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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
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ASIE
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CHANSON FRANÇAISE
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Non classifié
2017
PIANO & CLAVIERS
Piano seul
1249
Piano, Voix et Guitare
372
Piano, Voix
349
Instruments en Do
305
Orgue
77
Piano Trio: piano, violon, violoncelle
29
1 Piano, 4 mains
27
2 Pianos, 4 mains
21
Accompagnement Piano
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Piano (duo)
6
Piano Facile
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
2 Pianos, 8 mains
1
Instrumentations suivantes
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GUITARES
Guitare
157
Guitare notes et tablatures
62
Ligne De Mélodie, (Paroles) et Accords
52
2 Guitares (duo)
46
Mandoline
16
4 Guitares (Quatuor)
12
Basse electrique
12
Ukulele
9
Piano, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
5
Dulcimer
3
Banjo
2
Ensemble de guitares
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
561
Chorale TTBB
81
Chorale 3 parties
79
Chorale SSAA
67
Voix Soprano, Piano
20
Voix haute
17
Chorale 2 parties
16
Voix seule
14
Voix duo
14
Voix duo, Piano
10
Chorale Unison
10
Voix moyenne, Piano
9
Voix basse
5
Voix Tenor
5
Voix Tenor, Piano
4
Voix Soprano
3
Voix Alto, Piano
2
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
245
Quatuor de Saxophones: 4 saxophones
125
Flûte traversière et Piano
112
Quatuor de Clarinettes: 4 clarinettes
109
Ensemble de Clarinettes
83
Saxophone Alto et Piano
78
Ensemble de saxophones
77
2 Saxophones (duo)
75
Flûte, Hautbois, Clarinette, Basson
74
Clarinette et Piano
73
Quintette de Saxophone: 5 saxophones
65
Saxophone (partie séparée)
57
Quatuor de Flûtes : 4 flûtes
52
Hautbois, Piano (duo)
49
Flûte traversière
48
2 Clarinettes (duo)
46
2 Flûtes traversières (duo)
46
Clarinette
44
Saxophone Tenor et Piano
40
Ensemble de Flûtes
39
Quintette de Clarinettes: 5 clarinettes
39
Saxophone, Clarinette (duo)
38
Saxophone Soprano et Piano
33
Flûte, Clarinette (duo)
30
Clarinette, Guitare (duo)
28
Clarinette, Violon (duo)
25
2 Flûtes traversières, Piano
24
Flûte et Guitare
24
Saxophone Alto
23
Clarinette, Trompette (duo)
22
Flûte, Violon
18
Hautbois (partie séparée)
18
2 Hautbois (duo)
17
Clarinette et Alto
16
Flûte, Alto (duo)
14
Flûte, Saxophone (duo)
13
Hautbois, Basson (duo)
12
Clarinette Basse, Piano
12
3 Clarinettes (trio)
12
Cor anglais, Piano
12
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette (duo)
11
Flûte, Trompette (duo)
10
Saxophone Baryton, Piano
9
Hautbois, Flûte
9
Clarinette (partie séparée)
8
3 Saxophones (trio)
7
Trio de Flûtes: 3 flûtes
6
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Basson (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violoncelle
4
Flûte à bec Soprano
4
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Basson
3
Piccolo
3
Flûte, Violoncelle, Guitare
3
Flûte, Violon, Piano
3
Saxophone
3
Flute (partie séparée)
2
Piccolo, Piano
2
Flûte, Violon et Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Basson et Piano
2
Hautbois, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec, Guitare (duo)
2
2 Saxophones, Piano
2
2 Flûte à bec (duo)
2
Flûte traversière, Orgue (duo)
2
Saxophone Soprano
2
Clarinette, Trombone (duo)
2
Clarinette, Violoncelle (duo)
2
Saxophone et Guitare
1
Hautbois, Violoncelle et Piano
1
Ensemble à vent
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Cors Anglais Et Pianoforte
1
Ensemble De Flûte à bec
1
Flûte, alto et harpe
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto
1
Saxophone et Harpe
1
Saxophone Tenor
1
Saxophone et Orgue
1
Clarinette, Alto et Piano (trio)
1
Flûte à Bec
1
Hautbois, Violoncelle
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
214
Quatuor de Cuivres : 2 trompettes, trombone, tuba
140
Trombone et Piano
66
Trompette (partie séparée)
43
Trompette
39
Trompette, Piano
38
Trombone (partie séparée)
37
Ensemble de Trombones
37
Quatuor de cuivres: 4 trombones
32
2 Euphoniums et 2 Tubas
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Cor et Piano
30
Tuba et Piano
29
Trompette, Saxophone (duo)
25
Quatuor de Cuivres
21
Euphonium, Piano (duo)
21
Trompette, Trombone (duo)
16
2 Trompettes (duo)
16
Trombone
16
2 Trombones (duo)
15
Ensemble de Trompettes
14
Cor anglais, Piano
12
Cor
10
Quatuor de cuivres: 4 cors
10
2 Cors (duo)
9
Ensemble de Cors
6
4 Tubas
5
