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--INSTRUMENTS--
ACCORDEON
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FORMATION MUSI…
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Trompette
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5
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5
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4
Cor
4
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2
Quatuor de cuivres: 4 trompettes
2
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2
2 Trompettes (duo)
2
Trombone
1
Tuba et Orgue
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1
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1
2 Cors (duo)
1
+ 20 instrumentations
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62
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44
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24
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22
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Violoncelle
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Violon
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4
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Contre Basse
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Violon, Clarinette, Piano (trio)
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4 Contrebasses
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1
Alto (partie séparée)
1
+ 29 instrumentations
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154
Orchestre
55
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33
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5
Cloches
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Percussion (partie séparée)
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Batterie
1
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Piano et Orchestre
1
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1
Anitra's Dance - From Peer Gynt (2 Violins and Piano)
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gyn
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Raymond Fenech
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.760018 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Roma...
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Violin Duet Violin - Level 4 - SKU: A0.760018 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. 18 pages. Raymond Fenech #3481999. Published by Raymond Fenech (A0.760018). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for 2 Violins and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
Chopin - Andantino from Wiosna (Spring) in G Minor - Intermediate
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2 Violons (duo)
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FACILE
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Classique
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Frederic Chopin
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Piacere Music Sheets
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Chopin - Andantino from Wiosna
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Piacere Music Sheets
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.1097680 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. 6...
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Violin Duet Violin - Level 2 - SKU: A0.1097680 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. 6 pages. Piacere Music Sheets #701619. Published by Piacere Music Sheets (A0.1097680). Opus/Catalog Number: Op.74, No.2, B.117 Key/Tone: G Minor Movements/Sections: 1 (Andantino) Year/Date of Composition: 1838 Difficulty: Grade 4/12 (Intermediate) Obs.: The 17 Polish Songs, Op. 74 were assembled posthumously and are not in chronological order. This particular song, Wiosna [Spring], although the second song in the set, was actually the fourteenth Chopin wrote. It was composed in 1838 and first published in Berlin in 1857. It is thus contemporary with the Op. 33 mazurkas and Op. 40 polonaises. Chopin's Polish song Wiosna is set on a text by the composer's friend and Polish poet Stefan Witwicki (1801-1847). Witwicki's descriptions of blossoming flowers and animals in green pastures contrast with gloomy ruminations. The music is beautifully simple and quite melancholic. This piano piece Wiosna is in fact the piano part of the song Wiosna. Chopin arranged it for piano solo several times for his friends between 1838 and 1848.Franz Liszt also transcribed it for the second of his Chants polonais. This is an arrangement for 2 Violins.
$4.95
Healing
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan Carlos Guerra Gonzalez
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Healing
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Instrumental Duet,Violin - Level 4 - SKU: A0.933339 Composed by Juan Carlos Guerra Gonzalez. Contemporary. 67 pages. Juan Carlos Guerra Gonzalez #651357...
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Instrumental Duet,Violin - Level 4 - SKU: A0.933339 Composed by Juan Carlos Guerra Gonzalez. Contemporary. 67 pages. Juan Carlos Guerra Gonzalez #6513575. Published by Juan Carlos Guerra Gonzalez (A0.933339). HealingHealing is a Suite for Violin and Piano that includes four movements. In 2020, when the quarantine caused by COVID-19 started in New York City, I had to start remote lessons with all my students. The mother of one of them, a doctor facing the hard times ahead of us told me: We need music in our lives now more than ever. We need to heal! Her words keep resonating with me, I wish I could help in some way and my natural instinct was to make this work.The work started as a single piece, but then I realized I had enough material for 3 movements more. The movements are named as follows:I. HealingII. AwaitingIII. MourningIV. RestoringHealing had its World Premiere in Costa Rica thanks to Dr. Rebeca Ordóñez (to whom the work is kindly dedicated) and Lic. Johan ChapellÃn. The music reflects my personal journey through the quarantine caused by the pandemic of COVID-19. A Journey of hope that, for now, we still need to get through. The music is also a thank you card to all essential workers, especially those in the arts. Whose work and enthusiasm has made this quarantine a lot more bearable. The first movement of Healing is also available on its own: https://www.sheetmusicplus.com/title/healing-first-movement-digital-sheet-music/21785198The video provided was the streaming from the World Premiere made by Jacaranda Duet in Costa Rica.
$45.99
Six Violin Duets, Op. 1
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
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