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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I'm Late
Sheetmusicplus
Non classifié
163
Piano & claviers
Piano seul
76
Piano, Voix et Guitare
40
Piano, Voix
22
Piano Facile
13
1 Piano, 4 mains
5
Instruments en Do
5
Piano grosses notes
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
24
Guitare
5
Ukulele
4
Guitare notes et tablatures
3
Basse electrique
3
Voix
Chorale SATB
35
Chorale 2 parties
7
Chorale TTBB
5
Chorale 3 parties
3
Voix Soprano
1
Chorale SSAA
1
Voix haute
1
Voix duo, Piano
1
Voix duo
1
+ 4 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
17
2 Saxophones (duo)
16
Flûte traversière et Piano
12
2 Clarinettes (duo)
9
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9
Ensemble de Clarinettes
7
Clarinette et Piano
6
Ensemble de saxophones
6
Clarinette
6
Hautbois, Piano (duo)
6
2 Flûtes traversières (duo)
6
Quatuor de Saxophones: 4 saxophones
6
Saxophone Alto
5
Saxophone Tenor et Piano
4
2 Hautbois (duo)
4
Ensemble de Flûtes
4
Flûte traversière
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Baryton, Piano
3
Saxophone Tenor
3
Saxophone, Clarinette (duo)
3
Quintette de Flûte : 5 flûtes
3
Cor anglais, Piano
3
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
3
Flûte, Violon et Violoncelle
2
Flûte et Guitare
2
Harmonica
2
Clarinette, Violon (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Clarinette Basse, Piano
2
Flûte, Violon
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Clarinette et Alto
2
Hautbois, Violoncelle
2
Hautbois
1
Flûte, Saxophone (duo)
1
Trio de Flûtes: 3 flûtes
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Orgue
1
Flûte, Clarinette (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Hautbois et alto (duo)
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Hautbois (partie séparée)
1
Saxophone (partie séparée)
1
+ 49 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trombones
7
Ensemble de Trompettes
5
Trompette
5
2 Trombones (duo)
5
2 Tubas (duo)
4
Cor et Piano
4
2 Trompettes (duo)
4
2 Cors (duo)
4
Trombone et Piano
4
Quatuor de Cuivres
3
Trio de Cuivres
3
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
2 Euphoniums (duo)
3
Trombone
3
Cor
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Trompette, Piano
2
Trompette (partie séparée)
2
Tuba et Piano
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trombones
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Tuba
1
Ensemble de Cors
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
10
Alto, Piano
8
Violon
7
Violoncelle
6
Violon, Violoncelle (duo)
5
2 Altos (duo)
4
Harpe
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Violoncelle, Piano
4
Ensemble d'Altos
4
2 Violons (duo)
4
Alto seul
3
Ensemble de Violons
3
4 Violoncelles
2
2 Contrebasses (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
11
Jazz combo
9
Orchestre d'harmonie
8
Cloches
6
Orchestre
4
Orchestre de chambre
4
Ensemble de cuivres
2
Ensemble Jazz
2
Ensemble de Percussions
2
Marimba
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Vous avez sélectionné:
I'm Late
SheetMusicPlus
Partitions à imprimer
10 partitions trouvées
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1
I'm Late
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Violon et Piano
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DÉBUTANT
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Bob Hilliard and Sammy Fain
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Karen Gueiros
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I'm Late
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Editora Gueiros
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1197674 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. B...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1197674 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Broadway,Children,Film/TV,Musical/Show. 7 pages. Editora Gueiros #796855. Published by Editora Gueiros (A0.1197674). An arrangement made for duo violin and piano of I'm Late from Alice in Wonderland.
$4.99
I'm Late
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Violon et Piano
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DÉBUTANT
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Bob Hilliard and Sammy Fain
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Karen Gueiros
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I'm Late
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Editora Gueiros
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1197673 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. B...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1197673 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Broadway,Children,Film/TV,Musical/Show. 7 pages. Editora Gueiros #796854. Published by Editora Gueiros (A0.1197673). An arrangement made for duo violin and piano of I'm Late from Alice in Wonderland.
