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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
some were not
Non classifié
305
Piano & claviers
Piano, Voix et Guitare
347
Piano seul
189
Piano, Voix
75
Piano Facile
27
Instruments en Do
9
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
1 Piano, 4 mains
2
Ensemble d'Accordéons
1
Clavecin
1
Piano grosses notes
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
30
Guitare notes et tablatures
28
Ukulele
4
Basse electrique
3
2 Guitares (duo)
2
Dulcimer
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
Mandoline
1
Piano, Guitare (duo)
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
49
Chorale 3 parties
10
Voix Alto, Piano
10
Chorale 2 parties
5
Chorale TTBB
5
Voix Tenor
4
Chorale Unison
4
Chorale SSAA
4
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix Soprano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Quatuor de Saxophones: 4 saxophones
26
2 Flûtes traversières, Piano
25
Ensemble de saxophones
22
Quintette de Saxophone: 5 saxophones
16
Flûte traversière
8
Clarinette
7
Flûte traversière et Piano
7
Ensemble de Clarinettes
7
Saxophone Alto et Piano
7
Saxophone Soprano et Piano
6
Flûte, Hautbois, Clarinette, Basson
5
Hautbois, Piano (duo)
5
Ensemble de Flûtes
5
3 Clarinettes (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Trio de Flûtes: 3 flûtes
3
3 Saxophones (trio)
3
Quintette de Flûte : 5 flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette et Piano
3
Flûte, Alto et Piano
2
Flute, harpe et violon
2
2 Flûtes traversières (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton, Piano
2
Flûte à bec Soprano
1
Piccolo
1
Saxophone Tenor et Piano
1
2 Clarinettes, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
2 Saxophones (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette (duo)
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Clarinette Basse
1
Saxophone Soprano
1
Hautbois, Harpe
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
+ 37 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
6
Cor et Piano
5
Ensemble de Trompettes
4
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trombones
2
Trombone
2
Trompette, Piano
2
Trompette
2
2 Cors (duo)
2
Trombone et Piano
2
Tuba et Piano
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
4 Tubas
1
2 Trombones (duo)
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Trio à Cordes: violon, alto, violoncelle
24
Harpe
19
Violon
13
Violon et Piano
9
Alto, Piano
9
2 Violons (duo)
6
Violoncelle, Piano
6
Violon, Violoncelle (duo)
5
Ensemble d'Altos
3
Violoncelle
3
Alto seul
3
Ensemble de Violons
3
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Voix
2
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
44
Orchestre à Cordes
26
Ensemble de cuivres
13
Orchestre de chambre
11
Orchestre
11
Ensemble Jazz
7
Jazz combo
5
Cloches
4
Ensemble de Percussions
2
2 Marimbas
1
Batterie
1
Vibraphone
1
Piano et Orchestre
1
Marimba
1
+ 9 instrumentations
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ACCORDEON
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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2 Violons (duo)
Partitions à imprimer
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1
Six Violin Duets, Op. 1
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
66.26 €
#
2 Violons (duo)
#
William Shield
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Robert Hoskins
#
Six Violin Duets, Op. 1
#
Artaria Editions
#
SheetMusicPlus
Six Violin Duets, Op. 2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
66.26 €
#
2 Violons (duo)
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Three Violin Duos (Benton 507-511-512)
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488286 Composed by Ignaz J…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488286 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 55 pages. Artaria Editions #1065174. Published by Artaria Editions (A0.1488286). Artaria Editions AE407-2Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyels career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyels productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. Pleyel composed duos of varying technical difficulty in order to appeal to the widest possible market and he clearly intended that players progress from easy works, signalled by titles such as Duo Facile or Petit Duo, to more ambitious works. The present works, composed ca 1788, lie between these two extremes: they require players with well-developed techniques but do not present exceptional difficulties to the performer. They are graceful, attractive works and their great popularity in Pleyels lifetime comes as no surprise to the modern performer.
$53.00
48.78 €
#
2 Violons (duo)
#
Ignaz Josef Pleyel
#
Allan Badley
#
Three Violin Duos
#
Artaria Editions
#
SheetMusicPlus
Three Violin Duos (Benton 508-510)
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488283 Composed by Ignaz J…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488283 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 58 pages. Artaria Editions #1065171. Published by Artaria Editions (A0.1488283). Artaria Editions AE407-1Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyels career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyels productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. Pleyel composed duos of varying technical difficulty in order to appeal to the widest possible market and he clearly intended that players progress from easy works, signalled by titles such as Duo Facile or Petit Duo, to more ambitious works. The present works, composed ca 1788, lie between these two extremes: they require players with well-developed techniques but do not present exceptional difficulties to the performer. They are graceful, attractive works and their great popularity in Pleyels lifetime comes as no surprise to the modern performer.
$53.00
48.78 €
#
2 Violons (duo)
#
Ignaz Josef Pleyel
#
Allan Badley
#
Three Violin Duos
#
Artaria Editions
#
SheetMusicPlus
Stamitz: Duetto Op. 27 No. 3 for Violin Duo
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1354186 Composed by Stamitz…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1354186 Composed by Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. 19 pages. Jmsgu3 #938888. Published by jmsgu3 (A0.1354186). The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with that of other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Additionally, Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$24.95
22.96 €
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2 Violons (duo)
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Stamitz
#
James M
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Stamitz: Duetto Op. 27 No. 3 for Violin Duo
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jmsgu3
#
SheetMusicPlus
O Sacred Head, Now Wounded (for Violin Duet)
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.565665 By Sharon Wilson. By…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.565665 By Sharon Wilson. By Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque,Classical,Easter,Praise & Worship,Sacred. 5 pages. Sharon Wilson #5199905. Published by Sharon Wilson (A0.565665). The ancient tune PASSION CHORALE which first appeared as a hymn in 1613 is presented here as a string duet arrangement (for 2 VIOLINS). The familiar lyrics we know as O Sacred Head, Now Wounded were added sometime around 1656. Though over 300 years old, this song continues to add inspiration and contemplation to worship services during the season of Lent and Easter. The melody is played by the VIOLIN 1 throughout. An optional repeat is provided in case a longer musical selection is needed. All notes for both VIOLIN parts are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The purchase price includes a 2-page combined score with both parts on each page plus separate 1-staff scores for each VIOLIN (1 page each).This arrangement is one of the 10 songs in the collection titled Easy String Duets: Easter Hymns for 2 Violins (A Collection of 10 Violin Duets). Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.59 €
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2 Violons (duo)
#
Sharon Wilson
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Sharon Wilson
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O Sacred Head, Now Wounded
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Sharon Wilson
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SheetMusicPlus
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