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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Can Come Over
Sheetmusicplus
Non classifié
281
Piano & claviers
Piano, Voix et Guitare
384
Piano seul
168
Piano, Voix
81
Piano grosses notes
57
Piano Facile
47
Orgue
25
Instruments en Do
14
1 Piano, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
3
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
Clavier
2
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Ukulele
12
Guitare
9
Basse electrique
7
Ligne De Mélodie, (Paroles) et Accords
5
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
3
Dulcimer
2
Banjo
1
3 Guitares (trio)
1
2 Guitares (duo)
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
50
Chorale 3 parties
14
Chorale 2 parties
7
Chorale Unison
5
Chorale TTBB
5
Chorale SSAA
4
Voix moyenne, Piano
2
Voix haute
2
Voix Alto, Piano
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
31
Quatuor de Saxophones: 4 saxophones
26
2 Flûtes traversières, Piano
25
Hautbois (partie séparée)
23
2 Flûtes traversières (duo)
21
Clarinette
20
Flûte traversière et Piano
16
Hautbois, Piano (duo)
14
Quintette de Saxophone: 5 saxophones
14
Flûte traversière
13
Clarinette et Piano
13
Flûte à bec Soprano
10
Saxophone Alto et Piano
10
Saxophone Tenor et Piano
9
Saxophone (partie séparée)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Ensemble de Clarinettes
7
2 Clarinettes (duo)
7
3 Saxophones (trio)
7
Ensemble de Flûtes
7
Saxophone Alto
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Tenor
6
Ensemble de saxophones
5
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
4
Saxophone Soprano et Piano
4
Saxophone, Clarinette (duo)
3
Flute (partie séparée)
3
Clarinette, Guitare (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Hautbois (duo)
3
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Clarinette, Basson (duo)
2
Clarinette, Trompette (duo)
2
2 Flûte à bec (duo)
2
Cor anglais, Piano
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette (duo)
2
5 Flûtes à bec
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Ocarina
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Flûte
1
Flûte à bec Alto
1
Hautbois, Violoncelle
1
3 Flûtes à bec (trio)
1
Clarinette et Alto
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Flûte, Violoncelle
1
Flûte, Trompette (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone et Piano
13
Cor
12
Quatuor de cuivres: 4 trombones
12
Trompette
12
Trombone
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor et Piano
8
Trompette, Piano
7
Tuba
6
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Trombones (duo)
5
2 Trompettes (duo)
5
Trompette (partie séparée)
5
2 Cors (duo)
4
Euphonium, Piano (duo)
4
2 Tubas (duo)
2
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Trompette, Trombone (duo)
1
Trompette, Euphonium (duo)
1
Ensemble de Cors
1
Ensemble de Tubas
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon
27
Violon, Violoncelle (duo)
25
Violoncelle
21
Violon et Piano
20
Trio à Cordes: 2 violons, violoncelle
15
Violoncelle, Piano
13
2 Violons (duo)
13
Alto, Piano
13
2 Violoncelles (duo)
11
Harpe
10
Alto seul
9
Contre Basse
7
Violon, Alto (duo)
7
2 Altos (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: violon, alto, violoncelle
5
Alto (partie séparée)
4
2 Contrebasses (duo)
3
Contrebasse, Piano (duo)
2
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Harpes (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre
29
Batterie
24
Orchestre à Cordes
19
Ensemble Jazz
10
Ensemble de cuivres
9
Jazz combo
3
Cloches
3
Ensemble de Percussions
2
Orchestre de chambre
2
Marimba
1
Fanfare
1
+ 7 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
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difficulté (tous)
débutant
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Vous avez sélectionné:
You Can Come Over
SheetMusicPlus
Partitions à imprimer
10 partitions trouvées
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1
Over By There----Old Chicago Love Song
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Ensemble Jazz
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Jazz
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John Philips
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Enjoy it with your audience
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Over By There----Old Chicago L
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947280 Composed by John Philips. Jazz. Score and parts. 36 pages. John Philips Music Service #3867733. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947280 Composed by John Philips. Jazz. Score and parts. 36 pages. John Philips Music Service #3867733. Published by John Philips Music Service (A0.947280). This is a funky 2 beat built on double (24 bar) blues. It has an optional vocal,( cued in for alto sax) that should be sung thru a megaphone like the old Winchester Cathedral. The title comes from a pattern of speech found only in Chicago where people still say over by here and over by there. It swings well and invites a couple tambourines playing on 2 and 4. This is a fun chart but is very correct musically even if you expect the Blues Brothers to show up when it’s played. It can be opened for solos if needed. Don’t get too serious about the vocal, it’s best with your worst singer, maybe with a clothes-pin on his nose. Enjoy it with your audience.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Why You Blues
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Ensemble Jazz
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Jazz
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John Philips
