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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
Free At Last
Violon et Piano
Partitions à imprimer
6 partitions trouvées
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AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO (WITH BONUS EASY VIOLIN PART)
Violon et Piano
Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James.…
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Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 12 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=8SYROYYYOc8<br> <br> <br> ‘At Last’ was composed by Mack Gordon and Harry Warren for the musical ‘Sun Valley Serenade’ in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.<br> <br> Why chose my arrangement?<br> <br> This is a song from my gig repertoire, and as such I have spent a long time on the piano part to make sure that it lies under the fingers. I have assigned the opening to the piano as it is tricky, even for very experienced violin players, and I shortened the introduction to make it more appropriate for concerts, wedding venues and pub gigs. I have also made the piano notation slightly smaller so that it falls onto two pages. It’s very important for a live performance to be able to see it easily. And unlike some sheet music that you can buy, I make sure the treble and bass clefs are easy to read….very few horrible ledger lines!<br> <br> The violin part has difficult rhythms but I enclose a midi version to help you. (Watch the video) Having said that, although the pianist needs to hold a steady pulse, the violin part can be extremely varied and you can play around with the tune as much as you like. I have included a cadenza that my daughter sings in live performances, but feel free to change it, or miss it out altogether.<br> <br> I have also included an Easy Violin version for your pupils, or as a way in to working on the more difficult version.<br> <br> My tips for the performance.<br> <br> The first piano chord is tricky, but works if you do a glissando in the left hand, and land on the A on the first beat of the bar. I tried many different spacings of the chord but this is the one that sounded best. I have largely written a quaver accompaniment throughout the song, but sometimes I hint at it rather than playing it literally. There are some fingerings that I have found helpful, but feel free to change them, of course! The same goes for my bowing. Take as many bows as you need to feel comfortable.
$10.00
9.22 €
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Violon et Piano
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Etta James
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Helen Marple-Horvat
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AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO
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Helen Marple- Horvat
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SheetMusicPlus
Free At Last (Flute or Violin solo and Piano)
Violon et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.628781 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritual. Score and parts. 9 pages. Exultet Music #6215145. Published by Exultet Music (A0.628781). The Spiritual that was quoted by Rev. Martin Luther King, Jr. in his famous 1963 I Have a Dream speech has now been freshly arranged for a Flute or Violin solo with Piano accompaniment. Accessible and appropriate for any church, school or concert setting.
$4.99
4.6 €
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Violon et Piano
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Spiritual
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Stephen DeCesare
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Free At Last
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Exultet Music
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SheetMusicPlus
Vocalise (Rachmaninoff) - violin duet and piano with FREE BACKING TRACK
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.564135 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Concert,Contemporary,Opera,Wedding. Score and parts. 14 pages. Austin Ralphson #6255563. Published by Austin Ralphson (A0.564135). Originally published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34, Rachmaninoff wrote this beautiful piece for high voice with piano accompaniment. It is presented here as an instrumental duet with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond!This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/8tBl9vPprw4 (copy and paste into a new window) and also in the video screen above.Parts in the correct transposition are provided, along with the score.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$4.99
4.6 €
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Violon et Piano
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Sergei Rachmaninoff
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Austin Ralphson
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Vocalise
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Austin Ralphson
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SheetMusicPlus
Vocalise (Rachmaninoff) - violin and piano with FREE BACKING TRACK
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.564149 Composed by Sergei Rachman…
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Piano,Violin - Level 5 - Digital Download SKU: A0.564149 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Contemporary,Opera,Wedding. 11 pages. Austin Ralphson #6261083. Published by Austin Ralphson (A0.564149). Originally published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34, Rachmaninoff wrote this beautiful piece for high voice with piano accompaniment. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/9LUEuP7bfkk (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/QXMf7 Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab): www.ralphsonstrings.com
$3.99
3.68 €
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Violon et Piano
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Sergei Rachmaninoff
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Austin Ralphson
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Vocalise
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Austin Ralphson
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SheetMusicPlus
The Spear of Destiny
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
$32.99
30.4 €
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Violon et Piano
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Jesus J
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The Spear of Destiny
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Jesus Martinez Music
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SheetMusicPlus
Saint-Saens: The Swan for Violin and Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.21 €
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Violon et Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Violin and Piano
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jmsgu3
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SheetMusicPlus
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