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Six Violin Duets, Op. 1
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.48 €
#
2 Violons (duo)
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 1
#
Artaria Editions
#
SheetMusicPlus
Six Violin Duets, Op. 2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.48 €
#
2 Violons (duo)
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Huapango de Hannah, for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.589153 Composed by David Mc…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.589153 Composed by David McKeown. Latin,Multicultural,Standards,World. 4 pages. David McKeown #5728683. Published by David McKeown (A0.589153). Huapango de Hannah is an exciting original composition by David McKeown, arranged as a duet for two Violins. The Huapango is a traditional Mexican style of music and dance, often mixing triple and duple metres. It is played on violin, accordion, and local 5-string variants of the guitar such as the vihuela, huapanguera and jarana. The Huapango rhythm famously inspired the song America in Leonard Bernstein’s West Side Story.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The mixed metres, alternating between 6/8 and 3/4, will present a rhythmic challenge, while following the precise articulation in the score will help convey the dance style of the Huapango. Huapango de Hannah has a performance time of around two minutes. You can listen to the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.57 €
#
2 Violons (duo)
#
David McKeown
#
Huapango de Hannah, for Violin Duet
#
David McKeown
#
SheetMusicPlus
Merengue de Merlín, for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.589156 Composed by David Mc…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.589156 Composed by David McKeown. Latin,Multicultural,Standards,World. 8 pages. David McKeown #5744025. Published by David McKeown (A0.589156). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for two Violins.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.57 €
#
2 Violons (duo)
#
David McKeown
#
Merengue de Merlín, for Violin Duet
#
David McKeown
#
SheetMusicPlus
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