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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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UKULELE
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Non classifié
69
Piano & claviers
Piano seul
53
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32
2 Pianos, 4 mains
22
Piano, Voix et Guitare
13
Piano Facile
7
1 Piano, 4 mains
4
Orgue
3
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Piano grosses notes
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
18
Guitare
8
Basse electrique
6
Paroles et Accords
6
Ukulele
5
Ukulele Baryton
1
2 Guitares (duo)
1
+ 2 instrumentations
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Chorale SATB
20
Voix seule
11
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6
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4
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3
Voix duo
3
Chorale TTBB
2
Chorale Unison
2
Voix et basse continue
1
+ 4 instrumentations
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Vents
Saxophone
9
Clarinette
5
2 Saxophones (duo)
5
Flûte à Bec
4
Ensemble de Clarinettes
4
Flûte traversière
3
Hautbois
3
Saxophone, Clarinette (duo)
3
2 Clarinettes (duo)
3
Saxophone Alto et Piano
3
Clarinette et Piano
2
Flûte traversière et Piano
2
Quatuor de Flûtes à bec
2
Clarinette, Violon (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor et Piano
2
Saxophone Baryton, Piano
2
Clarinette, Trompette (duo)
2
2 Flûtes traversières (duo)
2
Hautbois, Piano (duo)
2
Quintette de Saxophone: 5 saxophones
1
Ensemble à vent
1
Clarinette Basse, Piano
1
Clarinette et Alto
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Cor anglais, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Hautbois (partie séparée)
1
Flûte, Trompette (duo)
1
2 Hautbois (duo)
1
Saxophone Soprano et Piano
1
Flûte, Clarinette et Basson
1
Hautbois, Basson (duo)
1
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6
Trompette
4
Cor
2
Trombone
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Tuba
2
Trompette, Saxophone (duo)
2
Euphonium
2
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone et Piano
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
+ 10 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
5
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4
Violon
3
Violon, Violoncelle (duo)
3
Violoncelle, Piano
3
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Alto seul
1
+ 7 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
46
Batterie
12
Orchestre
4
Orchestre à Cordes
4
Orchestre de chambre
2
Marimba
2
Jazz combo
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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MANDOLINE
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Violon et Piano
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Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
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Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Six Sonates progressives
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Violon et Piano
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Carl Maria von Weber
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Six Sonates progressives
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - SKU: S9.Q42319 For Violin and Piano. Composed by Carl Maria von Weber. This edition: Sheet music. Violin Library. This edition...
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Violin and piano - SKU: S9.Q42319 For Violin and Piano. Composed by Carl Maria von Weber. This edition: Sheet music. Violin Library. This edition of sonatas for violin and piano includes practical arrangements based on the text of the Weber Complete Edition. Downloadable. Op. Heft 1. Schott Music - Digital #Q42319. Published by Schott Music - Digital (S9.Q42319). German • English.When Weber offered the sonatas for violin and piano to the publisher André von Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as large a target group of music-making amateurs as possible, editors at that time increasingly selected only easily playable works. Fortunately, these sonatas nevertheless found their way into the repertoire. This is a practical edition in two volumes based on the text of the Weber Complete Edition.
$16.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages....
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Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Six Sonates progressives
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Violon et Piano
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Carl Maria von Weber
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Six Sonates progressives
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - SKU: S9.Q42368 For Violin and Piano. Composed by Carl Maria von Weber. This edition: Sheet music. Violin Library. This edition...
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Violin and piano - SKU: S9.Q42368 For Violin and Piano. Composed by Carl Maria von Weber. This edition: Sheet music. Violin Library. This edition of sonatas for violin and piano includes practical arrangements based on the text of the Weber Complete Edition. Downloadable. Op. Heft 2. Schott Music - Digital #Q42368. Published by Schott Music - Digital (S9.Q42368). German • English.When Weber offered the sonatas for violin and piano to the publisher André from Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as large a target group of music-making amateurs as possible, the editors at that time increasingly saw to the works' easy playability. Fortunately, the sonatas nevertheless found their way into the repertoire of the violinists. This is a practical edition in two volumes based on the text of the Weber Complete Edition.
$16.99
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