Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Intentions
Non classifié
459
Piano & claviers
Piano seul
88
Piano Facile
28
Piano, Voix
19
Piano, Voix et Guitare
15
Orgue
8
Instruments en Do
7
Accompagnement Piano
2
Orgue, Piano (duo)
1
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
42
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
2
2 Guitares (duo)
1
Voix
Chorale SATB
53
Chorale 3 parties
7
Chorale Unison
5
Chorale TTBB
4
Chorale SSAA
4
Chorale 2 parties
4
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Voix duo
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
21
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Saxophones: 4 saxophones
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette (partie séparée)
3
Saxophone Alto
3
Ensemble de Flûtes
2
Quintette de Saxophone: 5 saxophones
2
Clarinette
2
2 Saxophones (duo)
2
Flûte, Violoncelle
2
Ensemble de Clarinettes
2
Saxophone Soprano et Piano
2
Hautbois (partie séparée)
2
2 Flûtes traversières (duo)
2
Flûte traversière et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flute (partie séparée)
1
Flûte traversière
1
Saxophone Tenor et Piano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
Clarinette, Basson (duo)
1
Saxophone (partie séparée)
1
Hautbois, Basson (duo)
1
Saxophone Alto et Piano
1
Flûte, Clarinette et Basson
1
2 Flûte à bec (duo)
1
+ 24 instrumentations
Retracter
Cuivres
Trompette
3
Trompette (partie séparée)
3
Trombone (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba
2
Cor (partie séparée)
2
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
Trompette, Piano
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Cor Anglais
1
2 Tubas (duo)
1
3 Trombones (trio)
1
Tuba et Piano
1
Ensemble de Trombones
1
Cor
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
56
Trio à Cordes: violon, alto, violoncelle
18
Harpe
11
Violon et Piano
10
Violoncelle, Piano
6
Violon
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Violoncelle (duo)
4
Violoncelle
3
Violon, Alto (duo)
3
Violon (partie séparée)
2
Alto (partie séparée)
2
2 Violons (duo)
2
Violon, Basson (duo)
1
Alto, Piano
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
Contrebasse (partie séparée)
1
Alto seul
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
98
Orchestre à Cordes
27
Batterie
27
Orchestre
18
Ensemble de cuivres
16
Orchestre de chambre
13
Cloches
4
Ensemble Jazz
1
Ensemble de Percussions
1
Percussion (partie séparée)
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
6 - Leonard Bernstein
7 - George Gershwin
8 - Andrew Lloyd Webber
9 - Bela Bartok
10 - John Rutter
11 - Mark Hayes
12 - Scott Joplin
13 - Lloyd Larson
14 - Maurice Ravel
15 - Taylor Swift
16 - Ralph Vaughan Williams
17 - Erik Satie
18 - Irving Berlin
19 - Christopher Norton
20 - Jérôme Naulais
21 - Sergei Rachmaninoff
22 - Dmitri Shostakovich
23 - Henry Mancini
24 - Benjamin Britten
25 - Aaron Copland
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
2
Librairie Musicale
2
Matériel de Musique
43
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Intentions
2 Violons (duo)
Partitions à imprimer
2 partitions trouvées
<
1
Six Violin Duets, Op. 1
#
2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 1
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
#
2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
<
1
Intentions