Cor et Basson (duo)
5
Tuba
5
Cor (partie séparée)
4
Trio de Cuivres
4
Euphonium
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone et orchestre
2
Cor et Orgue
2
Euphonium, Tuba (duo)
2
Trombone basse
1
2 Euphoniums (duo)
1
2 Cors Anglais Et Pianoforte
1
4 Euphoniums
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Cornet et orchestre
1
Cor, Violoncelle (duo)
1
Cor et Harpe
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
472
Violon et Piano
169
Violoncelle, Piano
107
Violon, Violoncelle (duo)
98
Alto, Piano
89
Trio à Cordes: violon, alto, violoncelle
69
Violon
64
2 Violoncelles (duo)
52
Trio à Cordes: 2 violons, violoncelle
44
Harpe
41
2 Violons (duo)
40
2 Harpes (duo)
36
Violoncelle (partie séparée)
35
Violon, Guitare (duo)
34
Violon, Alto (duo)
25
2 Altos (duo)
20
Alto, Guitare (duo)
17
Violoncelle , Guitare (duo)
16
Contrebasse, Piano (duo)
15
Alto seul
14
Alto (partie séparée)
12
Violoncelle
11
Trio à Cordes: 2 violons, alto
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contre Basse
9
Harpe, Flûte (duo)
8
Ensemble de Violons
7
Ensemble d'Altos
7
Alto, Violoncelle (duo)
7
4 Violoncelles
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon (partie séparée)
5
Harpe, Violoncelle (duo)
4
Harpe, Violon (duo)
4
Trio à Cordes: 3 violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Alto et Harpe
3
4 Contrebasses
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
2
Harpe et mandoline
2
Violoncelle, Orgue
2
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
2 Contrebasses (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto et Basson
1
Violon, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
322
Orchestre
301
Orchestre à Cordes
231
Ensemble de cuivres
159
Ensemble Jazz
156
Orchestre de chambre
132
Jazz combo
29
Ensemble de Percussions
24
Batterie
18
Fanfare
16
Cloches
14
Vibraphone
9
Percussion (partie séparée)
7
Marimba
6
Batterie (partie séparée)
3
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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This Nearly Was Mine from South Pacific
Violon et Piano
Instrumental Duet,Piano Piano,Violin - Level 4 - Digital Download SKU: A0.790013 Co…
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Instrumental Duet,Piano Piano,Violin - Level 4 - Digital Download SKU: A0.790013 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 18 pages. Diamond S Music #3533755. Published by Diamond S Music (A0.790013). THIS NEARLY WAS MINE from South Pacific. For SOLO VIOLIN AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
9.18 €
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Violon et Piano
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Richard Rodgers
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
Thou Who Wast Rich beyond All Splendor
Violon et Piano
Composed by Timothy Shaw. Arranged by Timothy Shaw. Christmas, Classical, Sacred. 12…
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Composed by Timothy Shaw. Arranged by Timothy Shaw. Christmas, Classical, Sacred. 12 pages. Shaw Music #691372. Published by Shaw Music
$5.95
5.46 €
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Violon et Piano
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Timothy Shaw
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Timothy Shaw
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Thou Who Wast Rich beyond All Splendor
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Shaw Music
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SheetMusicPlus
Waltz for Martha for Violin (with optional Clarinet)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Butt…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95
10.06 €
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Violon et Piano
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
Variations on Hunting the Hare (Hela'r Ysgyfarnog) for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1450521 Composed by Traditional. …
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Piano,Violin - Level 4 - Digital Download SKU: A0.1450521 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 3 pages. David Warin Solomons #1030209. Published by David Warin Solomons (A0.1450521). The pdf file contains the score and separate violin part.Based on a Welsh folk song on a hare hunt. The music also describes the leaping of the hare as it runs away.I hunted my Merry all into the hay,The Hare was before and the hounds 'ware away!'With my Hickerly Tout, ticklesome Trout,Hipperly, tipperly, eversheen, nipperly,Up the middle, vandigo-van.'Twas up the hill, down the form,Here a step, there a turn,Turn and sing merrily,Hunt hounds, away!
