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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
De trast en trast
Non classifié
40
Piano & claviers
Piano seul
18
Orgue
2
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2
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Guitares
Guitare
6
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2
2 Guitares (duo)
2
Voix
Chorale SATB
5
Chorale 3 parties
3
Chorale SSATB
1
Vents
Quatuor de Saxophones: 4 saxophones
33
Quatuor de Clarinettes: 4 clarinettes
18
Ensemble de Clarinettes
13
Quatuor de Flûtes : 4 flûtes
12
Ensemble de Flûtes
10
Trio de Flûtes: 3 flûtes
7
Ensemble de saxophones
6
2 Saxophones (duo)
5
Clarinette et Piano
4
Quintette de Saxophone: 5 saxophones
4
Flûte traversière et Piano
3
Saxophone Alto et Piano
3
Quintette de Flûte : 5 flûtes
3
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes à bec
2
Hautbois, Piano (duo)
2
Clarinette, Violon (duo)
2
2 Clarinettes (duo)
2
Saxophone, Clarinette (duo)
2
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Saxophone (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Violon
1
Flûte traversière
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette (duo)
1
Flûte et Guitare
1
Hautbois, Flûte
1
Flûte, Clarinette (duo)
1
Saxophone Alto
1
+ 30 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Quatuor de cuivres: 4 trombones
9
Ensemble de Trombones
7
Quatuor de Cuivres
6
Quatuor de cuivres: 4 cors
5
Ensemble de Trompettes
4
Trombone et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
+ 9 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon et Piano
5
Violon, Alto (duo)
2
Violon
2
Violoncelle, Piano
1
Alto, Piano
1
2 Altos (duo)
1
2 Violons (duo)
1
Violon, Violoncelle (duo)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
48
Orchestre de chambre
39
Orchestre d'harmonie
25
Ensemble de Percussions
8
Orchestre à Cordes
5
Orchestre
2
Cloches
1
Quintette de Cuivres: autres combinaisons
1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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Vous avez sélectionné:
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Violon et Piano
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Claude Debussy: Sérénade for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
11.94 €
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Violon et Piano
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Salut De'Amoure (Liebesgruss)
Violon et Piano
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.1319523 Composed by Edward Elgar. Arranged by Jeremy Corcoran. 19th Century,Chamber,Classical,Wedding. 16 pages. LPC Publishers #908105. Published by LPC Publishers (A0.1319523). Salut d'Amour (Liebesgruss), is a musical work composed by Edward Elgar in 1888 and originally written for violin and piano. Here it is arranged for Woodwind Quintet. The melody is passed through out the group and there is much opportunity to work on musicality and dynamic contrasts. Great for concerts or contests. Includes a Clarinet part that substitutes for Oboe, an Alto Sax part that substitutes for Horn in F, and a Bass Clarinet part that substitutes for Bassoon.
$12.00
11.06 €
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Violon et Piano
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Edward Elgar
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Jeremy Corcoran
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Salut De'Amoure
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LPC Publishers
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SheetMusicPlus
5 Preludes for violin and piano
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.976110 …
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.976110 Composed by Luis Jerez. Concert,Contemporary. Score and parts. 9 pages. Shaenne Gamarra #3108215. Published by shaenne Gamarra (A0.976110). Obra Inspirada en los preludios del 5 Op. 74 de Alexander Scriabin, Basada en Sistemas octatónicos. Cada movimiento propio tema de la unidad ONU Posee, contrastantes SUS pequeños Cinco Movimientos hijo Completamente.
$50.00
46.1 €
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Violon et Piano
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Luis Jerez
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5 Preludes for violin and piano
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shaenne Gamarra
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SheetMusicPlus
Transfigured Life - Still Life
Violon et Piano
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Br…
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
11.94 €
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Violon et Piano
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
La Lisonjera - Violin-Piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.844472 Composed by Cecile Chamina…
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Piano,Violin - Level 4 - Digital Download SKU: A0.844472 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. 9 pages. Phil Beaman #3408933. Published by Phil Beaman (A0.844472). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. Â In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. Â She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. Â I have arranged La Lisonjera for Violin and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely.The arrangement is still marked as Advanced Intermediate because I have kept it in the original Key of Gb (6 flats) which I believe adds to the character of the piece. Also because in the capriccioso section I have constant, and rapid, alternation between pizzicato and arco. (MIDI recording does note reproduce pizzicato.)This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences.(3:30 minutes; 2 without repeat)6 page score, 3 page part
$6.99
6.44 €
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Violon et Piano
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - Violin-Piano
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Phil Beaman
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SheetMusicPlus
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