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Adagio Op. 1
Non classifié
89
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41
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5
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2
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1
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11
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9
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9
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7
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1
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1
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1
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1
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1
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1
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5
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Quatuor à cordes: 2 violons, alto, violoncelle
69
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10
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4
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Trio à Cordes: violon, alto, violoncelle
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Alto seul
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2
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1
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1
2 Contrebasses (duo)
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2 Violoncelles (duo)
1
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1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
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22
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9
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Vous avez sélectionné:
Adagio Op. 1
2 Violons (duo)
Partitions à imprimer
4 partitions trouvées
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Six Violin Duets, Op. 1
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2 Violons (duo)
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INTERMÉDIAIRE
#
Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
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2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Adagio Cantabile from Sonate No. 8 "Pathetique" op. 13
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
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AZSAP MUSiC
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Adagio Cantabile from Sonate N
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AZSAP MUSiC
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.1306524 Composed by Ludwig van Beethoven. Arranged by AZSAP MUSiC. Chamber,Classical. 8 pages. AZSAP MUSiC #89587...
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Violin Duet Violin - Level 4 - SKU: A0.1306524 Composed by Ludwig van Beethoven. Arranged by AZSAP MUSiC. Chamber,Classical. 8 pages. AZSAP MUSiC #895877. Published by AZSAP MUSiC (A0.1306524). Product Title: Adagio Cantabile from Sonate No. 8 Pathetique - Violin Duet ArrangementProduct Description:Evoke the timeless beauty of Beethoven's Sonate No. 8 'Pathetique' with our enchanting violin duet arrangement of the exquisite Adagio Cantabile. This rendition captures the emotional depth and classical elegance of the original composition, creating a captivating and emotive musical experience.Key Features:1. **Timeless Elegance:** Adagio Cantabile from Beethoven's Pathetique Sonata is a testament to the composer's mastery. Our violin duet arrangement preserves the piece's timeless beauty while adding an intimate touch, resulting in a captivating and emotionally charged performance.2. **Ideal for Various Occasions:** Whether you're planning a classical recital, an intimate gathering, or a special event, this arrangement sets the stage for a memorable and emotionally resonant musical atmosphere.3. **Professionally Notated:** Our sheet music is professionally notated, ensuring that both violinists receive meticulously crafted parts that harmonize beautifully, delivering a polished and expressive performance.4. **Room for Artistic Interpretation:** While faithful to the original, our arrangement allows for artistic interpretation, giving the ensemble the freedom to infuse their unique style and emotions into the performance.5. **Instant :** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation a breeze.Transport your audience to a world of classical elegance and emotional depth with Adagio Cantabile from Sonate No. 8 'Pathetique' through your violin duet. This arrangement was thoughtfully designed to capture the essence of Beethoven's genius, offering a timeless and emotionally charged musical experience. Order your copy today and embark on a musical journey that captures the beauty of this beloved composition, leaving a lasting impression on your audience.
$3.99
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Violin Duo
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2 Violons (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
#
SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.612852 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Co...
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Violin Duet Violin - Level 2 - SKU: A0.612852 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. 59 pages. Jmsgu3 #222047. Published by jmsgu3 (A0.612852). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - Allegro Sonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. Gavott Sonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
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Adagio Op. 1 
