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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Way Back
Non classifié
504
Piano & claviers
Piano seul
636
Piano, Voix et Guitare
386
Piano, Voix
292
Piano Facile
96
Instruments en Do
63
Accordéon
58
1 Piano, 4 mains
12
Accompagnement Piano
12
Orgue
8
Piano grosses notes
5
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
112
Basse electrique
88
Guitare
87
Ligne De Mélodie, (Paroles) et Accords
43
Ukulele
25
Paroles et Accords
6
Mandoline
5
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Banjo
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
178
Chorale 3 parties
83
Voix seule
44
Chorale 2 parties
39
Chorale TTBB
32
Pack Instrumental pour Chorale
18
Chorale SSAA
12
Chorale Unison
12
Voix duo
10
Voix duo, Piano
7
Voix Alto, Piano
4
Voix haute
3
Chorale
3
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Saxophone
328
Flûte traversière
155
Clarinette
153
Flûte à Bec
56
Saxophone Alto
45
Flûte traversière et Piano
43
Saxophone Tenor
37
Saxophone Alto et Piano
30
Hautbois
30
Quatuor de Saxophones: 4 saxophones
28
Saxophone Tenor et Piano
27
Clarinette et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Hautbois, Piano (duo)
24
2 Flûtes traversières (duo)
21
Saxophone Soprano
18
Saxophone (partie séparée)
18
Ensemble de Flûtes
14
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Soprano et Piano
11
2 Saxophones (duo)
10
Quatuor de Clarinettes: 4 clarinettes
8
Ocarina
8
Ensemble de saxophones
8
Hautbois (partie séparée)
8
Flûte à bec Soprano
7
Harmonica
6
Saxophone Baryton, Piano
6
Ensemble de Clarinettes
6
Flûte à bec Alto
5
2 Clarinettes (duo)
5
Clarinette (partie séparée)
5
Cor anglais, Piano
5
Flûte et Guitare
4
Cor anglais, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Guitare (duo)
3
Flûte, Violon, Piano
3
3 Saxophones (trio)
3
Flûte, Alto et Piano
2
Flûte, Saxophone (duo)
2
Saxophone, Clarinette (duo)
2
3 Clarinettes (trio)
2
Instruments en Mib
2
Hautbois, Flûte
2
Clarinette, Violon (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Cor Anglais
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Flûte, Violon
1
Flûte, Violoncelle
1
Flûte, Hautbois, Basson
1
+ 65 instrumentations
Retracter
Cuivres
Trompette
158
Trombone
147
Cor
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Euphonium
21
Trombone et Piano
20
Trompette, Piano
20
Tuba
18
Cor et Piano
13
Trompette (partie séparée)
11
Trombone (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
6
Cor anglais, Piano
5
2 Trompettes (duo)
5
Tuba et Piano
4
Cor anglais, Guitare (duo)
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
Cor (partie séparée)
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Cor Anglais
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
Instruments en Fa
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
239
Violon
194
Violon, Violoncelle (duo)
153
Trio à Cordes: violon, alto, violoncelle
130
Violoncelle
83
Violon et Piano
77
Alto seul
63
Alto, Piano
37
Violoncelle, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
14
Contre Basse
11
Harpe
10
2 Violons (duo)
7
2 Altos (duo)
6
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Contrebasse, Piano (duo)
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 violins
4
4 Violoncelles
3
Violon (partie séparée)
2
Alto, Orgue
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
221
Orchestre à Cordes
124
Orchestre
60
Ensemble Jazz
55
Batterie
52
Ensemble de cuivres
19
Jazz combo
16
Orchestre de chambre
15
Cloches
8
Xylophone, Piano
6
Fanfare
5
Ensemble de Percussions
4
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Instrumentation Flexible
1
Percussion
1
Vibraphone et Marimba
1
Xylophone
1
Voix et Orchestre
1
+ 14 instrumentations
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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LATIN - BOSSA - WORL…
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
The Way Back
2 Violons (duo)
Partitions à imprimer
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1
Mimi the Multicoloured Mummy, Halloween Duet for Violin
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2 Violons (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Mimi the Multicoloured Mummy,
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David McKeown
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.592205 Composed by David McKeown. 20th Century,Contemporary,Standards. 5 pages. David McKeown #6354407. Published...