$5.00
4.59 €
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Violon et Piano
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Traditional
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David Warin Solomons
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Variations on Hunting the Hare
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David Warin Solomons
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SheetMusicPlus
His Memory
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
22.04 €
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Violon et Piano
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1315952 Composed by Pietro Mascag…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
14.68 €
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Violon et Piano
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria rusticana"
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RBMusic
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SheetMusicPlus
Fauré: Élégie Op. 24 for Violin & Piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.549723 Composed by Gabriel Faure.…
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Piano,Violin - Level 4 - Digital Download SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 22 pages. Jmsgu3 #3531355. Published by jmsgu3 (A0.549723). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.26 €
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Violon et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Violin & Piano
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jmsgu3
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SheetMusicPlus
Claude Debussy: Sérénade for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
11.89 €
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Violon et Piano
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fiddle Sonata (piano score - violin and piano)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.861943 Composed by Mark O'Connor.…
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Piano,Violin - Level 4 - Digital Download SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237. Published by Mark O'Connor Musik International (A0.861943). Fiddle Sonata (piano score – violin and piano) MO121APiano Score (violin part available)Music by Mark O’Connor36 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.77 €
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Violon et Piano
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Mark O'Connor
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Fiddle Sonata
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Mark O'Connor Musik International
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SheetMusicPlus
Fiddle Sonata (violin solo part - violin and piano)
Violon et Piano
Chamber Orchestra - Level 4 - Digital Download SKU: A0.861944 Composed by Mark O'Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208239. Published by Mark O'Connor Musik International (A0.861944). Fiddle Sonata (violin solo part – violin and piano) MO121BViolin Solo Part (piano score available)Music by Mark O’Connor14 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$10.00
9.18 €
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Violon et Piano
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Mark O'Connor
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Fiddle Sonata
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Mark O'Connor Musik International
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SheetMusicPlus
Violin Sonata No.1
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.511767 Composed by Han-Ki Kim. Co…
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Piano,Violin - Level 4 - Digital Download SKU: A0.511767 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. 39 pages. Han-Ki Kim #5802851. Published by Han-Ki Kim (A0.511767). Sonata No.1 “KangKangSullae†For Violin and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean Music ?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion. The 3rd movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The 4th movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc. Dedicated to Dr. Vladimir Dyo.
