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Ferdinand Kuchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day.

The piece is characterized by simplicity, clarity and beauty. The themes and melodies are easily identifiable by children, yet never trite and plain. They are catchy and perfectly reflect Kuchler's educational ideology - "to always separate the difficulties and never demand that the pupil overcome two difficulties at once".

The work is also available in an arrangement for solo violin with string quartet accompaniment (with double-bass ad lib.)(Schott, SE 1002). The viola part can be replaced by a third violin if necessary. By using the parts for multiple players, this can also be performed by a beginner string orchestra.

This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:

In print or electronic format
Available as printed editions or PDF download

Practising - efficiently and with pleasure:
Accompanying tracks of the pieces available as downloads.

For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in three volumes in progressive order.

The three volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras.

Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required.

Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment.

Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting.