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Artist’s Life - Flute Solo
Violon et Piano
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Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelss…
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Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.34 €
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Violon et Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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jmsgu3
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SheetMusicPlus
Intermezzo Romantique
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.1354331 Composed by Lucijan M.Å…
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Piano,Violin - Level 5 - Digital Download SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Period. 15 pages. Zellev Music #939049. Published by Zellev Music (A0.1354331). Key Signature: B minorTime Signature: 3/4Tempo: Allegro pateticoDifficulty: AdvancedLucijan Å kerjanc (1900-1973) was a Slovenian Composer.Å kerjanc is one of the most important older composers of contemporary Slovene music and is one of the key Slovene musical personalities of the 20th century. He graduated in Ljubljana and studied music in Prague, Vienna (Joseph Marx), Paris (Schola cantorum) and Basel (Felix Weingartner).He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-PeÄar, Zvonimir CigliÄ and Janez MatiÄiÄ whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.Å kerjanc was liberal in his attitude to music and multifaceted in his works. Whilst musically diverse, his opus centred on composition, varying from piano miniatures and solos for beginners, and solo and chamber works to full blown concertos and symphonies. Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels). He not only composed for the piano but also the violin, the clarinet and the bassoon in 1952. During his life he also wrote for international composers and composed the film scores for a number of films under Yugoslavia.
$12.00
11.05 €
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Violon et Piano
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Lucijan M
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Zellev
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Intermezzo Romantique
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Zellev Music
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SheetMusicPlus
South Bay Angle for violin and piano
Violon et Piano
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed…
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
25.78 €
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Violon et Piano
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Robert M
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South Bay Angle for violin and piano
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Robert M. Greenberg
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SheetMusicPlus
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