$14.99
13.76 €
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Violon et Piano
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Han-Ki Kim
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Violin Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Grand Duo, opus 151 (2012) full score
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.869204 Composed by Thomas Oboe Le…
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Piano,Violin - Level 4 - Digital Download SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Andante … 3. 2 pages. Thomas Oboe Lee #3901. Published by Thomas Oboe Lee (A0.869204). Program note: This is the third duo for violin and piano in my portfolio. The first one was written back when I was a student at the New England Conservatory of Music. It was my opus 3, The Sensuous Gargoyle (1975). My next one was a four-movement work entitled Tunesmith … An American Beauty Pageant (1993). It was commissioned by the Music Department at Lehigh University and premiered by two of its faculty members, Paul Chou and Paul Salerni. The violin has always been my favorite instrument. I have written twelve string quartets. For the violinist extraordinaire Irina Muresanu I wrote a big violin concerto in 2009, and a Partita for solo violin in 2011. I am slated to write another concerto, albeit a chamber one, for the Boston Classical Orchestra and violinist Sharon Roffman for a premiere in the fall of 2013. Last year I decided to write a third duo for violin and piano. I wanted to do something substantial and grandiose, hence the title Grand Duo, opus 151. Both Schubert and Lou Harrison have written works with the same title. So I thought, why not? The work is in five movements. 1. Misterioso … 2. Andante … 3. Allegro … Trio! 4. Largo … 5. Allegro … Enjoy! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/grand-duo-opus-151-2012Video link: https://youtu.be/xThob_BQkDE
$9.99
9.17 €
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Violon et Piano
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Thomas Oboe Lee
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Grand Duo, opus 151
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Thomas Oboe Lee
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SheetMusicPlus
Variations on Gilderoy for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1450517 Composed by Traditional. …
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Piano,Violin - Level 4 - Digital Download SKU: A0.1450517 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 6 pages. David Warin Solomons #1030205. Published by David Warin Solomons (A0.1450517). The pdf file contains the score and separate violin part.Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.
$5.50
5.05 €
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Violon et Piano
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Traditional
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David Warin Solomons
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it shakes my heart
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Variations on Gilderoy for violin and piano
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David Warin Solomons
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SheetMusicPlus
Korean Lament (For Violin and Strings)
Violon et Piano
String Ensemble - Level 4 - Digital Download SKU: A0.1127250 Composed by Nan-Pa Hon…
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String Ensemble - Level 4 - Digital Download SKU: A0.1127250 Composed by Nan-Pa Hong. Arranged by Han-Ki Kim. Chamber,Classical,Contemporary,Instructional,Romantic Period. 23 pages. Han-Ki Kim #727884. Published by Han-Ki Kim (A0.1127250). Korean Lament This music, “Korean Lament†composed by “Nanpa Hongâ€(1898-1942), has historical significance as the first violin piece to be composed in Korea using Western usage. It was composed around 1924, published by the “Yeonakhae†in 1926, and recorded as a record in 1936, becoming the epitome of Korean violin music. It was first performed by “Nan-pa Hong†himself in 1932, and appeared as an important piece at each of his concerts. At that time, in an era of oppression during the Japanese colonial period, the title of “Korean Lament†contains a symbolic meaning of patriotism. It is in the form of two parts, that is, AB, with the first half in 4/4 time and the second half in 6/8 time. Since the composer was a violinist himself, his performance and technical ability were of great interest to the social atmosphere of the time. The original piece is a short music for violin and piano, but it was reborn as a work that added Han-Ki Kim’s musical language for a concert at the “Yonsei 100th Anniversary Memorial Hall†to commemorate “Nan-pa Hong†on December 26-27, 2022.
$14.50
13.31 €
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Violon et Piano
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Nan-Pa Hong
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Han-Ki Kim
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Korean Lament
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Han-Ki Kim
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 (Complete) - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.110028…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1100280 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 47 pages. RayThompsonMusic #704156. Published by RayThompsonMusic (A0.1100280). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are: 1. Oboe 1 2. Oboe 2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/C.A. and bassoon Mp3 is oboe/C.A. and bassoon. Mp3 is the Finale and is Ob, CA and Bsn The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. .In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1.
