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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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TROMPETTE
TUBA
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XYLOPHONE
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97
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207
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66
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34
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24
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15
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1
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1
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1
1 Piano, 4 mains
1
+ 5 instrumentations
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6
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6
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3
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2
Piano, Guitare (duo)
1
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38
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10
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6
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5
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3
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2
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1
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1
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2
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2
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1
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1
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1
Saxophone Alto et Piano
1
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1
Cor Anglais
1
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1
2 Clarinettes, Basson
1
Hautbois
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte et Guitare
1
Ensemble de Flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Flûte traversière et Piano
1
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15
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3
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3
Trombone et Piano
2
Cor
2
2 Trombones (duo)
2
Euphonium, Piano (duo)
2
Tuba
1
Ensemble de Tubas
1
Cor Anglais
1
Tuba et Piano
1
2 Euphoniums (duo)
1
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2
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2
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1
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1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
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1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
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35
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1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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EUPHONIUM
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FLUTE TRAVERSI…
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LUTH
MANDOLINE
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ORGUE
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Violon et Piano
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Sonate No. 2
Violon et Piano
Violin and piano - Digital Download SKU: S9.Q21149 Composed by Stefan Heucke. This …
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Violin and piano - Digital Download SKU: S9.Q21149 Composed by Stefan Heucke. This edition: Sheet music. Violin Library. Downloadable. Op. 58. Duration 21 minutes. Schott Music - Digital #Q21149. Published by Schott Music - Digital (S9.Q21149). Die zweite Violinsonate op. 58 entstand im November und Dezember 2009 und ist als freundliches Gegenstück zu der düster-aufgewühlten ersten Violinsonate op. 38 (2000) konzipiert. Die helle Grundstimmung des Werkes ist sicherlich nicht zuletzt durch seinen Enstehungsort Cervo an der ligurischen Riviera, meiner italienischen Wahlheimat, buchstäblich bei Sonnenschein unter blauem Himmel entstanden, beeinflusst. Dem ganzen Werk liegt ein musikalisches Motto zugrunde, das jedoch erst im abschließenden zehntaktigen Adagio amoroso, das aus einer versunkenen Welt zu entstammen scheint, verraten wird. Alles Material ist darauf bezogen und die ganze Sonate scheint eigentlich nur komponiert worden zu sein, um diese Schlussaussage formulieren zu können. Der erste Satz ist ein breit angelegtes Moderato mit zwei Themen in strenger Sonatenhauptsatzform. Sowohl thematisches Material als auch alle formalen Verbindungsglieder sind harmonisch wie melodisch aus den Intervallen der kleinen und großen Terz und deren Komplementärintervallen, der großen und kleinen Sext gebildet. Dieses beinahe serielle Verfahren wird allerdings von dem überschwänglich romantischen Gestus der Musik vollkommen kaschiert. Der sehr schnelle, federleicht schwebende zweite Scherzosatz wird beherrscht vom luftigen Pizzicato der Violine und flüchtigen Klavierfiguren, nur im gesanglichen Trio erhebt sich die Violine zu einer vierphrasigen, langsam aufsteigenden Kantilene auf choralartig akkordischem Untergrund des Klaviers. Die langsame Einleitung des Finalsatzes nähert sich dem abschließenden Motto bereits sehr deutlich ohne es ganz erklingen zu lassen. Diese Introduktion wird in die Mitte des zweithemigen, feurig dahinstürmenden Allegro anstelle einer Durchführung wieder aufgenommen und in den lebhaften Gestus des Schlusssatzes umgewandelt. Mit dem Erklingen des eigentlichen Herzstück des Werkes als Adagio amoroso schließt das Werk, sicherlich sehr überraschend für Neue Musik. - Stefan Heucke.
$27.99
25.8 €
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Violon et Piano
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Stefan Heucke
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Sonate No. 2
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Schott Music - Digital
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SheetMusicPlus
Finding Breath
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1397809 By Alexander Elliott Miller. By Alexander Elliott Miller. 21st Century,Chamber,Classical,Contemporary. 42 pages. Alexander Elliott Miller #981080. Published by Alexander Elliott Miller (A0.1397809). Finding Breath is a work for violin and piano with optional live effects processing, composed in 2018. The work was composed for Rafael Liebich, Alex Russell and the People Inside Electronics concert series in Los Angeles. While much of the work is fast paced, energetic and unstopping, the title refers to passages that take place in the middle of the piece, where both instruments gradually settle down and find a gesture that deliberately imitates deep breaths in and out, taking effort to find some calm in a frenzied environment.This document includes both the score as well as a violin part as a single PDF. Â The violin part includes a few pages of the piano's score (in a reduced font size) as a cue in the middle, slower and ametric section.
$14.99
13.82 €
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Violon et Piano
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Alexander Elliott Miller
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Finding Breath
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Alexander Elliott Miller
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SheetMusicPlus
Claude Debussy: Sérénade for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
11.94 €
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Violon et Piano
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata No. 2 for Violin and Piano, Opus 208
Violon et Piano
Violin and piano - Digital Download SKU: BQ.979-0-50179-707-3 Composed by John Mitc…
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Violin and piano - Digital Download SKU: BQ.979-0-50179-707-3 Composed by John Mitchell. This edition: softcover. Bisel New Classics. Score. With Text Language: English / German. Opus 208. 42 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-707-3). ISBN 9790501797073.This Sonata was born in a phase of creative output of the Californian composer, pianist and organist John Mitchell in the year 2011, a period in which he brought forth twelve other large works. It was a phase, that the Hollywood born composer dedicated above all to the creation of chamber music. The son of the concert pianist John Stewart Mitchell and the opera singer and writer Teresa Hideg Mitchell had been composing music already at the early age of sixteen and enjoyed extensive musical studies with Dr. John Vincent at the University of California, Los Angeles. His prolific creative output currently comprises the large number of over 400 songs, sacred music for choir and orchestra as well as five operas. Please refer to the site www.abmenterprises.net for comprehensive and updated information on John Mitchell.
$21.95
20.24 €
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Violon et Piano
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John Mitchell
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Sonata No. 2 for Violin and Piano, Opus 208
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Bisel Classics - Digital
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SheetMusicPlus
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