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--INSTRUMENTS--
ACCORDEON
ALTO
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Men of Song, Sing Out!
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Retracter
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7
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27
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16
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Violon
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Violoncelle
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Alto seul
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Violon, Alto (duo)
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Harpe
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Harpe, Voix
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Contre Basse
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2 Violons (duo)
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Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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ENFANTS : EVEIL - IN…
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Violon et Piano
Partitions à imprimer
6 partitions trouvées
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1
The Pride of Occitania for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Hans-Andre Stamm
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The Pride of Occitania for Vio
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Hans-Andre Stamm
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.853149 Composed by Hans-Andre Stamm. 20th Century,Celtic,Concert,World. 10 pages. Hans-Andre Stamm #3488689. Published ...
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Piano,Violin - Level 4 - SKU: A0.853149 Composed by Hans-Andre Stamm. 20th Century,Celtic,Concert,World. 10 pages. Hans-Andre Stamm #3488689. Published by Hans-Andre Stamm (A0.853149). The piece is the 2nd mvmt of a 2 part Suite for violin and organ, the 1st mvmt being Romance (also available). The piece is the 2nd mvmt of a 2 part Suite for violin and organ, the 1st mvmt being Romance (also available). With its combination of chasing tremolos with melody lines it is inspired by visits of the Pays cathare in South West France, which in medieval times was part of Occitania, which still holds a rich spiritual heritage which tells from the Gnostic movement of the Cathars, from troubabours, minnesong and the long power struggle to defend the freedom ot this region, which was finally absorbed by the French king.Listen to the version with organ on Youtube: www.youtube.com/watch?v=Bi6j84xgGBU
$8.95
Zdes' khorosho - Serghei Rachmaninov
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Serghei Rachmaninov
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Adrian F
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Zdes' khorosho - Serghei Rachm
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Adrian F. Pipas
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. P...
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Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
$9.99
The Scottish banana for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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The Scottish banana for violin
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David Warin Solomons
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1450569 Composed by David Warin Solomons. Comedy,Contemporary. 4 pages. David Warin Solomons #1030211. Published by Dav...
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Piano,Violin - Level 4 - SKU: A0.1450569 Composed by David Warin Solomons. Comedy,Contemporary. 4 pages. David Warin Solomons #1030211. Published by David Warin Solomons (A0.1450569). The pdf file contains the score and separate violin part.Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish banana.
$5.50
Christmas Lights
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Coldplay
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Gary D
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Christmas Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.796708 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCA...
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Piano,Violin - Level 4 - SKU: A0.796708 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. 14 pages. DR GARY D BELSHAW #3663725. Published by DR GARY D BELSHAW (A0.796708). 2018 Holiday Contest Entry.This arrangement for Solo Violin is in the key of C Major; the same version is also available in the key of B Major elsewhere here in Sheet Music Plus. The key of B Major provides a tone quality, especially on the violin, which you may find richer and more expressive.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Make the most of your own sense of good phrasing and articulation. Use tempo markings freely and exaggerate any and all elements so as to increase expressiveness. The lyrics are included to help you with communicating the song's intent.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
$6.99
Christmas Lights
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Coldplay
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Gary D
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Christmas Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.796707 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCA...
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Piano,Violin - Level 4 - SKU: A0.796707 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. 14 pages. DR GARY D BELSHAW #3663723. Published by DR GARY D BELSHAW (A0.796707). 2018 Holiday Contest Entry.This arrangement for Solo Violin is in the key of B Major; the same version is also available in the key of C Major elsewhere here in Sheet Music Plus. What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Make the most of your own sense of good phrasing and articulation. Use tempo markings freely and exaggerate any and all elements so as to increase expressiveness. The lyrics are included to help you with communicating the song's intent.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
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Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
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Men of Song, Sing Out!
