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TRI ET FILTRES
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Vous avez sélectionné:
Easter Oratorio
Violon et Piano
Partitions à imprimer
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Adagio BWV 249
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1412268 Composed by Johann Sebast…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1412268 Composed by Johann Sebastian Bach. Arranged by André Nusa. Baroque,Chamber. 6 pages. Andre_Nusa #994483. Published by Andre_Nusa (A0.1412268). Embark on a captivating musical journey with Bach's exquisite Adagio from the Easter Oratorio BWV 249, beautifully arranged for violin and piano. Crafted for advanced players, this arrangement offers a sublime rendition of Bach's masterpiece, allowing skilled musicians to explore its intricate melodies and rich harmonies. Dive into the depth of emotion conveyed through each note as you navigate the expressive nuances of this timeless composition. With its intricate interplay between the violin and piano, this arrangement provides a rewarding challenge for advanced musicians seeking to showcase their virtuosity and musical sensitivity.
$2.99
2.73 €
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Violon et Piano
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Johann Sebastian Bach
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André Nusa
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Adagio BWV 249
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Andre_Nusa
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SheetMusicPlus
Bach: Wachet auf for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebasti…
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Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.81 €
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Violon et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Violin & Piano
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jmsgu3
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Violin and Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.594429 Composed by G F Handel. Ar…
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Piano,Violin - Level 3 - Digital Download SKU: A0.594429 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. 4 pages. David McKeown #6658373. Published by David McKeown (A0.594429). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Violin with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Violon et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
God So Loved the World (Violin & Piano) Piano Rehearsal Track
Violon et Piano
Piano,Violin - Digital Download SKU: A0.1065828 Composed by John Stainer. Arranged …
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Piano,Violin - Digital Download SKU: A0.1065828 Composed by John Stainer. Arranged by Carol Troutman Wiggins. Christian,Easter,Sacred. Accompaniment. Duration 144. Carol Troutman Wiggins #6429565. Published by Carol Troutman Wiggins (A0.1065828). Piano Accompniment track based on the scripture John 3:16 by John Stainer, this song is actually the chorus to the oratorio The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer written by Stainer in 1887.
$4.99
4.56 €
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Violon et Piano
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John Stainer
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Carol Troutman Wiggins
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God So Loved the World
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Carol Troutman Wiggins
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SheetMusicPlus
God So Loved the World (Violin & Piano)
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.727654 Composed by John Stainer. …
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Piano,Violin - Level 3 - Digital Download SKU: A0.727654 Composed by John Stainer. Arranged by Carol Troutman Wiggins. Christian,Classical,Easter,Sacred,Traditional. 6 pages. Carol Troutman Wiggins #6429561. Published by Carol Troutman Wiggins (A0.727654). Based on the scripture John 3:16 by John Stainer, this song is actually the chorus to the oratorio The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer written by Stainer in 1887.
$9.99
9.13 €
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Violon et Piano
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John Stainer
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Carol Troutman Wiggins
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God So Loved the World
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Carol Troutman Wiggins
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - G…
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Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 pages. Jmsgu3 #4888241. Published by jmsgu3 (A0.550914). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.12 €
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Violon et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
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jmsgu3
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SheetMusicPlus
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