Mike West. Contemporary. Score and parts. 72 pages. Kicker Productions Ltd. #6713903. Published by Kicker Productions Ltd. (A0.833746). Full Big Band Arrangement including Vibes for 'What If I Loved You' from the film 'Return To Me'5 Saxes4 Trumpets4 TrombonesVocalsGuitarPianoBassDrumsVibes.
$49.99
What's New?
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Bob Crosby And His Orchestra
#
Brad Esbensen
#
What's New?
#
Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1116495 By Bob Crosby And His Orchestra. By Bob Haggart and Johnny Burke. Arranged by Brad Esbensen. Con...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1116495 By Bob Crosby And His Orchestra. By Bob Haggart and Johnny Burke. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,Standards. 54 pages. Brad Esbensen Music Services #718145. Published by Brad Esbensen Music Services (A0.1116495). What's New?, arranged in the key of F major, is a beautiful ballad that makes a great feature for vocalist and ensemble alike. The trumpets will require Harmon mutes in addition to the cup mutes required by the entire brass section. If mutes are not available have the sections play deep into their stands. The ensemble section requires a big ensemble sound and 1st Trumpet goes up to C6. Rhythm section parts are fully notated throughout. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
What's New?
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Bob Crosby And His Orchestra
#
Brad Esbensen
#
What's New?
#
Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774389 By Bob Crosby And His Orchestra. By Bob Haggart. Arranged by Brad Esbensen. Contemporary,Jazz,Sta...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774389 By Bob Crosby And His Orchestra. By Bob Haggart. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 54 pages. Brad Esbensen Music Services #4283067. Published by Brad Esbensen Music Services (A0.774389). What's New?, arranged in the key of G major, is a beautiful ballad that makes a great feature for vocalist and ensemble alike. The trumpets will require Harmon mutes in addition to the cup mutes required by the entire brass section. If mutes are not available have the sections play deep into their stands. The ensemble section requires a big ensemble sound and 1st Trumpet goes up to D6. Rhythm section parts are fully notated throughout. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au
$60.00
If I Were A Bell
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Ensemble Jazz
#
Contemporain
#
Frank Loesser
#
Des McNutty
#
If I Were A Bell
#
Des Press
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.977365 Composed by Frank Loesser. Arranged by Des McNutty. Contemporary. Score and parts. 61 pages. Des Press #688...
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Jazz Ensemble Jazz Ensemble - SKU: A0.977365 Composed by Frank Loesser. Arranged by Des McNutty. Contemporary. Score and parts. 61 pages. Des Press #6888385. Published by Des Press (A0.977365). If I Were a Bell is a song from the 1950 musical Guys and Dolls, based on Damon Runyan stories from Broadway in the prohibition era. Sky, the thirsty gambler, takes straight-laced Salvationist Sarah to Havana for a bet. They drink a local milkshake with sugar and a little native flavouringSarah: What's the name of the flavouring?Sky: Bacardi.Sarah: Doesn't Bacardi have alcohol in it?Sky: Oh, only enough to act as a preservative.Sarah: You know, this would be a wonderful way to get children to drink milk!After a couple of those, she bursts into song. Doris Day had a Top-20 hit with If I Were a Bell in 1950 and many singers have covered it since. Its place as a Jazz Standard was cemented in 1956 on the album Relaxin' with The Miles Davis Quintet.This original arrangement for big band features a solo flute - if not a flute solo - and, at 128 BPM, is slightly slower than usual. It was written in the mid-1990s for the Morley College Jazz Orchestra in London (then directed by Gordon BAP! Rose and Pete Pearl and Dean Moore). The style is in the direction of the understated West-Coast sound (Count Basie/Bill Russo/Bill Holman), with tipsy soli sections and a shout-chorus. The part for second alto OR first tenor is the same, meaning the flautist can be either an alto or tenor player. Well, if I were a salad I know I'd be splashing my dressing.Hic!
$49.99
What'll I Do?
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Jazz
#
Irving Berlin
#
Ralph Ingalls
#
What'll I Do?
#
Ralph Ingalls
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.942821 Composed by Irving Berlin. Arranged by Ralph Ingalls. Jazz. Score and parts. 57 pages. Ralph Inga...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.942821 Composed by Irving Berlin. Arranged by Ralph Ingalls. Jazz. Score and parts. 57 pages. Ralph Ingalls #6268779. Published by Ralph Ingalls (A0.942821). This arrangement features solo flugelhorn and Jazz Ensemble/Big Band. There are no range problems for your brass players. Trumpets can be substituted throughout for flugelhorns, if necessary. I have included two piano parts. The electric piano part has the chord voicings written out. If your piano player is experienced, I would recommend using this part and encouraging him or her to voice the chords as experience dictates. .
