https://www.youtube.com/watch?v=8SYROYYYOc8


?At Last? was composed by Mack Gordon and Harry Warren for the musical ?Sun Valley Serenade? in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.

Why chose my arrangement?

This is a song from my gig repertoire, and as such I have spent a long time on the piano part to make sure that it lies under the fingers. I have assigned the opening to the piano as it is tricky, even for very experienced violin players, and I shortened the introduction to make it more appropriate for concerts, wedding venues and pub gigs. I have also made the piano notation slightly smaller so that it falls onto two pages. It?s very important for a live performance to be able to see it easily. And unlike some sheet music that you can buy, I make sure the treble and bass clefs are easy to read?.very few horrible ledger lines!

The violin part has difficult rhythms but I enclose a midi version to help you. (Watch the video) Having said that, although the pianist needs to hold a steady pulse, the violin part can be extremely varied and you can play around with the tune as much as you like. I have included a cadenza that my daughter sings in live performances, but feel free to change it, or miss it out altogether.

I have also included an Easy Violin version for your pupils, or as a way in to working on the more difficult version.

My tips for the performance.

The first piano chord is tricky, but works if you do a glissando in the left hand, and land on the A on the first beat of the bar. I tried many different spacings of the chord but this is the one that sounded best. I have largely written a quaver accompaniment throughout the song, but sometimes I hint at it rather than playing it literally. There are some fingerings that I have found helpful, but feel free to change them, of course! The same goes for my bowing. Take as many bows as you need to feel comfortable.

This is an original composition for Violin and Piano in a relaxing, romantic, and free style in the key of D minor. There is a separate violin part in the score and the accompaniment track as heard is available under "Calm Romance Piano Track." James Michael Stevens is a prolific composer residing in Nashville,TN and serves as the Music Department Chairman of Welch College.

Comptine D'un Autre �t�: L'apr�s-midi (Yann Tiersen) - Violin and Piano.

Complete score and part of the "Violin Sonata No.25 in F major K.377" for Violin and Piano. Compsed in 1781 by Wolfgang Amadeus Mozart. Rewritten and elaborated by Santino Cara.

Movements: 1. Allegro, 2. Tema and 6 Variations (Andante). 3 Tempo di Menuetto (Un poco allegretto).

MEDLEY of PATRIOTISM is an arrangement of 3 patriotic songs for Violin and Piano (Score and Part included). The songs include: 1) Battle Hymn of the Republic, 2) God of Our Fathers and 3) America, the Beautiful... with a reprise of Battle Hym of the Republic. This arrangement works great for offertories, special music, concerts or any event where Patriotism for God and Country is emphasized. (15 pages including cover).

A mp3 PIANO ACCOMPANIMENT TRACK is also available listed as:

MEDLEY of PATRIOTISM (Piano Accompaniment for Violin)

English ? German.

To mark the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. This anthology is aimed at intermediate to advanced violinists looking for some interesting new discoveries away from the standard repertoire. Containing works largely from the Romantic era, these are virtuoso pi�ces de r�sistance and encores, expressive character pieces, gems of salon music and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.

Samuel Dushkin (1891-1976), advisor, duo partner and friend of Igor Stravinsky, wrote several transcriptions for his instrument, the violin, of then well-known and popular melodies from works by Stravinsky, of course, but also by other composers such as Bizet, Rachmaninov, Alb�.niz and Wieniawski.

The present collection is a compilation of arrangements by well-known and unknown composers: Exotically tinged melodies by Paul Kirman, R. Felber or Alexander Sasonoff are juxtaposed to a beguiling waltz by Max Reger, tone paintings in Mussorgsky's 'Ripples', George Gershwin's jazzy 'Short Story' and many others. The collection is not complete without a movement from Stravinsky's 'L'Oiseau de feu' and a tango .- spectacular music for the violin.

A chilling classic, perfect for stage or classroom in the fall season or whenever you want to demonstrate what jagged rhythms and disjunct harmonies do to make music sound scary. Requires bold and aggressive playing from both the pianist and violinist. Purchase includes score and separate violin part.