$4.99
I Write The Songs
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Violon et Piano
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FACILE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549327 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. 8 pages. Jmsgu3 #34...
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Piano,Violin - Level 2 - SKU: A0.549327 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. 8 pages. Jmsgu3 #3486059. Published by jmsgu3 (A0.549327). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
La barque sur l'eau
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Violon et Piano
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DÉBUTANT
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Classique
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Bastien Chevalley
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La barque sur l'eau
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Bastien Chevalley
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.1264997 Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 pages. Bastien Ch...
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Piano,Violin - Level 1 - SKU: A0.1264997 Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 pages. Bastien Chevalley #857838. Published by Bastien Chevalley (A0.1264997). I'm delighted to present my latest composition, the fruit of my growing passion for the violin! Just three weeks ago, I began this incredible musical adventure, discovering the subtleties of this fascinating instrument. Oh, how I love it already, despite the challenges it presents! Despite my short experience, I already had an irrepressible urge to create music. And so was born this original composition, based on just three modest notes on the violin. However, thanks to a more elaborate piano accompaniment, the piece comes to life and acquires a more captivating musical interest.********************************************************************************************************************Je suis ravi de vous présenter ma toute nouvelle composition, fruit de ma passion grandissante pour le violon ! Il y a tout juste trois semaines, j'ai entamé cette incroyable aventure musicale en découvrant les subtilités de cet instrument fascinant. Oh, que je l'adore déjà , malgré les défis qu'il m'impose ! Malgré ma courte expérience, j'ai déjà une envie irrépressible de créer de la musique. C'est ainsi qu'est née cette composition originale, basée sur seulement trois modestes notes au violon. Cependant, grâce à un accompagnement plus élaboré au piano, la pièce prend vie et acquiert un intérêt musical plus captivant.
$5.00
The First Noel for Violin & Piano
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Violon et Piano
#
DÉBUTANT
#
Noël
#
Traditional
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James M
#
The First Noel for Violin &
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.548506 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 4 pages. Jmsgu3 #3387409. Pub...
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Piano,Violin - Level 1 - SKU: A0.548506 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 4 pages. Jmsgu3 #3387409. Published by jmsgu3 (A0.548506). The First Noel arranged for Violin & Piano with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Violin Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
Intermezzo Romantique
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Violon et Piano
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AVANCÉ
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Opera
#
Classique
#
Lucijan M
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Zellev
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Intermezzo Romantique
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Zellev Music
#
SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Perio...
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Piano,Violin - Level 5 - SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Period. 15 pages. Zellev Music #939049. Published by Zellev Music (A0.1354331). Key Signature: B minorTime Signature: 3/4Tempo: Allegro pateticoDifficulty: AdvancedLucijan Å kerjanc (1900-1973) was a Slovenian Composer.Å kerjanc is one of the most important older composers of contemporary Slovene music and is one of the key Slovene musical personalities of the 20th century. He graduated in Ljubljana and studied music in Prague, Vienna (Joseph Marx), Paris (Schola cantorum) and Basel (Felix Weingartner).He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-PeÄar, Zvonimir CigliÄ and Janez MatiÄiÄ whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.Å kerjanc was liberal in his attitude to music and multifaceted in his works. Whilst musically diverse, his opus centred on composition, varying from piano miniatures and solos for beginners, and solo and chamber works to full blown concertos and symphonies. Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels). He not only composed for the piano but also the violin, the clarinet and the bassoon in 1952. During his life he also wrote for international composers and composed the film scores for a number of films under Yugoslavia.
$12.00
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
Transfigured Life - Still Life
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Violon et Piano
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AVANCÉ
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Publish...
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Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
Bach: Bist du bei mir BWV 508 for Violin & Piano
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Violon et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pag...
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Piano,Violin - Level 2 - SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
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