$20.00
December 1963 (oh, What A Night)
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
The Four Seasons
#
Andrew Will
#
December 1963
#
Andrew Will
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1296169 By The Four Seasons. By Bob Gaudio and Judy Parker. Arranged by Andrew Will. 20th Century,Pop. S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1296169 By The Four Seasons. By Bob Gaudio and Judy Parker. Arranged by Andrew Will. 20th Century,Pop. Score and Parts. 62 pages. Andrew Will #886414. Published by Andrew Will (A0.1296169). December 1963 (Oh, What a Night) by The 4 Seasons has been arranged as a vocal feature for Big Band (Jazz Ensemble). Instrumentation consists of; Score, Vocal, Alto Sax 1-2, Tenor Sax 1-2, Bari Sax, Trumpet 1-4, Trombone 1-4, Piano, Guitar, Bass Guitar, Drum Kit and Eb Lead. Score and parts are all in the one download. A great title to add to your repertoire. If you are looking for pop music through the ages for jazz ensemble, Willscore Publishing will have you covered. Enjoy! The Willscore Publishing Team.
$49.99
That's What I Like
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Ensemble Jazz
#
INTERMÉDIAIRE
#
Pop musique
#
Bruno Mars
#
John Milne
#
That's What I Like
#
Odd Shoe Music
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.799211 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan ...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.799211 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by John Milne. Pop. Score and parts. 55 pages. Odd Shoe Music #3486671. Published by Odd Shoe Music (A0.799211). The Bruno Mars 2018 winner of the Grammys song of the year.Arranged for vocal, 4 horns and rhythm section a semitone down from the original (arr. is in concert Dm).It is intended as a shuffle 16ths feel, but could be played in the original straight feel if preferred.A score, set of parts and an additional score in C are provided. Guitar chord diagrams are in partDuration - 3m 50s.
$34.99
What Is Hip: Vibraphone
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Ensemble Jazz
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Methodes
#
David Garibaldi, Emilio Castil
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Victor López
#
What Is Hip: Vibraphone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor Ló...
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Jazz Ensemble - SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_V. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_V). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
What Is Hip: Auxiliary Percussion
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Ensemble Jazz
#
Methodes
#
David Garibaldi, Emilio Castil
#
Victor López
#
What Is Hip: Auxiliary Percuss
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016290_APC Auxiliary Percussion. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Vict...
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Jazz Ensemble - SKU: AX.00-PC-0016290_APC Auxiliary Percussion. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_APC). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
What Is Hip: 2nd Baritone T.C.
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Ensemble Jazz
#
Methodes
#
David Garibaldi, Emilio Castil
#
Victor López
#
What Is Hip: 2nd Baritone T.C.
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016290_BTC2 2nd Baritone T.C.. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor...
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Jazz Ensemble - SKU: AX.00-PC-0016290_BTC2 2nd Baritone T.C.. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_BTC2). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
What Is Hip: Score
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Ensemble Jazz
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Methodes
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PR-0004869 Score. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. In...
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Jazz Ensemble - SKU: AX.00-PR-0004869 Score. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0004869. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004869). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$9.00
What A Wonderful World
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Ensemble Jazz
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INTERMÉDIAIRE
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Louis Armstrong
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Brad Esbensen
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What A Wonderful World
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1315813 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Brad Esbensen. Contemporar...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1315813 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,Standards. 62 pages. Brad Esbensen Music Services #904588. Published by Brad Esbensen Music Services (A0.1315813). This arrangement, in the key of F major, is a Flugel feature that also has solo space for Alto Sax 1. Brass ranges are moderate with a ensemble shout section requiring E6 from Trumpet 1, although this section may be played down the octave. There are woodwind doubles written in the sax parts, but parts without doubles have also been included should they be unavailable. The rhythm section parts are well notated throughout to assist less experienced players. I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
Symphony In Riffs
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Ensemble Jazz
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AVANCÉ
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Benny Carter
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Peter Stöve
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Symphony In Riffs
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pag...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!
$49.99
Under The Sea
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Menken
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Jim Bicigo
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Under The Sea
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Polar Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.757514 Composed by Alan Menken. Arranged by Jim Bicigo. Film/TV. Score and parts. 103 pages. Polar Publi...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.757514 Composed by Alan Menken. Arranged by Jim Bicigo. Film/TV. Score and parts. 103 pages. Polar Publications #3077685. Published by Polar Publications (A0.757514). Under the Sea is the song we all remember from Disney's The Little Mermaid. What if it were a gospel tune? Well, it is now and it rocks. It has a little bit of darkness by adding in the spiritual Wade in the Water, but why not? There is that whole mermaids luring sailors to their deaths thing to account for after all. You and your ensemble will love this tune!