$19.95
18.32 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.I Allegro - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.109340…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1093405 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 30 pages. RayThompsonMusic #697484. Published by RayThompsonMusic (A0.1093405). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/cor and bassoon Mp3 is oboe/cor and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings.In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. .This is the 1st Mvt. (Allegro)The complete work is available on this site Complete score and parts.
$9.95
9.14 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.I Allegro - double reed trio
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.IV Finale - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.109865…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1098656 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 19 pages. RayThompsonMusic #702522. Published by RayThompsonMusic (A0.1098656). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are: 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/C.A. and bassoon Mp3 is oboe/C.A. and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. This is the 4th Mvt. Finale (Presto).
$9.95
9.14 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.IV Finale - double reed trio
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RayThompsonMusic
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SheetMusicPlus
Brahms Hungarian Dance No 1 for Solo Violin String Orchestra
Violon et Piano
String Orchestra - Level 4 - Digital Download SKU: A0.1197836 Composed by Johannes …
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String Orchestra - Level 4 - Digital Download SKU: A0.1197836 Composed by Johannes Brahms. Arranged by Paul Wood. Romantic Period. Score and parts. 33 pages. MyMusicScores.com #797013. Published by MyMusicScores.com (A0.1197836). Brahms' Hungarian Dance No. 1 has been arranged and performed by many musicians and orchestras since its premiere in 1869. One of the most notable arrangements was made by Joseph Joachim, a renowned Hungarian violinist, and friend of Brahms.Joseph Joachim was a close friend of Brahms and one of the most renowned violinists of his time. He was born in Hungary and had a deep appreciation for Hungarian music. Joachim was so taken with Brahms' Hungarian Dances that he arranged them for violin and piano.Here is an arrangement for Violin and String Orchestra of Joachim's version for violin and piano.The PDF file contains the score and parts.
$19.99
18.36 €
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Violon et Piano
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Johannes Brahms
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Paul Wood
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Brahms Hungarian Dance No 1 for Solo Violin String Orchestra
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MyMusicScores.com
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SheetMusicPlus
The Scottish banana for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1450569 Composed by David Warin S…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1450569 Composed by David Warin Solomons. Comedy,Contemporary. 4 pages. David Warin Solomons #1030211. Published by David Warin Solomons (A0.1450569). The pdf file contains the score and separate violin part.Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish banana.
$5.50
5.05 €
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Violon et Piano
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David Warin Solomons
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The Scottish banana for violin and piano
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David Warin Solomons
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SheetMusicPlus
Lament
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1422220 Composed by Samuel Coleri…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1422220 Composed by Samuel Coleridge-Taylor. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. 14 pages. Nagamon Publications #1003566. Published by Nagamon Publications (A0.1422220). Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was a British composer and conductor. Of mixed-race descent, Coleridge-Taylor achieved such success that he was referred to by white musicians in New York City as the African Mahler when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow.This melodic and challenging work is suitable advanced intermediate players, or for players of a ABRSM Grade 8 standard and above.
$15.00
13.77 €
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Violon et Piano
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Samuel Coleridge-Taylor
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Steven Nunes
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Lament
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Nagamon Publications
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SheetMusicPlus
Ethel Barns - Valse Caprice for violin and piano (score and violin part)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.914206 Composed by Ethel Barns. A…
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Piano,Violin - Level 4 - Digital Download SKU: A0.914206 Composed by Ethel Barns. Arranged by Music for a While. 20th Century,Romantic Period. 18 pages. Music for a While #6657673. Published by Music for a While (A0.914206). Born in 1873, Ethel Barns studied at the Watford School of Music and later at the Royal Academy of Music in London before becoming famous as a violinist-composer. During her career Barns composed over 120 works comprising orchestral, chamber and vocal music; to date her music has been performed at the Proms twenty times and a large number of her works were published by houses such as Schott, Elkin and Carl Fischer. Although at the time several women had become famous as performers, it was rare for them to be recognised as composers. Barns died in 1948 and was buried at Highgate Cemetery in London. Valse - Caprice is a 5 minute, advance standard work for violin and piano which would be an ideal recital work or encore for high level student and professional performers. It was first published by Robert Cocks & Co. in 1894 and later published by Schott.
