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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BASSON
BATTERIE
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CHORALE - CHAN…
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Morning Dance
Non classifié
30
Piano & claviers
Piano seul
46
Piano Facile
9
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8
1 Piano, 4 mains
4
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3
Orgue
2
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1
+ 2 instrumentations
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3
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3
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3
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Chorale SATB
3
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3
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2
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1
Chorale TTBB
1
Voix duo
1
+ 1 instrumentations
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7
2 Clarinettes (duo)
5
2 Saxophones (duo)
4
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4
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3
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3
Saxophone Alto et Piano
3
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3
Clarinette et Piano
3
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3
Flûte à bec Alto, Piano
2
Clarinette, Violon (duo)
2
Clarinette
2
Saxophone Tenor
2
Saxophone Alto
2
Hautbois, Harpe
1
Cor anglais, Piano
1
Clarinette, Trompette (duo)
1
Ensemble de saxophones
1
Clarinette et Alto
1
Flûte, Violon
1
Saxophone et Harpe
1
Flûte, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Flûte
1
Quatuor de Saxophones: 4 saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone, Clarinette (duo)
1
Clarinette, Basson (duo)
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Saxophone Soprano et Piano
1
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1
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1
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1
2 Flûtes traversières (duo)
1
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2
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2
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2
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1
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1
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1
2 Trombones (duo)
1
Cor et Harpe
1
Trompette, Trombone (duo)
1
Trombone
1
2 Trompettes (duo)
1
Trompette, Harpe
1
Trompette, Piano
1
+ 10 instrumentations
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8
2 Violons (duo)
3
2 Altos (duo)
3
Violon et Piano
3
Harpe
2
Violon, Violoncelle (duo)
2
Flûte, Contrebasse (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Harpes (duo)
1
Harpe, Violon (duo)
1
Violon
1
Alto, Piano
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
Alto et Harpe
1
Violoncelle, Piano
1
Harpe, Flûte (duo)
1
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29
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4
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3
Cloches
3
Orchestre
3
Ensemble Jazz
3
Vibraphone
2
Ensemble de Percussions
1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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Vous avez sélectionné:
Morning Dance
2 Violons (duo)
Partitions à imprimer
3 partitions trouvées
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1
Six Violin Duets, Op. 1
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2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 1
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
#
2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Ensemble Violin Method - A comfortable & enjoying Beginning
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2 Violons (duo)
#
DÉBUTANT
#
Georg Mertens
#
Georg Mertens
#
Ensemble Violin Method - A com
#
Georg Mertens
#
SheetMusicPlus
Violin Duet Violin - Level 1 - SKU: A0.1425942 By Georg Mertens. By L. v. Beethoven, M. Carcassi, M. Gruber, H. Purcell, J.S. Bach, B. Smetana. Arranged...
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Violin Duet Violin - Level 1 - SKU: A0.1425942 By Georg Mertens. By L. v. Beethoven, M. Carcassi, M. Gruber, H. Purcell, J.S. Bach, B. Smetana. Arranged by Georg Mertens. Chamber,Children,Classical,Instructional,Traditional. 56 pages. Georg Mertens #1006731. Published by Georg Mertens (A0.1425942). The Ensemble Violin Method is designed for schools on request of string coordinators to match My Cello Method. The player will be guided step by step in an enjoyable way, so that learning follows easily without unexplained or unprepared steps. The pieces chosen reaches from easy studies and traditional songs, fiddle tunes and dances to well known pieces.The Method introduces the first Position including reading music, the basics of playing violin including Slurs, Staccato, Double stops. The accompaniments to all pieces are at the same level as the melodies, making it possible to play together from the very beginning.Combined with the online cello course it opens up creating an instant little orchestra, even where is no specialist cello teacher.There are 50 numbers, too long to fit - here are some of them:No. 5 & 6 Twinkle, twinkle little Star & AccompanimentNo. 7 French Folk SongNo. 10 Frere JacquesNo. 13 Ode to Joy (Beethoven)No. 19 Silent NightNo. 20 Happy BirthdayNo. 25 Rigadoon (H. Purcell)No. 34 Scarborough FairNo. 35 Sakura, SakuraNo. 36 HatikvahNo. 37 The AshgroveNo. 39 Early one MorningNo. 43 We wish you a Merry Christmas No. 46 What shall we do with the Drunken SailorNo. 47 Hornpipe (Irish Fiddle) Every piece comes with a Cello Duo recording on youtube - virtually the same as the violin part, so the learner can play with the recording including accompanimentHere is the link:https://www.youtube.com/playlist?list=PLa4x_CVYDVRXQT9KB0v_cJF353gc1yHMfbtw: really enjoyed writing for violin! Although I am today a cellist (and guitarist), my first instrument was violin, then recorder, and I started cello at the age of 9. I still play every now and then violin, in particular i find improvising on the violin easier then on any other instrument!
$12.00
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Morning Dance