$60.00
Why You Blues
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Ensemble Jazz
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Jazz
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John Philips
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Why You Blues
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Long Lost Love----Bossa Nova
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Ensemble Jazz
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Jazz
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Latin/Musique du monde
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John Philips
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Long Lost Love----Bossa Nova
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Publi...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Published by John Philips Music Service (A0.947276). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Birthday Blues
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Ensemble Jazz
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INTERMÉDIAIRE
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Michael Drake
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Kevin Carberry
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Birthday Blues
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1350144 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Broadway,Film/TV,Jazz,Musi...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1350144 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter. 148 pages. Michael Gene Drake #934922. Published by Michael Gene Drake (A0.1350144). Birthday BluesHere is score and all the parts from my big band composition “Birthday Bluesâ€Â It’s my Birthday, it’s my Birthday, it’s my Birthday, it’s my Birthday. Give me the Birthday Blues. Here are the lyrics:Another year gone by another tear gone dry well it's my birthday. It’s my Birthday it’s my Birthday.Another fear says bye my life’s in gear and I'm high it's my birthday. It’s my Birthday, it’s my Birthday. Give me birthday hugs and kisses, that's really what I wishes on my birthday.Well I like to drinkin’ wine and the music feels just fineand the Lord knows for sure that the world is all mine,On my birthday, it's my birthday. Give me birth-day hugs and kisses, that's really what I wishes, on my birthday.People say I'm getting’ old well I insist they must be told.That with age comes a capacity to make love in winters cold.On my birthday, it's my birthday. Well give me birthday hugs and kisses, that's really what I wishes on my birthday.They say 2 girls are better than 1 and 3 is better than 2 If I had 4 I'd close the door and never beg for more!On my birthday, it's my birthday. Well Give me birthday hugs and kisses, that's really what I wishes on my birthday. Give me birthday hugs and kisses, that's really what I wishes on my birth-day. michaeldrakemusic@outlook.com  www.drakemusic.com.
$35.00
Over By There----Old Chicago Love Song
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Ensemble Jazz
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Jazz
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John Philips
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Enjoy it with your audience
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Over By There----Old Chicago L
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947280 Composed by John Philips. Jazz. Score and parts. 36 pages. John Philips Music Service #3867733. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947280 Composed by John Philips. Jazz. Score and parts. 36 pages. John Philips Music Service #3867733. Published by John Philips Music Service (A0.947280). This is a funky 2 beat built on double (24 bar) blues. It has an optional vocal,( cued in for alto sax) that should be sung thru a megaphone like the old Winchester Cathedral. The title comes from a pattern of speech found only in Chicago where people still say over by here and over by there. It swings well and invites a couple tambourines playing on 2 and 4. This is a fun chart but is very correct musically even if you expect the Blues Brothers to show up when it’s played. It can be opened for solos if needed. Don’t get too serious about the vocal, it’s best with your worst singer, maybe with a clothes-pin on his nose. Enjoy it with your audience.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
They Came Here to Dance (Swing Band Arrangement)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Isolation - Joshua Tindall - Bundle
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Ensemble Jazz
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INTERMÉDIAIRE
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Joshua Tindall
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Isolation - Joshua Tindall - B
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JLT Studio
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.896422 Composed by Joshua Tindall. 20th Century,Contemporary,Film/TV,Video Game. Score and parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.896422 Composed by Joshua Tindall. 20th Century,Contemporary,Film/TV,Video Game. Score and parts. 10 pages. JLT Studio #6062261. Published by JLT Studio (A0.896422). Composing loops and drones form the basis of this composition. A simple drone style bassline in unison from the Cello and Double bass provide a nice moody texture throughout the piece. The piano is the main feature of this piece, utilising a granular piano effect and a sample of locusts to give this piece a mysterious atmosphere with some familiarity.How to play:While this piece can work in a band setting, I feel that the piano player is the most active and will need some good friends who are ok playing very simple lines with little variation if they wish to play the other parts.I feel it's best to set this up for a solo performance with a little more effort and preparation. I think it's best to use a midi-controller keyboard with both a sustain pedal and expression pedal. I suggest programming the bass with a click track or metronome, the locusts and granular effect will need their volume to be assigned to the expression pedal so you can bring them in and out as needed. In regards to the piano loop, while I have provided a transcription of what I played in the track, you are free to use this as inspiration to create your own.Performance time - 3 minIf you happen to record or film this piece, feel free to tag #JLTStudio ... I would love to see it!
$10.00
Montuna Peoria
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Ensemble Jazz
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Jazz
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Latin/Musique du monde
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John Philips
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Montuna Peoria
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947271 Composed by John Philips. Jazz,Latin. Score and parts. 34 pages. John Philips Music Service #3867643. Publi...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947271 Composed by John Philips. Jazz,Latin. Score and parts. 34 pages. John Philips Music Service #3867643. Published by John Philips Music Service (A0.947271). First adjust tempo...175 minimum. This is a montuno which is often mistaken as a samba or merengue. The bass line must be as written. The harmonic structure for the solos is indicated and is limited so the soloists must think in lines, not just a lot of notes. You must use claves full time---no claves--no Latin Music. Intonation and a relaxed feel are needed to make this swing. If there are no solos, skip letter E/EE and go to F for the 2 bar chase solos, into the cascade, rhythm section solo, quiet interlude to sign. etc.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
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