$2.99
2.75 €
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Violon et Piano
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Ethel Barns
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Music for a While
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Ethel Barns - Valse Caprice for violin and piano
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Music for a While
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SheetMusicPlus
Pictures
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.878854 Composed by David Banney. …
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Piano,Violin - Level 4 - Digital Download SKU: A0.878854 Composed by David Banney. Contemporary. 38 pages. David Banney #6353721. Published by David Banney (A0.878854). In 2017 I was invited to give a concert at the Newcastle Art Gallery (Australia) to celebrate an outstanding exhibition that consisted of Australian paintings from the Gallery’s own collection. Borrowing from the idea of Mussorgsky's 'Pictures at an Exhibition', this suite was composed in response to a selection of those paintings as follows:Shoalhaven River Afternoon (Arthur Boyd); Summer Storm (Emily Kngwarreye); E.U.R. 1 (Jeffrey Smart); The Crow Trap (Russell Drysdale); Easter Show (Sidney Nolan); Grace (Hilda Rix Nicholas); King Sun and the Hunter (John Olsen) and Summer at Carcour (Brett Whiteley). The Suite was premiered at the concert, with the composer (violin) accompanied by pianist Peter Guy (piano).
$8.99
8.26 €
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Violon et Piano
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David Banney
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Pictures
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David Banney
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SheetMusicPlus
Adagio Cantabile
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.650394 Composed by Hauser, Miska.…
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Piano,Violin - Level 4 - Digital Download SKU: A0.650394 Composed by Hauser, Miska. Arranged by Nick Lacanski. Instructional,Romantic Period,Standards. 23 pages. Theupperstaff #6478767. Published by theupperstaff (A0.650394). Adagio Cantabile was originally composed for violin and orchestra. It was dedicated to Joseph Joachim who was one of the leading violinists and pedagogues of the time. Written very much in the romantic ilk and presents both musical and technical challenges. Thank you for looking.
$8.99
8.26 €
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Violon et Piano
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Hauser, Miska
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Nick Lacanski
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Adagio Cantabile
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theupperstaff
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SheetMusicPlus
Mi-la-mi (2020) for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.869654 Composed by Thomas Oboe Le…
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Piano,Violin - Level 4 - Digital Download SKU: A0.869654 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 50 pages. Thomas Oboe Lee #5711031. Published by Thomas Oboe Lee (A0.869654). Program note: I first met Minami Yoshida when I hired her and her colleagues in the Nico Quartet for a recording session of my Missa Pro Defunctis (2018) in the Eben Jordan Studio at the New England Conservatory of Music and then I heard her at an Honors String Quartet concert with Nico in Jordan Hall. Both events were in the spring of 2019 and she and the quartet were fantastic. I was so impressed with her and her quartet that I wrote a string quartet for them that summer, NICO. They recorded it for me @ NEC in the fall and I love the recording. The next thing I did was to offer to Minami to write a violin sonata for her. She was thrilled with the idea. I decided to call it Mi-la-mi, after her name; the first three notes in the violin for this work are: E - A - E. Mi-la-mi (2020) is in four movements. 1. Moderato, TRIO, Allegro vivace 2. Allegro con moto. TRIO 3. Moderato 4. Largo Enjoy! Duration: ca. 24 minuteshttps://thomasoboelee.bandcamp.com/album/mi-la-mi-2020-for-violin-and-piano
$9.99
9.17 €
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Violon et Piano
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Thomas Oboe Lee
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Mi-la-mi
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Thomas Oboe Lee
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SheetMusicPlus
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