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Violin Duet Violin - Level 3 - SKU: A0.592205 Composed by David McKeown. 20th Century,Contemporary,Standards. 5 pages. David McKeown #6354407. Published by David McKeown (A0.592205). Mimi the Multicoloured Mummy is a fun and original duet written by David McKeown for two Violins. Mimi the Multicoloured Mummy is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin.Back in Ancient Egypt, Mimi always turned heads with her blonde hair and fashion sense. She made her fortune in a pyramid selling scheme and acquired Joseph’s Amazing Technicolour Dreamcoat at a charity auction. When she choked on a locust her friends tore up the coat and used it in the mummification process instead of the usual white bandages. So three thousand years later Mimi still dresses in style. Mimi the Multicoloured Mummy is suitable for players at an intermediate level and above, with the accessible keys and range balanced by some fast passages. With a playing-time of around four minutes, Mimi the Multicoloured Mummy is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Six Violin Duets, Op. 1
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
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2 Violons (duo)
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INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Mozart Violin Duets
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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Mozart Violin Duets
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Luis Anjos Teixeira
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56
Lost! (Violin Duet)
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2 Violons (duo)
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INTERMÉDIAIRE
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P
#
P
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Lost!
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P. R. Frederick
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1444632 Composed by P. R. Frederick. Arranged by P. R. Frederick. 21st Century,Contemporary. 7 pages. P. R. Frede...
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Violin Duet Violin - Level 3 - SKU: A0.1444632 Composed by P. R. Frederick. Arranged by P. R. Frederick. 21st Century,Contemporary. 7 pages. P. R. Frederick #1024527. Published by P. R. Frederick (A0.1444632). Lost is a challenging piece for two violins. The imagery suggest somone lost and trying to find a way back home. It explores the use of muti-meters and shifting emphasis in its phrasing. Some level of skill is needed to play it successfully. A score and separate parts are provided. It will make a great addition to your concert or recital repetoire. Get your copy today!See my other violin works here
$10.00
Love Is An Open Door
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2 Violons (duo)
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INTERMÉDIAIRE
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Film Walt Disney
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Kristen Bell & Santino Fontana
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Tim Crooks
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Love Is An Open Door
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STR:UK String Arrangements
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1039924 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Tim Crooks. Fi...
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Violin Duet Violin - Level 3 - SKU: A0.1039924 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Tim Crooks. Film/TV,Pop. 14 pages. STR:UK String Arrangements #644798. Published by STR:UK String Arrangements (A0.1039924). Love Is An Open Door, from Disney’s ‘Frozen’, arranged for Violin Duet with Piano by Tim Crooks. This is a fun arrangement of the duet between Anna and Prince Hans, and these roles are taken by Violin 1 and Violin 2 (or Viola, part also included). The level of these parts is approx ABRSM grade 5 (intermediate). There is also a third part for Easy Violin / Viola at Grade 1-2 level, although this is not essential for performance. This download contains: Piano score Violin I (solo) Violin II (solo) Viola (solo - same as Violin II) Easy Violin Easy Viola (same as Easy Violin) About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$6.99
We Don't Talk About Bruno
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2 Violons (duo)
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INTERMÉDIAIRE
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Film Walt Disney
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Carolina Gaitan, Mauro Castill
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Tim Crooks
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We Don't Talk About Bruno
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STR:UK String Arrangements
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1040550 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Tim Crooks. Film/T...
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Violin Duet Violin - Level 3 - SKU: A0.1040550 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Tim Crooks. Film/TV,Pop. 15 pages. STR:UK String Arrangements #645345. Published by STR:UK String Arrangements (A0.1040550). We Don’t Talk About Bruno, from Disney’s ‘Encanto’, arranged for Violin and Viola (or Violin II) duet, with Piano by Tim Crooks. This arrangement is suitable for Disney-loving intermediate players (ABRSM grade 5+). The second part can be played by violin or viola. This download contains: Piano score Violin solo Violin II / Viola About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$5.99
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