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Why You Blues
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Blue All Over, from the Michael BB Quartet CD " Guided Tour"
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Blue All Over, from the Michae
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 61 pages....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 61 pages. Michael Butkus-Bomier #2032065. Published by Michael Butkus-Bomier (A0.862507). Here is a blues in C minor, a staple of jazz groups both large and small. This chart has several unusual aspects, all set within this familiar format. The theme is stated by the trumpets, then, the saxes take a one-chorus interlude on a pentatonic figure. The first (and ONLY) soloist on the audio track is the tenor sax. BUT, the chart is designed to have the alto, tenor, bari, and finally All THREE saxes blowing their blues away at once! A similar treatment follows with the trumpets. Three blues choruses from the piano give the horns a break, and a SampleSolo is included for this instrument ONLY, due to the nature of the group improv that is structured into the piece. Then the trombones have their 12-bar interlude, and the lead trombone plays three more 12-bar sets, but just the one horn, as we've had enough group enthusiasm at this point! At the conclusion, the three interlude sections all come back, but simultaneously, as they have been designed to fit together. Then the final statement of the theme is played in hocket or stretto, whichever term you choose, with one voice starting and the other two choirs following behind. This chart can be played using only one soloist per section, or with the entire group solos, or anything in between, for that matter! If you have a blowing band, you'll want to show them off! Running time with a single soloist per section is 3 mins 45 secs. considerably longer with the multiple and group solos. MBB.
$20.00
Long Lost Love----Bossa Nova
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Ensemble Jazz
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Jazz
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Latin/Musique du monde
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John Philips
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Long Lost Love----Bossa Nova
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Publi...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Published by John Philips Music Service (A0.947276). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
And I Love Her
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
They Came Here to Dance (Swing Band Arrangement)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
It Don't Mean A Thing (If It Ain't Got That Swing)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 34 pages. Joseph Hasper #2059795. Published by Joseph Hasper (A0.734676). Jazz combo arrangement for Trumpet, Alto Sax, Trombone and Rhythm Section (Guitar, Piano, Bass, and Drums). Comes with alternate or substitute parts so that you can use another Trumpet (or Clarinet) in place of Alto Sax, or Tenor Sax in place of Trombone. Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99
Connecticut Avenue SUVs
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Ensemble Jazz
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AVANCÉ
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219....
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
I Say A Little Prayer
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Diana King
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Daryl McKenzie
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I Say A Little Prayer
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1501175 By Diana King. By Burt Bacharach and Hal David. Arranged by Daryl McKenzie. Disco,Film/TV,Pop,So...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1501175 By Diana King. By Burt Bacharach and Hal David. Arranged by Daryl McKenzie. Disco,Film/TV,Pop,Soul. 58 pages. Daryl McKenzie #1077128. Published by Daryl McKenzie (A0.1501175). I Say a Little Prayer - Vocal with Big Band ArrangementChannel the soulful energy of Diana King with this vibrant Big Band arrangement of I Say a Little Prayer, designed for Vocal with full Big Band. Set in the key of Em, this arrangement captures the upbeat, dance-infused style that made King's version a hit, while offering the rich, full sound of a Big Band.In 1997, Jamaican singer Diana King released a cover of I Say a Little Prayer as the first single from her second album, Think Like a Girl. The song gained widespread popularity after being featured prominently in the hit comedy My Best Friend's Wedding. The Love to Infinity dance remix of King's cover further popularized the song on radio, and it is this infectious, high-energy version that serves as the basis for this arrangement.Instrumentation includes 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Keyboards (Strings), Guitar, Bass, Drums, and Percussion, providing a dynamic and versatile accompaniment for the vocalist. The arrangement is also playable with reduced instrumentation, making it adaptable to different band sizes without sacrificing its lively feel.Full audio demo (Sibelius sounds): Click HereAretha Franklin version also available: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkHPlease share any audio or video performances of this work.Instagram tag: @darylmckenziejazzorchestraFacebook tag: @McKenzieMusicProductionsYoutube tag: @mckenziemusicproductions144.
$79.99
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